Charlotte-Mecklenburg Historic Landmarks Commission

Author: Stewart Gray

Young-Morrison House

youngThis report was written on December 29, 1975

1, Name and location of the property: The property known as the Morrison House (we should probably refer to it as the Young-Morrison House, or the Young-Gamm House) is located at 224 or 226 W. Tenth Street, Charlotte, North Carolina 28202. (The number on the house is 226, the number given at the Tax Office is 224.)


2. Name, addresses, and telephone numbers of the present owners and occupants of the property: The present owner of the property is:

Mr Edward Howard Gamm
Glenis Sofley Gamm
226 W. Tenth Street
Charlotte, North Carolina 28202

3. Representative photographs of the property: Representative photographs of the property are included in this report.

4. A map depicting the location of the property: A map depicting the location of the property is included in this report.

5. Current Deed Book Reference of the property: The most recent reference to this property is found in Deed Book 1677, page 20, as filed in the Mecklenburg County Registry. The most recent Tax Book reference is in Book 78, page 46, lot 1.

6. A brief historical sketch of the property:

The property at 226 W. Tenth Street was bought by Mrs. Ida L. Young in January of 1885 from A. B. Springs and wife, Julia B. Springs,for $550.00. (Mecklenburg County Deed Book 40, page 580 ) The Beers Map of 1877 does not show a structure on the lot so probably the present structure is the only one to have ever stood there. Mrs. Young undoubtedly had the house built soon after buying the property since the 1889-90 City Directory gives that location for the Young’s residence. The City Directories give Mr. J. H. Young’s occupations as ticket agent, bookkeeper, mail agent, and transfer clerk, Post Office,from 1889 to 1906 when the Youngs sold the property to Mrs. Jennie D. Morrison, Miss Mary G. Morrison, Miss Anna J. Morrison, Alston D. Morrison, R. Hall Morrison, and J. Graham Morrison for $7,000.00. The house was mentioned in the deed (Mecklenburg County Deed Book 216, page 661.) Mrs. Jennie D. Morrison was the widow of Joseph Graham Morrison, second son of Dr. Robert Hall Morrison, founder of Davidson College. According to a story in Charlotte Remembers (Charlotte, 1972 ), Mrs. Morrison and her children apparently moved from Cottage Home, the Morrison ancestral home near Lincolnton, to 10th Street soon after Mr. J. G. Morrison’s death.

From 1911 to 1949 the Morrisons owned the property, dividing their original lot into two, but not harming the house, and transferring those two lots back and forth among the family members several times. (Mecklenburg County Deed Book 283, page by ; Book 283, page 59; Book 290, page 399; Book 322, page 302; Book 349, page 234; Book 378, page 450; Book 388, page 334; and Book 1236, page 277.) In April 1949 Robert H. Morrison and wife Portia O., who after many family transactions owned the property on which the house stood, sold the property to Christina Harris Knudler who leased the property to Honelite Corporation for a short period of time. (Mecklenburg County Deed Book 1354, page 174, and Book 1368, page 171 ) In April of 1954 Edward H. Gamm, the present owner bought the property from the Knudlers. (Mecklenburg County Deed Book 167, page 20.)

Participants of the Fourth Ward Survey sponsored by the Commission in March 1975 describe the structure at 226 W. Tenth Street as “Queen Anne style with Italianate ornamentation in excellent condition and of excellent quality”. They also considered this house as a potential National Register site.

7. A brief architectural description of the property: A brief architectural description of the property is included in this report.

