Charlotte-Mecklenburg Historic Landmarks Commission

Author: Stewart Gray

Welch-McIntosh House

The Welch-McIntosh House

welch-mcintosh
This report was written on June 9, 1997

 

1. Name and location of the property: The property known as the Welch-McIntosh House is located at 3301 Gibbon Road in the Derita community of Charlotte in Mecklenburg County, North Carolina.

2. Name, address, and telephone number of the present owner of the property: The owner is :

Charlotte – Mecklenburg Historic Preservation Foundation, Inc.
2100 Randolph Road
Charlotte, North Carolina 28207
(704) 375-6145

3. Representative Photographs of the property: This report contains interior and exterior photographs of the property.

4. Maps depicting the location of the property: This report contains a map depicting the location of the property.

welch-map
5. Current deed book references to the property: The most recent deed to the Welch-McIntosh House is listed Mecklenburg County Deed Book 8834 at Page 364. The Tax Parcel Number of the property is 045-372-27.

6. A brief historical description of the property: This report contains a historical sketch of the property prepared by Dr. Dan L. Morrill.

7. A brief architectural description of the property: This report contains an architectural description of the property prepared by Dr. Dan L. Morrill.

8. Documentation of why and in what ways the property meets criteria for designation set forth in N.C.G.S. 160A-400.5:
a. Special significance in terms of history, architecture, and cultural importance: The Commission judges that the property known as the Welch-McIntosh House does possess special significance in terms of Charlotte and Mecklenburg County. The Commission bases its judgment on the following considerations: 1) the Welch-McIntosh House is the best preserved example of a transition Queen Anne style cottage in the Derita community, 2) the Welch-McIntosh House documents the dispersal of urban architecture into sections of rural Mecklenburg County in the late nineteenth and early twentieth centuries, and 3) George Stewart Welch (1867-1935) and Clara Rumple Welch (1868-1953), the initial owners of the house, demonstrate the impact of Charlotte upon the development of truck farming in turn-of-the-century Mecklenburg County.

b. Integrity of design, setting, workmanship, materials, feeling, and association: The Commission contends that the architectural description by Dr. Dan L. Morrill included in this report demonstrates that the Welch-McIntosh House meets this criterion.

9. Ad Valorem Tax Appraisal: The current Ad Valorem appraised value of the 1.501 acres of land is $49,010. The current Ad Valorem appraised value of the house is $4,290. The total Ad Valorem appraised value is $53,300. The property is zoned R12MF.

Date of Preparation of this Report: June 9, 1997

Prepared by: Dr. Dan L. Morrill
Historic Landmarks Commission
2100 Randolph Road
Charlotte, N.C. 28207

Physical Description

 

Dr. Dan L. Morrill
June 9, 1997

Location Description

The Welch-McIntosh House is located on Gibbon Road in the Derita community in the north central portion of Mecklenburg County. Derita is approximately six miles north of the city center of Charlotte. Sited on 1.501 acres of land on the south side of Gibbon Road, the Welch-McIntosh property is located approximately one-half mile west of Derita’s commercial district, which borders the tracks of the Atlantic, Tennessee & Ohio Railroad, now Norfolk Southern Railroad, which extend from Charlotte to just beyond Mooresville, N.C. The Welch-McIntosh House is sited on a slight knoll, and a lawn and a semicircular, gravel driveway separate the house from Gibbon Road. The lawn contains mature trees. To the rear of the house, the site descends gradually toward a creek. The only other structures on the site are a well house to the immediate rear of the house, a privy and a small storage shed. The proposed designation includes the Welch-McIntosh House (interior and exterior) and 1.501 acres of land, plus the privy and the well house.

Architectural Description

The Welch-McIntosh House is a one and one-half story, double pile, frame building with a one story rear ell on the southwest side of the house. The house has weatherboard siding; a brick pier foundation (infilled except for the porches during restoration), and a  hip roof covered in slate. A wide, balustraded wraparound porch is on the front of the house, and an “L-shaped,” balustraded porch extends across the back of the house and along the east side of the rear ell. The front wraparound porch has a shed, composition roof. A rock rubble stairway leads to the front porch, which is surmounted at the front entrance by a pedimented gable with broad eaves with returns. The main body of the roof also has broad, overhanging eaves, as does a pedimented gable which is located on the northwest corner of the house. The front door with transom is original. Surrounded by a symmetrically molded architrave with corner blocks, it retains its original screen door, which is modestly decorated with filigree. Original doorways also open on to the rear porch, one directly opposite from the front entrance and two along the rear projection of the “L-shaped” porch (the door closer to the rear now opens on to an enclosed laundry room). Two interior brick chimneys, each with a modestly corbeled cap, penetrate the roof of the main block of the house; and an interior brick chimney with plain cap extends above the roof of the rear el. The predominant window type is 2/2  sash with large lights or panes. Pedimented dormers of identical design with replacement windows are located on the center portions of the front and rear elevations of the house. The interior of the Welch-McIntosh House is strikingly original. The only major changes have been the construction of a bathroom in the 1950’s near the rear of a wide center hall that extends from the front to the back of main block of the house, and the placement of updated cabinets and fixtures (also in the 1950’s) in the kitchen at the southern end of the rear ell. Otherwise the interior features date from 1907. These include the mantels in the front four rooms, the doorways and their hardware and surrounds, the base and ceiling molding, the  wainscoting in the center hall, and the newels, handrail, and pickets of the “L-shaped” stairway that leads from the center hall in a single landing to the second floor, which contains two rooms, completely paneled.

Conclusion

The Welch-McIntosh House has been modified. A modern bathroom was installed in the 1950’s, and the kitchen was updated in the same decade. At some point in time the rear porch was extended over the well house — a feature which was eliminated during the recent restoration of the house — and portions of the front porch were demolished — the missing portions of the front porch were rebuilt earlier this year. The spring house no longer exists, nor do most of the outbuildings used during the years when George Welch occupied the property as a farmer. The brick pier foundation has been infilled with block which has been recessed. New cabinets have been placed in the kitchen, and the house has a new central air conditioning and heating system. On balance, however, the Welch-McIntosh House, both inside and outside, is largely original. The house has individual significance architecturally because it is the best preserved example of its stylistic genre in the Derita community. Also, it demonstrates how an essentially urban style, the transitional  Queen Anne style cottage, spread into rural Mecklenburg County in the early twentieth century, especially into areas which were closely linked to Charlotte by the railroad.
A History of the Welch-McIntosh House

 

Dr. Dan L.Morrill
June 9, 1997

The Welch-McIntosh House was built in 1907 as the home of George Stewart Welch (1867-1935) and his wife, Clara Lee Rumple Welch (1868-1953), whom he had married on April 9, 1894. She was a native of Mecklenburg County and Derita.1 This was not the couple’s first home in the Derita community. Previously renters, they decided to construct a residence on farm land that Mr. Welch had already purchased.2 It is also reasonable to assume that Welch and his wife needed a larger abode to rear their seven children — three sons and four daughters.3 The oldest child was only 10 years old when the Welches moved into the Gibbon Road house.

A large, convivial man who enjoyed joking with and teasing his children, George Welch was a resourceful and imaginative truck farmer. In addition to raising crops, he was a dairyman and tended peach, apple and pear orchards. He regularly delivered milk, butter, fruits and vegetables to customers in Charlotte. One of Welch’s stops was the Berryhill Store in Fourth Ward, where he would deposit his farm products and pick up supplies for his wife.4 Another of his enterprises was establishing and superintending the North Derita Poplar Springs, which was situated at the bottom of the hill behind the house. “I wish to announce that I have opened the above Springs near Derita and am prepared to properly fill orders in any quantity at reasonable prices,” Welch declared in an advertising circular that appeared in 1911. The circular contains a photograph of a gable-roofed spring house (no longer extant) and a horse-pulled delivery wagon. The product, of course, was pure drinking water.5 Later the spring house was used to refrigerate milk produced by Welch’s cows.6 George Welch took an interest in community affairs, especially education. He was the School Committee Chairman of the Derita School for many years.7 The Derita community grew up along the tracks of the Atlantic Tennessee & Ohio Railroad in the second half of the nineteenth century.8 Now almost totally engulfed by Charlotte’s suburban sprawl, Derita was once a distinct trading center for farmers in the region. The centerpiece of the neighborhood was the commercial district beside the railroad tracks about one-half mile east of the Welch-McIntosh House.

A leading storekeeper and the first postmaster in the community was Amos L. Rumple, Clara Welch’s father. He gave Derita its name. He named it after one of his best friends, Derita Lewis.9 The Welch-McIntosh House is situated on Gibbon Road, which parallels the tracks of the railroad just northwest of Derita. Consequently, even in 1907, it stood on a well-traveled road and was, therefore, readily accessible from the outside world. The house is a more or less standardized early twentieth century dwelling, suggestive more of urban or small town building forms than those found in the countryside. It is of balloon-framed construction with mass-produced sawn lumber and nails.10 Stylistically, the Welch-McIntosh House is a Queen Anne style cottage. Part of the picturesque movement, the Queen Anne style had been gaining popularity in Mecklenburg County since the 1870’s. “Contrasting sharply with simple square or rectangular folk house types, Queen Anne dwellings displayed consciously irregular forms, with jutting wings and bays topped by interlocking hip and gable roofs,” writes architectural historian Richard L. Mattson.11 George Welch, a diabetic in his later years, died in the Welch-McIntosh House on November 7, 1935, and was buried in the Sugar Creek Cemetery immediately across Sugar Creek Road from the Church.12 His daughter, Ona Welch Puckett, described her father thusly:

George Welch was a large man, usually weighing about 185-200 pounds. He was grey at a very early age. He had a mustache part of his life, but shaved it off in his late years of life. . . . He had blue eyes and fair skin.13

Clara Welch lived until June 3, 1953, when she too died in the house.14 Clara, a life-long member of Sugar Creek Presbyterian Church, is buried beside her husband. According to her daughter Ruby McIntosh, Clara was a “quiet, gentle person” who spent most of her years performing the routine chores of homemaking — cooking, washing, cleaning, etc. She enjoyed the services of an African American maid, named Edna, for many years.15 Canning of vegetables from the garden lasted throughout the summer. Animals, including pigs and horses, had to be fed. A typical meal for the family would consist of corn, squash, beans, pork and cornbread. Clara never complained and, according to her daughter, never had an argument with her husband.16 According to Maurice McIntosh, Clara adamantly refused to have a bathroom put in the house. She simply did not think it appropriate to use indoor facilities. Consequently, the family continued to use the outhouse, which still stands behind the dwelling, until after Clara’s death in 1953.17

In 1936, Ruby Welch (1908 – ) married Fred Campbell McIntosh (1899-1953), a native of Sanford, N.C. The two had met several years earlier on the front porch of the Welch-McIntosh House, when he had accompanied a friend from Charlotte on a visit. The next year Ruby and her husband established residency in the house on Gibbon Road, because Ruby’s sister, Ona, had moved into Derita, leaving Clara alone. Fred McIntosh resided in the house until his death in 1953, and Ruby stayed on until 1995, when she moved to a son’s house on Shasta Lane in Charlotte. Fred and Ruby McIntosh had two children, both sons. They are Alfred Welch McIntosh (1939- ) and Maurice Daniel McIntosh (1940- ).18

Fred McIntosh was a marble and tile setter. An employee of Renfrow Tile and Marble Co. in Charlotte, he would lay tile in bathrooms of new homes, install broken-tiled porches at houses, and place marble and tile floors in commercial and industrial buildings, including the River Bend Duke Power Plant in Gaston County. An outdoorsman, he loved to go fishing with his two sons and tell them what to do. “Don’t go to close to the shore.” “Row over that way.” Ruby McIntosh, a nurse, worked outside the home after her children started to school in the mid-1940’s. She continued to rear her children after her husband’s death and met her many responsibilities with a quiet but resolute demeanor. Maurice McIntosh remembers his childhood in the Welch-Mcintosh House as an almost ideal, rural existence. He and his brother Alfred used to catch all sorts of animals, pin them up, and nurture them. These included frogs, birds of all sorts, squirrels, and snakes. Maurice was also fond of guns. He would “ping bees” from the beehive that was always at the corner of the house with his BB gun and shoot rats with his 22 rifle when they ran across the fields of neighboring farmers at hay harvesting time.19 In 1995, the Welch-McIntosh House became rental property. The following year the Charlotte-Mecklenburg Historic Preservation Foundation acquired the house through donation from Ruby McIntosh and began restoring it. That effort is still underway at the time of the preparation of this report.
1 “Welch Family History,” compiled by Ona Welch Puckett (April, 1972). A copy of this manuscript is in the files of the Charlotte-Mecklenburg Historic Landmarks Commission. Mecklenburg County Marriage Book 47, p. 646.

2 Interview of Ruby Welch McIntosh and Maurice Daniel McIntosh by Dr. Dan L. Morrill (May 28, 1997). Hereinafter cited as “Interview.”

3 The children of George and Clara Welch were Earl Parks Welch (1895-1984), Oscar Blaine Welch (1897-1984), Waldo Pharr Welch (1901-1953), Ona Marie Welch Puckett (1904-1996), Mabel Bertina Welch Ellis (1906-1994), Ruby Hazeline Welch McIntosh (1908- ), and Beulah May Welch Dean (1912- ). See “Welch Family History.”

4 Interview.

5 “Welch Family History.” An original copy of this advertising circular is in the files of the Charlotte-Mecklenburg Historic Landmarks Commission. A concrete pad still marks the spot of the spring house at the edge of the creek behind or south of the house.

6 Interview. Maurice McIntosh says that there used to be a “churn house” immediately behind the main house, where milk was turned into butter. He also remembers a row of milking stalls behind the house.

7 “Welch Family History.”

8 The Atlantic, Tennessee and Ohio Railroad opened in 1860. The tracks were taken up during the Civil War, because the Confederacy was in desperate need of track for its heavily traveled railroads. The line did not reopen until 1874 as part of the Atlanta & Charlotte Air Line. Its auspicious name notwithstanding, the Atlantic, Tennessee and Ohio only ran from Charlotte to Statesville, N.C. See Thomas W. Hanchett, “Charlotte And Its Neighborhoods. The Growth of a New South City, 1850-1930” (1986), p. 16, an unpublished manuscript in the files of the Charlotte-Mecklenburg Historic Landmarks Commission.

9 Christina Wright and Dr. Dan Morrill,  Charlotte-Mecklenburg Historic Tours. Driving and Walking (Charlotte-Mecklenburg Historic Preservation Fund, Inc., 1994), p. 30.

10 According to Ruby Welch McIntosh, the house was built by a “Mr. High.” Also, the lumber was fashioned from trees cut from her uncle’s farm on Beatties Ford Road (Interview).

11 Richard L. Mattson, “Historic Landscapes Of Mecklenburg County,”(1991), pp. 20-21, a manuscript in the files of the Charlotte-Mecklenburg Historic Landmarks Commission.

12 Mecklenburg County Death Book 47, Page 646. Charlotte Observer (November 8, 1935).

13 “Welch Family History.”

14 Charlotte Observer (June 4, 1953).

15 Interview.

16 Interview.

17 Telephone conversation with Maurice McIntosh by Dr. Dan L. Morrill (May 29, 1997).

18 Interview.

19 Interview.


White Oak

WHITE OAK

 

 

Click here for White Oak National Register of Historic Places Nomination Form

This report was written on November 2, 1976

1. Name and location of the property: The property known as White Oak is located on Hood Rd. in the northeastern section of Mecklenburg County.

2. Name, addresses, and telephone numbers of the present owners and occupants of the property: The present owners and occupants of the property are:

John T. Porterfield & Ann C. Porterfield
White Oak Plantation
Route 8 Box 284F
Charlotte, N.C. 28212

Telephone: 536-4889

3. Representative photographs of the property: Representative photographs of the property are included in this report.

4. A map depicting the location of the property: This report contains a map depicting the location of the property.

 

5. Current Deed Book Reference to the property: The most recent reference to this property is found in Mecklenburg County Deed Book 2816 at Page 499. The Parcel Number of the property is 10808106.

6. A brief historical sketch of the property:

William Johnston, a prominent Scotch-Irish resident of Mecklenburg County in the 18th century, served in the Colonial forces during the American Revolutionary War. His most noteworthy contribution occurred at the Battle of Kings Mountain in October 1780. On March 9, 1784, Mr. Johnston purchased from John Wiley the land on which the structure known as White Oak presently stands. Local tradition holds that the house was built c.1792. It is certainly one of the finer Federal Style homes extant in Mecklenburg County. It was the centerpiece of a major plantation of antebellum Mecklenburg. Documenting the standing which Mr. Johnston attained in the community was the fact that one of his daughters, Elizabeth, married Hezekiah Alexander Jr., a son of the locally famous leader of the movement towards independence from Great Britain in 1775 and 1776.

7. A brief architectural description of the property: This report contains an architectural description prepared by Jack O. Boyte, A.I.A.

8. Documentation of why and in what ways the property meets the criteria set forth in N.C.G.S. 160A-399.4:

 
a. Historical and cultural significance: The historical and cultural significance of the property known as White Oak rests upon two factors. First, the structure has architectural significance as one of the earliest Federal Style plantation houses in Mecklenburg County. The Commission, however, believes that the architectural significance of the structure would be enhanced by removal of the front portico. Second, the plantation has historical significance because of its association with a family which was prominent in the early history of Mecklenburg County.

b. Suitability for preservation and restoration: The current owners have demonstrated an interest in returning the structure to its original appearance. Certainly, the structure is suitable for preservation and restoration.

c. Educational value: The structure has educational value because of its historic and cultural significance.

d. Cost of acquisition, restoration, maintenance, or repair: At present the Commission has no intention of purchasing the fee simple or any lesser included interest in the property. The Commission assumes that all costs associated with maintaining the structure will be paid by the owners or subsequent owners of the property.

e. Possibilities for adaptive or alternative use of the property: The Commission concurs with the current owner’s use of the structure as a private residence.

f. Appraised value: The current tax appraisal value of the structure is $31,520. The current tax appraisal value of the land is $40,500. The Commission is aware that designation of the property would allow the owner to apply for an automatic deferral of 50% of the rate upon which the Ad Valorem Taxes are calculated.

g. The administrative and financial responsibility of any person or organization willing to underwrite all or a portion of such costs: At present the Commission has no intention of purchasing the fee simple or any lesser included interest in this property. Furthermore, the Commission assumes that all costs associated with the structure will be met by whatever party now owns or will subsequently own the property. Clearly, the present owner has demonstrated the capacity to meet the expenses associated with restoring or maintaining the structure.

9. Documentation of why and in what ways the property meets the criteria established for inclusion in the National Register of Historic Places: The Commission believes that the property known as White Oak on Hood Rd. in Mecklenburg County, N.C., does meet the criteria of the National Register of Historic Places. Basic to the Commission’s position is its understanding of the purpose of the National Register. Established in 1966, the National Register represents the decision of the Federal Government to expand its listing of historic properties to include properties of local, regional, and State significance. The Commission believes that the property known as White Oak is of local historic significance and therefore meets the criteria for listing in the National Register of Historic Places.

10. Documentation of why and in what ways the property is of historic importance to Charlotte and/or Mecklenburg County: The property known as White Oak is historically significant to Mecklenburg County for two reasons. First, it has architectural significance as one of the earliest Federal Style plantation houses in Mecklenburg County. Second, the plantation has historical significance because of its association with a family which was prominent in the early history of Mecklenburg County.