8. Documentation of why and in what ways the property meets the criteria set forth in N. C. G. S. 160A-399.4:
a. Historical and cultural significance: As has been stated the property was owned and occupied by descendants of Dr. Robert Hall Morrison, founder and first president of Davidson College, and early pastor of the First Presbyterian and Sugaw Creek Presbyterian Churches. The property remained in the Morrison family for forty-three years.

b Suitability for preservation and restoration: The structure is very well kept and has been maintained through the years. Since it is located in an area that is being considered for an in-town residential neighborhood with a turn-of-the-century atmosphere it is well suited for preservation.

c. Educational value: Since this house has had little or no alteration it is a good example of the late Victorian eclectic styling prominent in turn-of-the-century Charlotte architecture.

d. Cost of acquisition, restoration, maintenance, or repair: The property is not for sale.

e. Possibilities for adaptive or alternative use of the property: The house is large enough for many possibilities, for example offices or a residence with a shop or office combined.

f. Appraised value: The 1974 assessed value is $11,590.00.

g. Thee administrative and financial responsibility of any person or organization willing to underwrite all or a portion of such costs: This cannot be determined since the house is not for sale. The owners, however, plan to maintain the house as their residence indefinitely.

9. Documentation of why and in what ways the property meets the criteria established for inclusion on the National Register:
a. That are associated with events that have made a significant contribution to the broad patterns of our history: This house is associated with a family, the Morrisons, who figured prominently in the Civil War. Five of Dr. Robert Hall Morrison’s sons-in-law were Confederate officers and two sons served as aides to two of those officers.

b. That are associated with the lives of persons significant in our past: Descendants of Dr. Robert Hall Morrison, a man who figured prominently in Charlotte-Mecklenburg history, owned and lived in this house. The husband and father, Joseph Graham Morrison, of the family who lived there was the son of Dr. Morrison; he served on Gen. Stonewall Jackson’s staff during the Civil War and was with Jackson when the latter was fatally wounded. General Jackson was married to Joseph Graham Morrison’s sister Anna, the third Morrison daughter. The Morrison clan included either by birth or marriage Lieutenant General Daniel Harvey Hill, hero of the Civil War, and later President of the University of Arkansas; James P. Irwin, wealthy owner of much downtown Charlotte property; Civil War General Stonewall Jackson; Colonel Alphonso Avery, Colonel in the Civil War and Justice of the N. C. Supreme Court; Dr. Paul Brandon Barringer, founder of the Medical School of the University of Virginia; and D. H. Hill, Jr., president of N. C. State College. That is only a partial listing of the contribution of the Morrison family to the patterns of our history.

c. That embody the distinctive characteristics of a type, period, or method of construction, or that represent the work of a master, or that possess high artistic values, or that represent a significant and distinguishable entity whose components may lack individual distinction: As is the case in so many late Victorian houses, the style of this structure is in the eye of the beholder. It seems to be a blend of styles making it truly “eclectic”. It has been suggested as a potential National Register Site.

d. That have yielded, or may be likely to yield, information important in prehistory or history: This house’s connection to the prominent Morrison family is significant. Undoubtedly Mrs. Stonewall Jackson who lived on Trade Street in the same area and who was known as the “arbiter of Charlotte society” visited in the house as probably did other cousins and kin who were prominent in their own right.

10. Documentation of why and in what ways the property is of historical importance to Charlotte and/or Mecklenburg County: Need we say more about the Morrison family and its contribution to Charlotte-Mecklenburg history? Emphasis on this family, however, is not intended to overshadow the importance of the Young family and others who have occupied or do occupy the house now. This researcher still believes the history of any place is the history of the average citizen and his contribution to the daily life of a community.

Researcher’s Note: It was made known to this researcher after the report was written that Mr. Jack Boyte, a well-known local architect who has been active in preservation and restoration in North Carolina, was born in the Young-Morrison House. Mr. Boyte stated that his grandparents were living in the house at the time and that he was born in the upstairs bedroom that had no fireplace.


Charlotte, Charlotte City Directory – 1889-1909.

Lore, Adelaide and Eugenia, and Lt. Col. Robert Hall Morrison. The Morrison Family of the Rocky River Settlement of North Carolina. Charlotte 1950.

Reynolds, D. R., ed, Charlotte Remembers. Charlotte, 1972.


Charlotte Mecklenburg Historic Properties Commission Preliminary Survey of Fourth Ward, March 1975

Records, Wills, and Deeds on file at the Mecklenburg County Deeds Office and Court House.