Click Here For White Oak Furniture
Bibliography

An Inventory Of Older Buildings In Mecklenburg County And Charlotte For The Historic Properties Commission.

Ruth Blackwelder, Old Charlotte and Mecklenburg Today (The Mecklenburg Historical Association, 1973).

Charlotte News (March 17, 1973) p. 34.

Records of the Mecklenburg County Register of Deeds Office.

Records of the Mecklenburg County Tax Office.

Date of Preparation of this report: November 2, 1976

Prepared by: Dr. Dan L. Morrill, Director
Charlotte-Mecklenburg Historic Properties Commission
139 Middleton Dr.
Charlotte, N.C. 28207

Telephone: 332-2726

 

 
Architectural Description

 

by Jack O. Boyte, A. I. A.

In the Reedy Creek community of northeastern Mecklenburg County a prosperous pioneer, William Johnston, purchased a large tract of farm land in the early 1790’s. After service in the colonies’ revolt against the crown, which included captain’s duties at Kings Mountain, Johnston engaged in farming and land trading for the next decade or so. Finally in 1792 he acquired the Reedy Creek lands for his proposed plantation manor house. Subsequently he built the fine two story brick walled structure, known as White Oak Plantation, standing today just south of Reedy Creek on a high rise facing Hood Road.

During the middle years of the eighteenth century the Piedmont wilderness was settled largely by Scotch-Irish pioneers. By nature thrifty and hard working, many of these early families achieved a high level of affluence by the turn of the century. Consequently, a number of the finest historic houses in the county date from the early years of the nineteenth century, and were originally plantation manor houses for pioneer Presbyterian settlers. And by coincidence, or perhaps as a result of simpler tastes, most of these houses exhibit the spartan simplicity of the Federal style as opposed to earlier Georgian elaboration. The Johnston house is done in this Federal style, although there are a few indications of Georgian details affecting the design.

The house has the characteristic plantation manor house form. An imposing brick structure, the two story rectangle is dominated by massive single shouldered chimneys at each gabled end. The roof has front and rear uninterrupted surfaces rising steeply to a high ridge running from gable to gable. Front and rear facades are three bays wide. The entrance side features a large six panel door with a recessed molded frame with a rare three light  transom above. Flanking the door are tall nine light over six light windows. At the second floor the three bay facade is repeated with large nine light over six light windows. Above the windows on both floors are skillfully crafted jack arches with fine tapered shapes and a center wedge. At the top of a recently erected pedimented entrance frame one may see a small corner of the original jack arch over the door.

This discordant frame does not appear to have damaged the original entrance. At the front there is also a recently installed two story portico with tall wood columns supporting a new gabled roof. A brief look at these added elements indicates that the original wall and roof surfaces could be cleared of the later materials with relative ease and the original exterior features revealed as they were.

At each end the large brick chimneys rise from field stone bases to stepped shoulders above second floor fireplace heights. Over these shoulders the chimneys continue in a diminished size to corbeled caps. Typically, gable chimney construction in this architectural mode set out from wall surfaces. So to achieve this effect in the Johnston house, the narrow sides of the gable chimneys are built with carefully defined edges and shallow recesses. Yet in the mass of the chimneys adjacent to the brick wall the chimneys are built solidly as integral parts of the brick work. At each end there are tall, narrow nine over six light windows flanking the chimneys at the first floor and nine over six at the second floor. Gable windows in the garret walls are double hung four over four.

On the rear wall there is a center six panel recessed entrance door. This frame has no transom since the low interior stair landing passes just over the head in the rear stair hall. At the right rear there has been added a one story kitchen wing in recent years. Connecting this wing to the main house is an original paneled exterior door which has a three light transom frame similar to that over the front entrance. At the opposite side downstairs is a nine over six light window matching the front. On the second floor are three symmetrically placed  nine over six light windows also like those at the front.

The house includes an astonishing number of fine bricks in its construction. Not only are all outside walls of solid brick more than a foot thick, but there is a rare fireplace wall between the library and the dining room on the first floor which is more than three feet thick. Also one wall of the central hall is solid twelve inch brick on both floors. This generous use of brick is an indication of the affluence of William Johnston. Not a rare building material locally at the turn of the century, (skilled brick makers had moved south from Virginia earlier in the eighteenth century) masonry work was nevertheless more costly than the plentiful lumber being produced at several water powered saw mills in the vicinity. Most contemporary planters were content with massive brick chimneys, usually laid in  Flemish bond, as is White Oak. One may see some strikingly similar chimneys today at such places as Cedar Grove, Latta Place, Rosedale, and Beaver Dam as well as the sister northern Mecklenburg brick house of William Tasse Alexander.

The exterior of the house reflects largely an Adam style simplicity. There is little or no elaboration in the wood trim. At the cornice, however,there is a mild Georgian influence in the wide overhang. This overhang appears out of context with the design of the house and is perhaps not original.

Entering the front door brings one into a wide center hall finished with rare elegance. Flooring consists of wide pine boards which have aged to a fine patina. Walls are plaster above a molded chair rail, with solid wide panels cut from a single width of pine below. At the beaded plank ceiling there is an elaborate wide classical cornice. Intricately molded casing frames window and door openings. At the right rear of the hall a skillfully crafted  stair rises in three runs some fourteen feet to the second floor. This stair has been changed several times since first built. Originally the staircase was located on the Southeast wall (parlor). The house used to have a Quaker floor plan. That was changed by the addition of a partition to create a central hall. However, the original  rail and  balusters appear to have been preserved and installed in proper sequence. The stair brackets are gracefully turned scrolls. Between the chair rail and stair stringer there is a triangular panel defined with a fine classical molding and ornamented with a carved wood garland.

At the left of the hall are two rooms divided, as described below, by a thick chimney wall. The small front room, which was likely a library, has a modest fireplace near the outside wall surrounded by a fine Adamesque mantel. Oval reeded pilasters flank this fireplace opening and rise to a narrow molded mantel shelf, where the pilaster support is reflected in flared relief in the mantel profile. Below the mantel is a delicately carved apron with a unique inverted scalloped edge creating a series of triangular indentations. The fine chair rail, plastered walls, crown mold and  wainscot from the hall are repeated here. Adjoining the fireplace in the thick middle wall is a deep recessed opening above the chair rail. Here the original house likely had built-in shelves or a cupboard of sorts. Now the opening is simply a plastered alcove .

Throughout the first floor the windows are splayed in the thick outside brick walls. With the window sills placed at chair rail height, the wainscot and base, as well as the rail, follow the angular flow of the wall surface at the windows. Over the window heads plastered walls and ceiling cornices are not recessed.

At the left rear on the first floor there is a relatively small dining room featuring a modest fireplace and mantel similar to that in the library. Finishes are also similar, and there is a plaster alcove in the middle wall. At the rear of this room is the door mentioned above, which was built at first to provide access to the original exterior kitchen. This door is hung on original cast iron butt hinges secured with pointless screws, as are the other first floor doors.

On the right, or east, side of the center hall is the large parlor. Encompassing half of the first floor, this imposing room is essentially undisturbed, and features a fine federal mantel and overmantel. With details similar to those in the two smaller mantels across the hall, this elaborate element typifies the skilled carpentry found throughout the house. In this room trim and finishes are also similar to those found in other first floor areas.

On the second floor one finds bed chambers which reflect the floor plan of the first floor. On the west side are two rooms divided by a foot thick masonry wall and equal in size to the two areas below. Windows are centered in the front and side walls. On the second floor, however, the windows are not splayed as found below. This is an obvious result of less thick exterior brick walls on the second floor. The hall wall adjoining these two rooms is also masonry, although not as thick as below.

On the east side of the second floor hall a partition of single thickness, beaded, tongue and grooved boards forms the enclosure for one large bed chamber. Again, this room is equal to the parlor in size. Also, in this large chamber is a side wall fireplace and mantel. Details of the mantel are similar to those on the first floor, with oval reeded pilasters and molded mantel shelf. However, at the top of each pilaster is a console bracket, a fine detail not found elsewhere in the house.

The finishing details throughout the second floor are comparatively elaborate. Whereas in many contemporary houses the usual first floor elaboration is modified or omitted in the second floor, here the chair rails, molded casing and elaborate ceiling cornice are altogether as fine on the second floor as on the first.

A curious feature on the second floor is the apparent omission of fireplaces in the two small bed chambers. As noted above, the west chimney has high shoulders well above the normal location of second floor fireplaces, but neither room shows any sign of ever having had such a device.

From the rear of the second floor hall a short stair run leads to a wide landing centered in the rear hall window. From this landing a simple paneled door opens to the steep garret stair. In this stair enclosure are unfinished pine boards showing typical elongated shallow grooves resulting from hand planing. In the garret there are heavy hand hewn joists which span the width of the house, front to rear. Above are heavy rafters showing typical vertical marks of water powered saws. At the ridge and at the eaves these members are rabbeted and pegged in tight joints. Joining each pair of rafters are sawn collar beams at head height, also rabbeted and secured with toenails. Across the rafters are the original shingling strips spaced about one foot apart. Embedded in these strips are numbers of the original machine headed cut nails used for the first shingling. At the gable end the solid brick walls appear in unfinished rough coursing.

As is often the case, most of the original dependencies on the manor house grounds have been demolished. Gone are the kitchen, smoke house, well house, etc., but there is one small stone structure remaining on the west side which is likely the original dairy. Although the roof of this building has been rebuilt – probably several times -the walls are intact and there is an original wood bar grill vent beside the one small door.

This fine old house is a rare example of frontier Federal architecture. From the hands of the skilled pioneer craftsmen hired by William Johnston the community has inherited an extraordinary historic building. In recent years the house suffered from neglect and disturbing, though well meaning, change. But fortunately it now has owners who know and care about its historic significance. Preservation and restoration seem assured and should be vigorously supported.

 


Whitley’s Office Building

DR. WHITLEY’S OFFICE BUILDING

whitley

This report was written on October 3, 1988

1. Name and location of the property: The property known as Dr. Whitley’s Office Building is located on Hillside Drive, Mint Hill, N.C.

2. Name, address and telephone number of the present owner of the property: The owner of the property is:

Mint Hill Historical Society, Inc.
P.O. Box 23086
Charlotte, N.C., 28212

Telephone: c/o Becky Griffin (704) 545-5766

3. Representative photographs of the property: This report contains representative photographs of the property.

4. A map depicting the location of the property: This report contains a map which depicts the location of the property.

whitney-map

5. Current Deed Book Reference to the property: The most recent deed to this property is recorded in Mecklenburg County Deed Book 5172, Page 023. The Tax Parcel Number of the property is: 137-065-35.

6. A brief historical sketch of the property: This report contains a brief historical sketch of the property prepared by Dr. William H. Huffman, Ph.D.

7. A brief architectural description of the property: This report contains a brief architectural description of the property prepared by Dr. William H. Huffman, Ph.D.

8. Documentation of why and in what ways the property meets the criteria for designation set forth in N.C.G.S. 160A-399.4:
a. Special significance in terms of its history, architecture, and/or cultural importance: The Commission judges that the property known as Dr. Whitley’s Office Building does possess special significance in terms of Charlotte-Mecklenburg. The Commission bases its judgment on the following considerations: 1) Dr. Whitley’s Office Building, erected c. 1909, is a remnant of the rural environment which once supported country doctors in Mint Hill and other outlying areas of Mecklenburg County; 2) Dr. Ayer Whitley and his wife, Esther Calcenia Mangum Whitley, served Mint Hill and its environs for about 40 years; and 3) the Mint Hill Historical Society plans to restore Dr. Whitley’s Office Building and to make it part of a historical park.

b. Integrity of design, setting, workmanship, materials, feeling, and/or association: The Commission contends that the architectural description by Dr. William H. Huffman which is included in this report demonstrates that Dr. Whitley’s Office Building meets this criterion.

9. Ad Valorem Tax Appraisal: The Commission is aware that designation would allow the owner to apply for an automatic deferral of 50% of the Ad Valorem taxes on all or any portion of the property which becomes “historic property.” The current appraised value of the improvement is $0. The current appraised value of the land is $23,960. The total appraised value of the property is $23,960. The property is zoned B2.

Date of Preparation of this Report: October 3, 1988

Prepared by: Dr. Dan L. Morrill
Charlotte-Mecklenburg Historic Properties Commission
1225 S. Caldwell St.
Charlotte, NC, 28203

Telephone: 704/376-9115
Historical Overview

 

Dr. William H. Huffman
July, 1988

The Dr. Whitley Office Building in Mint Hill is an unique early twentieth-century remnant of the town’s and Mecklenburg County’s once rural character. It appears to have been built by Dr. Ayer Manny Duncan Whitley ( 1884-1951 ) about 1909 as a physician’s office, but it may also have been built earlier by his predecessor, Dr. John McCamie DeArmon ( 1857-1945).

In 1908, Dr. Whitley took over the practice of the town’s first physician, Dr. DeArmon. Descended from a pioneering Mecklenburg County family, Dr. DeArmon was the son of Richard Lawson and Pamela Alexander DeArmon. After an undergraduate education at Rutherford and Yadkin Colleges, he received his medical degree in 1886 from the Baltimore Medical College (now part of the University of Maryland) where he also served his internship. On his return to his parents’ farm in Mallard Creek, his father told him to go to Mint Hill, twenty-four miles away: “They need a doctor there,” 1

Arriving on a skinny black bay horse named Wallace late on August 14, 1886, Dr. DeArmon had to shout loudly for some time to wake his host, Frank McWhirter, who put him up in an empty upstairs room of what was but a shell of a house. Hardly had he bedded down for the night, the house, which was covered with a tin roof, began shaking with great clatter of the tin, and McWhirter thought his young guest was having fits. After DeArmon made his way down the rickety stairs, they realized an earthquake was responsible for all the commotion. (It turned out to be a foretaste of the disastrous Charleston earthquake of August 31, 1886.) Thus began his 21 year stay as the town’s first physician. 2

On May 27, 1890, Dr. DeArmon and Susie (Sue) Eliza Wolfe (1868-1944) were married in the Amity Presbyterian Church. She was the daughter of C. H. and Jennie Hunter Wolfe of Mecklenburg County, and an elocution teacher at the old Bain Academy in Mint Hill, a private secondary school. They honeymooned in Richmond, Va., at the Confederate Veteran’s Reunion just for the excitement, since they were both youngsters during the war. 3 In 1891, Dr. DeArmon bought ten acres on what is now Fairview Road (N.C. 218) and built a modest house, which was added to over the years. 4 There he practiced medicine and they began their family, which came to number twelve children. Apparently Dr. DeArmon eventually had a growing practice in Charlotte, and in 1907 sold the Mint Hill home and moved to the bigger city. He continued to practice until the age of seventy-five, and was at one time the president of the Mecklenburg County Medical Society. 5

After about a year without a resident physician, Dr. Ayer Whitley, a twenty-four-year-old native of Union County, came to town in 1908 and began his practice. The son of Phillip and Mary Simpson Whitley of Union County, he also attended Rutherford College and the Baltimore Medical College, where he received his medical degree about four months before coming to Mint Hill. Arriving in October,1908 with a nine-day-old baby, the Whitleys first took up residence across the road from the ten-acre DeArmon place, and bought it the following March, 1909. 6

It was probably about then that the detached office building was built (about forty feet from the house) where Dr. Whitley conducted a typical small-town/country general practice. It was set up with three rooms: a reception/waiting room in the front half, and two examining rooms in the back. (Dr. DeArmon had used a back corner room of the house as an office.) For house calls, he used the one-horse buggy familiar to all country doctors of the time. Later, he tried a motorcycle, but the bumpy ride apparently broke too many medicine bottles, so he ended up with an automobile equipped with fog lights. 7

For about forty years, just up to a few years before his death, Dr. Whitley ministered to the needs of his Mint Hill-area patients. He also set up offices in Concord and Monroe, mixed his own medicines, made house calls 24 hours a day, and in the process delivered 6,784 babies. This included 12 of his own; eleven were born in the Fairview Road home, and the other just before they moved in the house across the road. Called “Professor Whitley” by some of his colleagues because he often referred to his medical books when faced with a difficult case, Dr. Whitley began practice charging $3 to deliver a baby, plus $1.50 for travel expense. At the end of his practice, he charged $75 for the same service. 8

Esther Calcenia Mangum Whitley ( 1884-1987), Dr. Whitley’s wife, occasionally helped him in his practice, although she did not have any formal training, by assisting with his “labor cases,” sutures, pulling teeth and administering anesthesia. She even delivered thirty-six babies under his supervision, and two others by herself. 9

Mrs. Whitley was the third of ten children born to John Cullen Mangum, a well-known magistrate of Chesterfield County, S.C., and Ida Letha Funderburk Mangum. Married on January 5, 1908, the Whitleys lived in Baltimore while Dr. Whitley finished his residency, after which they moved for a short time to Union County. In an interview, Mrs. Whitley recalled that she always raised a garden, chickens, pigs and cattle, and instilled a sense of hard work in her children as good preparation for life. 10

Although the country practice was always busy, it was not lucrative, since the poor country folk who were many of his patients commonly paid with livestock or produce, or couldn’t pay at all. None were ever refused treatment for lack of money. Thus the ten-acre home place was utilized as a small farm to provide enough food for the large family. In addition to the main house, which was built over a well, and the office building, there was a barn, a crib and another outbuilding on the property that were used as part of the farm. 11

Following the death of Dr. Whitley, the DeArmon/Whitley home place was sold to a son, Dr. Ayer C. Whitley (d. 1978) in 1971, and in turn to his son, Ayer C. Whitley, Jr. in 1980. 12 The latter donated the doctor’s office building to the Mint Hill Historical Society on November 4, 1986, and the Society moved it to its present location on Hillside Drive (on property donated by the family of the late Carl J. McEwen) July 21, 1987. 13

With a seed grant from the North Carolina General Assembly of $10,000, a restoration design plan from UNC-Charlotte architecture students and the offer of other donated goods and services (which include some of Dr. Whitley’s medical equipment), the Society is undertaking the restoration of the office and plans to incorporate it into a historical park with other buildings and artifacts representative of Mint Hill’s early history. Thus will a unique remainder of both the medical and rural heritage of Mint Hill and Mecklenburg County be preserved and available to future generations.
Notes

1 Charlotte Observer. April 23, 1945, Sect.2, p. l; letter from Dr. DeArmon to Gladys DeArmon Robinson, printed in Mint Hill Historical Society Newsletter, Vol. 1, No. 3, Sept.1986.

2 Letter, cited above.

3 The Southern Echo. January id, 1986, p.1.

4 Mecklenburg County Deed Book 81, p.409.

5 Charlotte Observer. cited above; Mecklenburg County Deed Book 220, p. 134.

6 Mecklenburg County Deed Book 242, p. 325; Charlotte Observer. December 29, 1951, p. 12B; unidentified newspaper article by Avery Phillips on file with Mint Hill Historical Society.

7 Undated Charlotte News article by Carol Lowe Timblin on file with Mint Hill Historical Society.

8 Ibid.

9 Ibid.

10 Ibid.; article by Avery Phillips cited in note 6.

11 Ibid.

12 Mecklenburg County Deed Books 3342, p.338; 4376, p.427.

13 Donation Agreement on file with Mint Hill Historical Society; Mint Hill Historical Society Newsletter, Vol.2, No. 4, Sept. 1987; Charlotte Observer. July 26, 1947. “Mecklenburg Neighbors” Section, p. 12.
Architectural Description

 

The Dr. Whitley Office Building was built about 1909 as a physician’s office and examining room by Dr. Ayer Duncan Whitley ( 1884-1951). It is presently the only structure occupying a one hundred feet by two hundred feet gently sloping lot on Hillside Drive in Mint Hill, and is sited along a northwestern-southeastern axis, with the front facing northwest. Dr. Whitley’s grandson donated the office to the Mint Hill Historical Society in 1986, and in 1987 the Society moved the building to the present site.