Date of preparation of this report: December 29, 1975

Prepared by: Mrs. Patsy B. Kinsey
Charlotte Mecklenburg Historic Properties Commission
Telephone: 332-2726
Architectural Description

The home of Mr. and Mrs. Edward H. Gamm is a delightful example of late nineteenth century ‘stick style’ architecture which was influenced by A. J. Downing’s cottage bracketed and Charles Eastlake’s heavily ornamented designs. This style is an indigenous American wooden architecture in which the frame construction is expressed in the character of the exterior without the use of historic precedents. Such freedom from past styles opened the way for wide experimentation and is present in the Gamm house in the irregular plan, picturesque brackets emphasizing window bay spacing under varying width roof overhangs, decorative gable frames with pendants, prominent front window bay, chamfered porch columns with intricate sub-brackets, molded porch rail with turned wooden balusters, and a covered side balcony with carefully crafted roof supports and platform railing which opens from the parlor.

In the 1880’s the Fourth Ward area was vigorously developed as the foremost residential neighborhood in Charlotte. Tenth Street with its wide, median divided road was a beautiful place to live. Consequently, the street was lined with this exciting new architectural style. Using millwork produced in the newly developed steam operated planing mills of Asbury & Finger,Newcomb Bros., and F. W. Adrens, local builders hastened to follow the popular trend.

The Gamm house was built for Joseph Young, the Airline Railroad Ticket Agent, in the mid 1880’s. Other citizens such as Dr. J. S. M. Davidson, Capt. V. O. Johnson, Eli S. Steele, P. O. Walker, W. Thomas Whisnant, and T. B. Wilson, built similar late Victorian wooden houses on tenth street during the 80’s and 90’s. There was one Architect in town at the time, Jonas Rusidill, whose office was at 302 North College Street. One must wonder how much of his work is represented in the remaining structures in First and Fourth Wards, and whether he visited the New England area to see first hand the work of Henry Richardson, Stanford White, William Mead and other leading architects of the period.

The house rests on a solid brick foundation wall and beginning with a wide sill board and wooden drip, the exterior is covered with white painted square edged narrow clap boards. All windows and the front and rear entrance doors are surrounded with wide carved wood trim terminating in shoulders at the head and sill and intermediate ‘quoin’ blocks at meeting rail heights. The exterior wood trim is especially noteworthy since it is typical of many of it’s contemporary houses in Charlotte (few of which remain). At 326 West Eighth Street there are windows trimmed with identical shoulders and ‘quoins’ and at 508 North Graham Street are overhang brackets of similar design. The unusually high double hung, weight balanced windows which start near the floor have two large vertical lights in each sash divided by a full length muntin.

This window style is typical of late nineteenth century construction and reflects improved American glass manufacturing techniques as well as the desire on the part of builders to simulate the lines of more sophisticated casement windows.

The front entrance features double nine foot high doors with elaborate wood frames. The jamb pilasters are reeded and terminate in carved plinths with stylized rose motifs, and elongated carved leaf elaboration in the lower faces.

Extending from first floor room of a two story gabled wing at the front is a precisely detailed bay with twin front windows and balancing side windows. This bay has a low tin covered roof with bracketed overhang. Recessed molded panels with veed vertical siding finish the exterior wall over and under the bay windows.

Across the long front is a high ceiling veranda or ‘front porch’ with a tin covered roof and a moderate bracketed overhang. The porch columns are solid square posts with intermediate chamfered edges. Post brackets are simplified ‘Eastlake’ style carved from heavy material.

The gable above the two story wing at the front has an attic window and ventilator featuring a unique diamond head set in a lower rectangular frame, creating a pointed architectural element. This detail is repeated at the center of the long horizontal roof above the elongated house wing, and in the side gable at the end of the long wing. This gable feature, which is one of the most pronounced architectural elements, contributes much to the charm of this fine old turn-of-the century house.

The roof surfaces are square edge slate laid in a regular straight line pattern with no ‘fish scale’ or diamond interruption as might be found in some houses of the period.

From the high double front doors, a large central hall extends to the rear. Prominent pilasters define the entrance foyer in the front of the hall with a delicate turned wood suspended open grille above.