Originally the building was constructed about forty feet west of Dr. Whitley’s house on Fairview Road in Mint Hill, which was about three-tenths of a mile east of the present site. Both the office and the house (which is no longer extant) faced south, and directly to the west of the office was a blacksmith shop on an adjacent corner property. Physical and interview evidence has revealed that the office was reconstructed to its present size in the Twenties or Thirties. 1 Originally the building had a front section that served as a pharmacy. Entry was through recessed, glass-paneled double doors, and inside was a counter for serving customers. There were glass windows on either side of the front doors, and a lean-to porch across the width of the facade was supported by four posts. A decorative parapet false front rose above the roof line from the point where the porch roof attached to the facade, so that the whole gave the appearance of a storefront. Sometime in the Twenties or Thirties, the front section of the building was sawn off, rolled on logs to the rear of the Whitley property, and turned into a tenant house. it is no longer extant.

The resulting present building is rectangular in plan, one-story with a front-gabled roof, covered with tin, and rests on ten brick piers. It is covered with drop board siding, and has one chimney on the eastern side near the front, which has been reconstructed in stretcher bond. On the front of the office, which was newly built when it was cut in two, two eight over eight  double-hung sash windows with simple surrounds are on either side of a six-panel solid wood door. A small, one-bay gable-roofed porch extends out over the front door that is supported by two simple wood posts.

The two other extant windows are in the rear of the building, and are six over six double-hung sash. One is near the rear on the northeast side, and the other on the rear near the southwest side. There is a six-panel rear exit door that is not original: it appears to have been put in where a window that matched the other rear window was located. Another door is located near the rear on the southeastern side; the opening appears original, but not the door. This would have been where Dr. Whitley entered the office from his house.

Except for the front wall, all the interior walls are covered with tongue-and-groove board. The front half of the building is a single open room, presumably a waiting room. The rear half is divided into two rooms, both of which were examining rooms; the one on the west side was also an office, and the one on the east side still has a sink and original tongue-and groove board ceiling.

When moved, the roof and some wall sections were in considerable need of repair, but restoration efforts to date have corrected the most serious problems. Much of the interior tongue-and-groove board interior is in good condition, as are the extant winders.
Notes

1 From oral history gathered by Becky Griffin and others of the Mint Hill Historical Society.


Wilson House and Farm

SURVEY AND RESEARCH REPORT

WILSON HOUSE AND FARM

tomwilsonfront

This report was written on 25 May 1992

1. Name and location of the property: The property known as the Tomlinson-Wilson House and Farm is located at 11400 Old Statesville Road, Huntersville, in Mecklenburg County, North Carolina.

2. Name, address and telephone number of the present owner of the property: The owner of the property is:

Thomas A. Davis and wife Charlotte B. Davis
11400 Old Statesville Road
Huntersville, North Carolina 28078

Telephone: (704) 875-6947

Tax Parcel Number: 019-131-02

3. Representative photographs of the property: This report contains representative photographs of the property.

4. A map depicting the location of the property: This report contains maps which depict the location of the property.

wilson-hse-farm-map

5. Current Deed Book Reference to the property: The most recent deed to Tax Parcel Number 019-131-02 is listed in Mecklenburg County Deed Book 2561 on page 161.

6. A brief historical sketch of the property: This report contains a brief historical sketch of the property prepared by Ms. Paula M. Stathakis.

7. A brief architectural description of the property: This report contains a brief architectural description of the property prepared by Ms. Nora M. Black.

8. Documentation of why and in what ways the property meets criteria for designation set forth in N.C.G.S. 160A-400.5:
a. Special significance in terms of its history, architecture, and /or cultural importance: The Commission judges that the property known as the Tomlinson-Wilson House and Farm does possess special significance in terms of Charlotte and Mecklenburg County. The Commission bases its judgment on the following considerations: 1) the Tomlinson-Wilson Farm, once a part of a much larger tract of land, is a good example of the agricultural environment that was predominant in Mecklenburg County and North Carolina; 2) the Tomlinson-Wilson House is believed to have been constructed by the Tomlinson family in the 1840’s; 3) as the only surviving early house on the agricultural tract, the Tomlinson-Wilson House is a good example of a mid-19th century vernacular farmhouse with some Adam details; 4) the Tomlinson-Wilson House is architecturally significant as an I-house plan in the Tidewater South, Folk House tradition; 5) the Tomlinson-Wilson House has many exterior features, such as the one-story shed-roofed porch and the front door surround, that are intact and in very good condition; 6) the Tomlinson-Wilson House has many interior appointments, such as the fireplace surrounds and the curved balustrade, that are intact and in very good condition; and 7) the Tomlinson-Wilson House and Farm can provide valuable insight into the life of Mecklenburg County’s early yeoman farmers.

b. Integrity of design, setting, workmanship, materials feeling, and /or association: The Commission contends that the architectural description by Ms. Nora M. Black included in this report demonstrates that the Tomlinson-Wilson House meets this criterion.

9. Ad Valorem Tax Appraisal: The Commission is aware that designation would allow the owner to apply for an automatic deferral of 505 of the Ad Valorem taxes on all or any portion of the property which becomes a designated Historic landmark.” The current appraised value of the improvement is $59,140. The current appraised value of the 26.32 acres of Tax Parcel 019-131-02 is $131,600. The total appraised value of the property is $190,740. The property is zoned R3.

Date of Preparation of this Report: 25 May 1992

Prepared by: Dr. Dan L. Morrill in conjunction with Ms. Nora M. Black
Charlotte-Mecklenburg Historic Landmarks Commission
The Law Building, Suite 100, 730 East Trade Street
Charlotte, North Carolina

Telephone: 704/376-9115
Historical Overview

tomdoor

Ms. Paula M. Stathakis

The Tomlinson-Wilson House was once part of a large farm that consisted of at least 186 acres. Although there are no extant documents that authenticate the date of the house, the accepted local history about the house is that it was built in the early 1840s. Deeds for the property cannot be traced beyond 1891; it is therefore not possible to verify this assumption through legal records.

According to an initial report made by M. B. Gatza, the earliest name that can be associated with this house is Tomlinson, the family who probably built it in the 1840s. The Wilson family subsequently purchased the property. According to the earliest deed that can be identified with this property, J. F. Wilson is the first member of the Wilson family that can be documented as an owner of the land. 1 J.F. Wilson was a son of Cyrus Wilson who was probably the Wilson who purchased the property. Cyrus Wilson was killed by a fall from a swing in the backyard of this house.

The history of this house is obscure, but the legal records suggest that the Wilson family encountered financial difficulties prior to the 1890s and lost the house. C. W. (Clarence Wesley) Wilson, son of Cyrus Wilson, lost the property because he defaulted on a loan. No records exist to explain to whom he was indebted or for what purpose. The property was auctioned at the courthouse and purchased by J. F. Wilson. 3 By January of 1892, C. W. Wilson owned 98.25 of the original 186 acre tract and J. F. Wilson owned the remaining 87.75 acres. It is not clear if C.W. Wilson purchased the land or if it was given to him by J.F. Wilson. 4

This property is located in the Mallard Creek Township, a rural area populated almost exclusively in the late nineteenth century by small farmers who grew corn and other grains, cotton, and raised livestock. Farmers in this area appeared to be more dependent on cotton as a cash crop towards the latter part of the nineteenth century, as did farmers in other parts of Mecklenburg County. Unfortunately, the Wilsons do not appear in the existing agricultural censuses for the nineteenth century in Mecklenburg County, so there is no way to document their agricultural activity on this land. There is, however, no reason to suspect that they behaved any differently than their neighbors regarding agriculture. 5

J.F. Wilson sold his land in 1896 to P.T. Christenbury. 6 Christenbury deeded the land to his daughter Margaret in 1933. 7 Margaret Christenbury Dellinger and her husband C. M. Dellinger sold part of the property in 1946 to N. S. and Eva Tomlinson. 8 N.S. Tomlinson was the last owner to farm this land. The Tomlinsons sold the property that same year to Charles and Helen Bruce. 9 When the Bruces bought the property, they found bales of cotton piled on the porch of the house. Charles Bruce was employed as a salesman for Howard and Shelton in Charlotte. In 1975, Helen Bruce sold the house to the current owners, Thomas and Charlotte Davis, her daughter and son-in-law. 10
Notes

1 Deed 81-490, 11-25-1891 mentions that J.F. Wilson was the son of Cyrus Wilson who was the previous owner of the property. Indices of deeds in the nineteenth century do not list a Cyrus Wilson as a landowner of any property in Mecklenburg County.

2 Charles William Sommerville, The History of Hopewell Church, Charlotte, N.C.: Observer Printing House, 1939, p. 198. Survey report by M.B. Gatza.

3 Deed 82-59, 8-3-1891, Mecklenburg County Courthouse. In a confusing array of deeds, this property appears to have passed back and forth between J. F. Wilson and E. M. and N. W. Puckett in 1891 and 1892. J. F. Wilson ended up as sole owner of the property in 1892.

4 Deed 82-592, 1-7-1892. Mecklenburg County Courthouse.

5 According to the 1880 Agriculture Census for Mecklenburg County, one of the owners of the property, E. M. Puckett grew fifteen acres of cotton, ten acres of corn, and ten acres of oats. Puckett probably did not grow these crops on the Tomlinson-Wilson land, but these crops were typical for the area and the region.

6 Deed 112-625, 11-18-1896. Mecklenburg County Courthouse.

7 Deed 846-126, 11-16-1933. Mecklenburg County Courthouse.

8 Deed 1188-10, 2-11-1946. Mecklenburg County Courthouse. This deed conveyed 49.75 acres, slightly more than half of the tract that the Dellingers owned.

9 Deed 1222-65, 10-17-1946. Mecklenburg County Courthouse.

10 Deed 2561-161, 1-1-1975. Mecklenburg County Courthouse.
Architectural Description

tomstair

Ms. Nora M. Black

The Tomlinson-Wilson House and Farm is located on the east side of Old Statesville Road (Highway 115 running from Charlotte to Huntersville). The house is north of Alexanderana Road but south of Hambright Road. The house is approached by a long unpaved driveway crossing the Southern Railroad tracks (formerly the Atlantic, Tennessee & Ohio tracks) that parallel Old Statesville Road. The front or west facade of the house faces Old Statesville Road; the rear or east facade overlooks a grassy field and woodlands. The house is located on a roughly rectangular-shaped parcel of 26.32 acres owned by Thomas A. Davis and his wife, Charlotte B. Davis. Large trees and tall shrubbery make the house difficult to see from the Old Statesville Road.

The Tomlinson-Wilson House is a Pre-railroad Folk House built in the Tidewater South tradition. The house is a subtype of the Tidewater South tradition called the extended I-house type.) 1 Pre-railroad folk houses built before ca.1850 to 1890 (and locally as late as ca.1920), reflect the difficulty and expense of transporting bulky building materials such as lumber and brick over long distances. Inland regions, far from the coast or navigable rivers, depended on transportation provided by horse-drawn wagons. For that reason, the average citizen was limited to construction that used materials found on site or very close at hand. The forests covering the eastern half of the United States provided a huge supply of timber and established wooden folk building as the tradition.  2

The linear-plan of the extended I-house type reflects the milder winters of the Southern United States. The plan is exemplified by a center passage running from the front entry to the back door with a single room on either side of the center passage. In two-story plans, the stairway is constructed in the center passage. The plan generally had a one-story shed extension along the rear of the house. Although the New England tradition (massed plan that was two-rooms deep) provided more interior space, builders in the South used the linear one-room deep plan because less time was spent indoors and for cross-ventilation to cool the house.

The Tomlinson-Wilson House was constructed during a period of great change in North Carolina. It is important to note that “[f]or many Carolinians, the 1830s were years of economic decline and outmigration; the decade was also a time of greater economic stratification, as planter families continued to consolidate property and the plantation system expanded into the Piedmont.” 3 The North Carolina State Railroad between Charlotte and Raleigh would not be completed until 1854. The tracks of the Atlantic, Tennessee & Ohio, just west of the Tomlinson-Wilson House, would not be constructed until 1860 and then relaid in 1874. The American architectural profession, in its infancy in the 1830s, influenced the work of local builders much less than plan books and carpenters’ handbooks.

In the midst of the changes in both the state and the country, the Tomlinson-Wilson House was constructed. The house is roughly contemporary with Cedar Grove (1831-33), another rural house in northern Mecklenburg County. Comparing the two houses gives a good example of the economic stratification in the area. Cedar Grove, the larger of the two, was built by a merchant-planter able to afford the expense of constructing brick kilns and importing hardware and manufactured goods from New York and Philadelphia. In contrast, the owners of the Tomlinson-Wilson House, being yeoman farmers, had to use less expensive materials available locally. Unlike the Greek Revival style of Cedar Grove, the Tomlinson-Wilson House is constructed in a Folk House tradition.

The ground plan of the Tomlinson-Wilson House is that of a typical extended I-house plan in the Tidewater South Folk House tradition. Plan variations include a one-story, rear-facing ell and a later extension of the ell on the northeast corner of the principal mass. A one-story addition on the southeast corner provides an infill between the ell and the shed extension of the principal mass. The house presents a symmetrical, two-story elevation to Old Statesville Road. The Tomlinson-Wilson House has a one-story, full-width,  shed-roofed front porch typical of the extended I-house plan. By the late 18th century, this became a common feature in southern folk houses to provide a cool shelter from both the summer’s heat and frequent thunderstorms. The side-gabled roof is a common roof type found in this style.

Exterior

The Tomlinson-Wilson Houses has two types of siding: horizontal lapped board siding and flush horizontal siding. The flush horizontal siding is under the protection of the front porch; that type of siding indicates the porch was considered an exterior room. Wide boards trim the corners of the house. The exterior, including the trim, is painted white. The house is set on rectangular piers of granite; the current owner placed concrete block infill between the granite piers.

The side-gabled roof has a moderate slope. It encloses an attic that provides storage space for the house. The roof is supported by common rafters with tie beams; the roof sheathing is tongue-and-groove boards. The charcoal gray composition shingles are laid in a simple, coursed pattern. The boxed eaves support charcoal gray gutters which carry roof runoff to the white downspouts. The gable ends have a moderate overhang. An exterior chimney is centered on each gable end. Wooden louvered vents flank each chimney at the attic level. Gray stucco covers the stone base and brick of each chimney.

Many of the windows in the Tomlinson-Wilson House contain the original leaded glass. Additionally, the original wooden sash has the deep and narrow muntins (wooden moldings holding the individual panes in place) of the Adam style. Except for those in the addition on the southeast corner, all  windows are double hung wooden sash. First floor windows in the gable end section are tall 9/9 windows placed singly but in symmetrical rows. Second floor windows in the gable end section are shorter 6/6 windows also placed singly and symmetrically. Windows in the ell section are pairs of 6/6 and 2/2 windows. The addition on the southeast corner has three pairs of casement windows on the east facade and two fixed  sash stained glass windows on the south facade.

The symmetrical front elevation is three units wide with the front entry forming the center unit. The one-story shed-roofed porch extends across the front of the house. The roof of the porch is supported by square Tuscan-style columns; the porch railing is a simple wooden balustrade. Most of the balustrade is original; however, a couple of sections, milled to match the original, have replaced deteriorated sections. Both the floor and the ceiling of the porch are tongue-and-groove boards. Five brick steps lead to the porch. A single light fixture is centered at the front entrance.

The front entry, located on the west elevation, is the most decorative element of the exterior. It appears to have changed little over the years. It consists of a wooden enframement surrounding the paired doors with five sidelights on either side. The white enframement has simple decorative moldings. The  sidelights do not run the full height of the door but end at knee height. Beneath the sidelights are white wooden panels. A pair of screen doors opens to a pair of narrow two panel wooden doors. The narrow vertical panels emphasize the height of the white doors.

The Tomlinson-Wilson House has no porch on the back or east facade of the house at this time. The back door, which is located in the southeast corner addition, is approximately at ground level.

Interior

Much of the interior of the Tomlinson-Wilson House has not been modernized. Most of the historic fabric is not only intact but visible. Most rooms have original painted moldings and original hardware for the two-panel wooden doors. In the two-story section, the interior walls are boards laid horizontally. This section also has board ceilings. The ell and the southeast corner addition have walls of various materials including antique bricks, boards and sheetrock. The ceilings are approximately 9′ high throughout the house. Wide pine boards were used for flooring in most rooms. Flooring in the entry hall and the parlor were replaced due to deterioration. The current owner salvaged similar pine flooring from the Sugar Creek Presbyterian Church for those two rooms. The southeast corner addition has a floor of oversized brick.

The front doors open to the center passage hall. The unbroken run of the open staircase begins at the left (north) of the door. A closet is enclosed beneath the stairwell. A sheetrock wall closes off the east end of the hall; it could be removed if an owner wished to restore the center passage to the back of the house. The square newel on the first floor has a simple square cap while another square newel on the second floor has a round pillbox cap. The balustrade, composed of narrow strips of wood, supports a gracefully curved and carved handrail.

To the right (south side of the house) when standing at the front entry is the room presumed to have been the original parlor. The focal point of this room is the fire surround on the south wall. The fire surround has simple engaged pilasters, set on unadorned plinth blocks, on each side of the fireplace; the pilasters support a high shelf. Beneath the shelf, the wood is paneled in a three-part design with a raised center tablet. Above the shelf, a wooden panel is cut into a pair of quarter circles. The brick hearth is flush with the floor. A fireplace insert makes the chimney more efficient.

The dining room is to the left (north side of the house) when standing at the front entry. The fireplace occupies the north wall of the room. The fire surround has the appearance of a pedimented door surround. Engaged pilasters support a frieze board, cornice and shelf. Above the shelf, the triangular piece of wood resembles a pediment. This fireplace has a raised brick hearth.

The dining room has a doorway on the east wall leading to the kitchen. The kitchen has modern conveniences. The oak flooring in the kitchen, although not original, came from the site. A storm in 1980 felled a white oak tree in the back yard and a red oak tree in the front yard. State officials measured the fallen white oak tree and determined it to be the fourth largest in North Carolina. It was also believed to be the tree that held the swing from which Cyrus Wilson fell to his death. The current owners had the trees taken to a sawmill and have used some of the lumber in the house. 4

The kitchen, laundry room and small sitting room form three narrow rooms within the original one-story shed extension on the rear (east) side of the house. The ell on the northeast corner of the house contains a crafts workroom, a bathroom and a bedroom laid out in linear fashion. The easternmost section of the ell had to be rebuilt after a tree fell on it. The stone foundation for the original kitchen chimney is still under the rebuilt section. At the extreme southeast corner of the house is a family room added by the current owners in 1980. The brick floor was salvaged from the Glen Alpine textile mill. Two stained glass windows flank a large fireplace set in a wall of old brick.

The second floor is also laid out in the center hall passage plan. A bath has been constructed in the west end of the center passage. The original stair to the attic is located in that bath. At the east end of the hallway, a half-door conceals a storage area tucked under the shed roof of the rear extension.

There are bedrooms located on the north and south sides of the second floor hallway. The south bedroom has a fireplace on the south wall with a fire surround similar to the one in the dining room. A cupboard, originally built-in on the first floor, has been moved to the south bedroom. It serves as closet since the house, as originally constructed, had no closets. The fireplace in the north bedroom was closed when an early oil furnace was used; however, the current owner may reopen it since he has a new heating system.

A natural gas pac system provides heat and air conditioning for the residents of the Tomlinson-Wilson House. The whole house was rewired in 1953 to provide better lighting, but the work was done in a sensitive manner. The house contains 2,893 square feet according to Mecklenburg County tax records.

Conclusion

The Tomlinson-Wilson House and Farm is a mostly intact example of a typical farm with a house built in the extended I-house plan in the Tidewater South Folk House tradition. finishes and decorative details of the Tomlinson-Wilson House suggest that the house was built by a skilled local craftsman who had access to the pattern books of his day. The house and farm can provide valuable insight into the settlement and land use patterns of this area during the Antebellum period.
Notes

1 Virginia & Lee McAlester,A Field Guide to American Houses (New York, 1986), 74-75, 80-82.

2 Ibid, 75.

3 Catherine W. Bishir, with photography by Tim Buchman,  North Carolina Architecture (Chapel Hill, North Carolina, 1990),195.

4 Interview with Thomas and Charlotte Davis, current owners; 23 May 1992.


Wilson House

This report was written on 19 January 1993

1. Name and location of the property: The property known as the John Calvin Wilson House is located at 11930 Bain School Road, Mint Hill, in Mecklenburg County, North Carolina.

2. Name, address, and telephone number of the present owner of the property: The owner of the property is:

Ms. Nita B. Phillips
P.O. Box 23481
Charlotte, North Carolina 28212

3. Representative photographs of the property: This report contains representative photographs of the property.

4. Maps depicting the location of the property: This report contains maps which depict the location of the property.

wilson-map

5. Current deed book reference to the property: The most recent deed to Tax Parcel Number 197-011-02 is listed in Mecklenburg County Deed Book 6838 at page 812.

6. A brief historical sketch of the property: This report contains a brief historical sketch of the property prepared by Ms. Paula M. Stathakis.

7. A brief architectural description of the property: This report contains a brief architectural description of the property prepared by Ms. Frances P. Alexander.

8. Documentation of why and in what ways the property meets criteria for designation set forth in N.C.G.S. 160A-400:
a. Special significance in terms of its history, architecture, and cultural importance: The Commission judges that the property known as the John Calvin Wilson House does possess special significance in terms of Charlotte and Mecklenburg County. The Commission bases its judgment on the following considerations: 1) the John Calvin Wilson House was built in 1886 and incorporates an earlier, smaller house; 2) the John Calvin Wilson house is the remnant of a once typical, but fast-disappearing Mecklenburg County farmstead where corn, cotton, and other small grains were cultivated; 3) the John Calvin Wilson House is located in the historic community of Mint Hill, near one of the earliest churches in the county, the Philadelphia Presbyterian Church; 4) The remodeling of the original one story, two room house into a larger, vernacular Victorian house with picturesque decorative elements typifies a common, late nineteenth century architectural trend in the state; 5) the exterior remains remarkably intact in its Victorian form – cross-gable ells, decorative wooden siding, and window and porch appointments; and 6) the interior has also undergone little alteration and is notable for its display of various forms of wooden walls, moldings, and vernacular picturesque mantels.

b. Integrity of design, setting, workmanship, materials, feeling, and association: The Commission contends that the architectural description by Ms. Frances P. Alexander included in this report demonstrates that the John Calvin Wilson House meets this criterion.

9. Ad Valorem Tax Appraisal: The Commission is aware that designation would allow the owner to apply for an automatic deferral of 50% of the Ad Valorem taxes on all or any portion of the property which becomes a designated historic landmark. The current appraised value of the improvements is $53,010.00. The current appraised value of Tax Parcel 197011-02 is $31,500.00. The total appraised value of the property is $84,510.00. The property is zoned R20.

Date of Preparation of this Report: 19 January 1993

Prepared by: Dr. Dan L. Morrill
in conjunction with
Ms. Frances P. Alexander
and
Ms. Paula M. Stathakis
Charlotte-Mecklenburg Historic Landmarks Commission
P.O. Box 35434
Charlotte, North Carolina

Telephone: (704) 376-9115
Historical Overview

 

P.M. Stathakis
January, 1993

The John Calvin Wilson House was built in 1886 by John Calvin Wilson and his mother. The house originally had only four rooms, and was enlarged by two rooms in 1895, shortly after John Calvin Wilson married. A second story was added in 1907. John Wilson, known as “Smoking John” to his neighbors, worked his 200 acre farm for most of his adult life.1 Wilson raised primarily cotton and corn. Until the 1930s, farmers in Mint Hill had to haul their cotton to Matthews by mule and wagon to have it ginned. Wilson had five tenant farmers living on his farm, all of them black According to his account books, these men were given housing, food, and a small salary in return for their labor. Wilson also ran a sawmill on his property, one of three in the area. Much of the lumber produced by these sawmills was sold in Charlotte.2

The farm was taken over by Wilson’s son Lawrence, who also raised cotton and corn, as well as a few head of livestock. He also used tenant farmer labor. Both Lawrence and his father strived to be as self-sufficient as possible, even though both were actively engaged in commercial agriculture. Both grew summer gardens, raised livestock for food, and maintained a small orchard. Supplies that they could not produce themselves were available at the local dry goods store. Lawrence changed his emphasis from crops to dairying in the 1940s, and continued to operate a dairy on his share of the land through the 1960s.

During the early 1940s, John Wilson rented the house to Earnest and Irene Phillips. Mr. and Mrs. Phillips purchased the house and eleven acres in 1944. 3 The large Phillips family, six daughters and one son, fit nicely into the farmhouse. Earnest Phillips worked for Cole Manufacturing Company in Charlotte for thirty years. Irene Phillips was a homemaker.

As Earnest Phillips had “public work”, he did not farm the land, but he kept a summer garden and raised a few chickens, some cows and hogs. Mrs. Phillips made butter and frequently sold any surplus. Hamilton Yates Phillips, the only son, said that the family slaughtered two hogs each fall. There was a meat house in the back yard for storage and curing. Hamilton Phillips remembers using lids from mason jars to scrape the hair off of the scalded hog carcasses. Once the animals were butchered, they were kept heavily salted in the meat house through February or March, when the meat was then cured.

Hamilton Phillips and his sisters attended Bain School. The school employed a full time Agriculture and Shop teacher. In “Ag” classes, boys learned about crops, soil improvement, animal husbandry, dairying and woodworking. The highlight of Mr. Phillips’ experience in “Ag” class was a field trip to Morrocroft (Cameron Morrison’s farm) to judge cattle.

Through the end of the 1940s, Bain School followed a schedule that corresponded to the exigencies of rural life. The summer recess lasted only four weeks, through June, and classes recommenced in July and ran through the end of August. The cotton opened at the end of August, and the school closed for five weeks to accommodate the cotton harvest. School then resumed for the fall term in October. This kind of scheduling ended in 1948, the year that Hamilton Phillips graduated. The majority of the students at Bain School came from farm families and were the primary source of labor for their parents, and the demands of farm life often took its toll on their education. Out of Hamilton Phillips’s class of forty, only eighteen graduated.

Several farmers in Mint Hill grew cotton into the 1940s, although in general in Mecklenburg County, cotton agriculture declined drastically after 1930.4 Cotton was a difficult crop to grow because it was labor intensive, and because farmers constantly battled with inadequate soil and with the boll weevil. Hamilton Phillips remembers that when he was a boy, a cotton gin was run by Carl McEwen in the late 1930s. Carl McEwen also ran a hardware store in conjunction with the gin. The gin was located near the store, but not next door to it. McEwen kept the cotton bales stacked next to his store, rather than near the gin which was a potential fire hazard. It is not clear if McEwen acted as a cotton factor or how the cotton got to market, as Mint Hill was not serviced by any railroad.

After graduating, Hamilton Phillips worked as a surveyor for A.V. Blankenship, a civil engineering firm, for thirty-five years, and as a surveyor for R.B. Pharr for ten years. In 1955, Hamilton Phillips married and he and his wife Grace occupied the upstairs of the family house for the next three years. During this period, their daughter Nita, the current owner of the house, was born. In 1958, Hamilton Phillips and his family moved to their own home on Lawyer’s Road. 5

Earnest Phillips moved out of his house in 1964 into a brick house he had built nearby. The old house has remained in the Phillips family even though no member of the family has occupied it since 1964. Until recently, the house has been occupied by renters. Nita Phillips acquired the property in 1992. 6 Ms. Phillips has been renovating the house over the course of the past five years. She has found it necessary to replace the heating system, wiring and plumbing. Ms. Phillips also attended Bain School and is currently employed with Duke Engineering.

The John Calvin Wilson House has followed a pattern of transition of several surviving nineteenth century farmhouses in Mecklenburg County as its function has changed from actual farmhouse to a rural non-farm residence. Although John Calvin Wilson probably farmed according to methods and practices common in the post-war South, no study of the agricultural economy of Mecklenburg County or the surrounding area exists that can demonstrate that Wilson, and other farmers like him in this area, fit into a broader regional context. The next owner of the property, Earnest Phillips, is representative of the county’s rural population as it shifted from farming, which was not lucrative in this area in the late 1930s and 1940s, towards wage labor.

In general, it is known that after the Civil War, farmers in the South became dependent on producing cash crops, such as cotton or tobacco. Most historians believe that the change in subsistence farming to commercial production came as a result of the dominance of local furnishing merchants who assumed more extensive roles of suppliers (purveyors of seed, fertilizers and farm equipment, usually on credit), factors (acting as commission agents who procured raw materials for manufacturing interests), or brokers (agents who would buy and sell raw materials). Most merchants were conveniently located on railroad lines, which facilitated their access to market. These additional roles allowed merchants to control crop production and, some scholars assert, deprived the small farmer of personal control over his economic and social fate by locking him into a system that demanded that he grow a particular crop for cash to repay the debts that he owed to the merchant. Small farmers found themselves captives to their obligations to merchants and to the whims of the market, and most were never able to free themselves from this cycle. 7

Cotton was the cash crop of the Carolina Piedmont. A cursory glance at the U.S. Census agriculture schedules for Mecklenburg County shows that almost all farmers devoted a significant part of their cultivated acreage to cotton and to corn (used primarily for feed as well as for human consumption) in the late nineteenth and early twentieth centuries. Some farmers used hired help, others depended on sharecroppers or tenant farmers. It is not clear which system of labor was used most extensively or worked best in this area.
Notes

1 Wilson had this nickname because he smoked a corncob pipe, and because this name distinguished him from two other John Wilsons who lived in the vicinity.

2 Interview with Edgar Wilson, January 1993.

3 Deed 1112-236, February 12, 1944. Mecklenburg County Court House.

4 According to aggregate figures from the Census of Agriculture, 14,000 bales of cotton were produced in Mecklenburg in 1940, down from the 24,000 produced in 1930. The 1930 production appears to be fairly typical for the county in the twentieth century; from 1900-1930, 24,000-27,000 bales of cotton were produced in each census year, and the acreage devoted to cotton declined steadily, but slightly from 1900-1940.

5 Interview with Mr. Hamilton Yates Phillips, January 1992.

6 Deed 6838-812, March 3, 1992. Ms. Phillips owns the house and two acres of land.

7 See: Lacy Ford, The Origins of Southern Radicalism. The South Carolina UPcountrv 1800-1860(1988); Lacy Ford, “Rednecks and Merchants: Economic Development and Social Tension in the South Carolina Upcountry, 1865-1900”, Journal of American History 71 (September 1984):294-318; Steven Hahn, The Roots of Southern Populism,(1983); David F. Weiman, “Economic Emancipation of the Non-Slaveholding Class: Upcountry farmers in the Georgia Cotton Economy”, Journal of Economic History 45 (March 1985): 71-94; Jonathan Weiner, “Class Structure and Economic Development in the American South, 1865-1955”, American Historical Review 84 (October 1979) 970-992; Gavin Wright, Old South. New South.
Architectural Description

 

Frances P. Alexander The John Calvin Wilson House is located on Bain School Road in the Mint Hill community of Mecklenburg County. The house is sited approximately 0.5 miles south of both Bain School and the colonial Philadelphia Presbyterian Church. The house once sat on a 298 acre farm which contained tenant houses, a log central-passage barn, and a log corn crib. house and several sheds of unknown vintage now sit on a 1.81 acre parcel; the log barn, which is in deteriorated condition, and corn crib straddle a property line. The proposed designation includes only the farmhouse and the land parcel. The outbuildings are not included in the proposed designation.

The two acre parcel is sited on a slight curve in the road, and the house was evidently designed to offer two formal elevations along this bend. The house is separated from the road by a small, but mature, garden landscape. A tall box hedge and signature trees define this two-sided front yard. The remaining yard is less obviously designed. There is a driveway in the center of the lot. The house is found on the south side of the drive, and the log barn and corn crib are sited on the opposite side of the driveway. The sheds are located on the rear of the property. One concrete block, gable roof shed is situated close to the house, at the northwest corner where the two rear elevations meet.

Exterior

The John Calvin Wilson House is a two story, wood frame building which is roughly square in plan. The house has shiplap siding, a new brick foundation, and two brick chimneys. The principal chimney rises from the interior of the east elevation, and there is a narrow, exterior, brick chimney flue found on the west elevation. The house has a steeply-pitched,  hip roof with wide, unbracketed eaves. The roof is covered in asphalt shingles. Because of the orientation of the house to the curve in the road, there are essentially two facade elevations (south and east) and two rear elevations (north and west). The two facades are mirror images of each other with projecting  cross-gable ells at either end of a two story, wrap-around porch. The porch has a shallow, hip roof. The porch is a replacement, but the chamfered porch posts and balustrade replicate the original. Decorative concrete exterior steps lead to the porch. There are three bays on either facade. There are two first-floor entrances, and the door on the south side is located in the end bay. On the east elevation, the door is located in the central bay. On the second floor, there is only one door, on the east side, leading to the porch. The simple panelled doors have fixed-light upper portions, but no transoms or sidelights. The  windows on the principal elevations are four-over-one and six-over-one light, double hung, wooden sash with wide, flat surrounds. The windows in the ells are paired, six-over-six light, double hung,  wooden sash with molded surrounds and bracketed projecting hoods. The siding under the gables of the end sections is laid in a decorative herringbone pattern, and the corners of the house are delineated by molded wooden pilasters.

The John Calvin Wilson House is the product of several building campaigns. The original house was a one story, two room building, now reached by the rear, north elevation. This elevation has asymmetrical bay placement with four bays on the second floor and five on the first. There is a one story porch extending the full length of the elevation, and the porch is covered by a shallow, hip roof . The porch is supported by replacement chamfered posts with a simple balustrade of wooden piers. There are two adjacent first floor entrances, placed slightly west of center. There is also a one-room ell which projects from the west end of the porch. A third door leads from the porch to this room. The windows on the rear elevations are all six-over-six, except one window found between the door to the storage room and one of the main entrances. This window is a four-over-one light, bungalow style. The original brick pier foundation, now covered on the main elevations, is still evident along these rear elevations.

The west elevation also has asymmetrically placed bays and is the only side of the house to have no porch. Three of the four bays are clustered in the southern half of the elevation. There is a single, paneled and fixed-light door placed in the center of the elevation. This door is no longer accessible.

Interior

The interior plan reflects these separate building campaigns. The principal entrance is located on the south side of the house. This entrance leads to a short hallway with a staircase Using along the right wall. The open staircase has a turned balustrade and heavy, turned newel post. One notable feature of the interior is the wooden interior and the absence of plaster walls, or recent dry-wall replacements. In the hall, the walls and ceiling are all tongue-in-groove or flushboard siding. The hardwood floors are original. Decorative wooden molding defines the staircase and the doorways, and there is a simple molded wainscoting along both sides of the hallway. On the left side of the hall, there is one room, now used as a bedroom, with the same flushboard walls, molded window surrounds, and hardwood floors. The wainscoting in this room is vertical paneling with a molded chair railing. A closet has recently been added along the north wall. (The closet projects into the room and the original wall is visible on the interior.) The next room reached from the hall is narrow, and the function of this room is unclear although it is probable that it was originally part of the kitchen which extends to the rear. This small room also has flushboard walls and ceilings, vertical  wainscoting, and molded window surrounds. The kitchen, to the rear of this narrow room in the northwest corner of the house, is not reached from the main hallway. The kitchen evidently has undergone several remodelings. It is currently being remodeled, but shiplap walls and flushboard ceilings are being retained. A partition wall, being constructed to divide the room, would do little destruction to historic fabric.

At the rear of the short hall, a doorway leads into a large, L-shaped living room. The living room has flushboard walls and ceilings, hardwood floors, molded window surrounds, and in some places, vertical panel wainscoting. Opposite the hall entrance, there are double fixed-light doors which lead to one of the original rooms of the house. Along this same wall is a second paneled door leading to the other original room. Between these doors is a fireplace with a vernacular picturesque mantel and the shadows of a pilastered over-mantel. On the east wall of this room, a door leads to the porch.

The rear of the house contains the two rooms of the original construction (mentioned above) and the kitchen. The double doors of the living room lead to a center room, which also has an exterior entrance on the opposite wall. Doors on the side walls lead to the kitchen on the west side and to the other original room in the northeast corner. The panelled door between the two oldest rooms is original and has original hardware. These two rooms are notable for the wide beaded board walls and wainscoting. In the corner room, the wainscoting is laid in a decorative diagonal pattern. These two rooms share the chimney with the living room, and these older fireplaces are canted to the corner. The fireplaces have expressive vernacular picturesque mantels, and in the corner room, a decorative wooden panel laid in herringbone pattern rises above the fireplace. Some of the wall boards above the mantel in the center room have been removed temporarily while the chimney is repaired.

The second floor hallway has plaster walls, a beaded board cornice panel, and beaded board ceiling. On the right side of the hall, from the stairway, is a single, large bedroom on the east side of the house. This bedroom also has plaster walls, beaded board cornice panel and ceiling as well as a panelled door leading to the second floor porch. In the interior corner of this room, the wall has been cut away to provide access to the southwest corner room which will be used as a bathroom. This room has flushboard walls and ceiling and hardwood floors. Plumbing fixtures will be added, but little other alteration is planned. Across the hall from the large bedroom is a middle bedroom with flushboard walls and ceiling, vertical flushboard cornice panel, and hardwood floors. This room is connected to the new bathroom and to another bedroom in the northwest corner of the house. This smaller corner bedroom retains its flushboard walls and ceilings and hardwood floors. At the end of the hall, opposite the staircase, is a back bedroom, which is divided to provide storage in the northeast corner. The bedroom has flushboard walls and ceiling and hardwood floors, but no cornice panel. The partition wall between the bedroom and storage room appears original but is in disrepair. The chimney is exposed in the storage room.

Conclusion

The John Calvin Wilson House is the remnant of the once typical, but fastdisappearing, Mecklenburg County farmstead where cotton, corn, and other small grains were cultivated. This farmhouse is more substantial and architecturally expressive than many of the family-operated farms of the Piedmont. Its remodelling and vernacular picturesque decorative elements typify the late nineteenth century application of Victorian features to basically classical or traditional house forms. The house is remarkably intact, particularly in the retention of an essentially all-wooden interior, which reflects good craftsmanship in the use of various forms of wooden wall construction and decoration. The house has undergone very little modern remodelling.