A single run stair with massive dark stained balustrade rises some twelve feet to the second floor at the rear of the hall. Two large rooms open from each side of the hall on the first floor. In each room is an interior fireplace with tiled hearth, wide molded mantel shelf and massive bracketed pilasters. Connecting to the rear, east side dining room is a kitchen-pantry wing obviously designed for servants since a small bedroom is included at the rear of the kitchen.

In the parlor at the front of the dining room, the window bay extends to the front and is emphasized with a suspended delicate wooden grille arch set on turned half round pilasters.

On the second floor an ‘ell’ shape plan includes three bedrooms opening from the stair hall. Two of these rooms have fireplaces and the third is heated through a floor grille allowing warm air to rise from the first floor drawing room below.

During its history this house has had owners who cared, and it is remarkably well preserved with little or no alteration in the original work. The revitalization of Fourth Ward will be greatly enhanced with the continued preservation of this fine historic residence.

Younts House

Survey and Research Report

The Samuel Younts House
136 Main StreetPineville, North Carolina


Prepared by Lara Ramsey
August 13, 2003

1. Name and location of the property: The property known as the Samuel Younts House is located at 136 Main Street, Pineville, North Carolina.


2. Name and address of the current owner(s) of the property:

Tami Curtin (TMC Holdings, LLC)
4037 Bramborough Drive
Fort Mill, SC 29715

3. Representative photographs of the property: This report contains representative photographs of the property.

4. A map depicting the location of the property: This report contains a map depicting the location of the property.

5. Current deed book reference to the property: The most recent deed to the property can be found in Mecklenburg County Deed Book 13423, p. 467. The tax parcel number for the property is 205-014-05.

6. A brief historical sketch of the property: This report contains a brief historical sketch of the property prepared by Lara Ramsey.

7. A brief architectural description of the property: This report contains a brief architectural description of the property prepared by Lara Ramsey.

8. Documentation of why and in what ways the property meets the criteria for designation set forth in N.C.G.S. 160A-400.5.

a. Special significance in terms of its history, architecture, and/or cultural

importance. The Charlotte-Mecklenburg Historic Landmarks Commission judges that the Samuel Younts House possesses special significance in terms of Charlotte-Mecklenburg. The Commission bases its judgment on the following considerations:

1. The Samuel Younts House, constructed circa 1873, was the home of Samuel Younts, a successful merchant and one of the founding members of the town of Pineville. In addition to owning and running a general store on Main Street, Younts was also a mule-trader (a lucrative business in Pineville), a cotton-broker, and a money-lender. Younts was listed in the Pineville Town Charter as one of the town’s first commissioners, and the boundaries of the new municipality were drawn one-half mile in each direction from Younts’s store.

2. The Younts House, located along Main Street in Pineville, stands as a physical reflection of a more urban landscape emerging within Mecklenburg’s small towns in the late nineteenth century, with businesses, stores, churches, schools and residences all clustered along a series of streets oriented toward a Main Street (or central thoroughfare). The Younts House was among the first residences built in Pineville and helped to form what, in the years after its construction, would become the center of the town.

3. The Younts House provides a good example of how in-town houses differed from the rural farmhouses that dotted the countryside just around these communities. In addition to the its location along Main Street, the size of the Younts House, its brick construction, and its exterior and interior details (including the elegant Italianate windows and subtle brick detailing) helped to differentiate it from rural homesteads, and even from the more modest houses built within the town.

4. The Younts House not only served as a residence for one of the communities earliest businessmen and leaders, but also as a community hospital. In 1947, the house was converted into a small hospital by Dr. Ralph Reid, a Pineville native and the town’s resident physician. The hospital remained in operation under Dr. Reid until 1967.

b. Integrity of design, workmanship, materials, feeling, and association.

The Commission contends that the architectural description prepared by Lara Ramsey demonstrates that the Samuel Younts House meets this criterion.

9. Ad Valorem Tax Appraisal: The Commission is aware that designation would allow the owner to apply for an automatic deferral of 50% of the Ad Valorem taxes on all or any portion of the property that becomes a designated “historic landmark.” The current appraised value of the house is $210,900.00. The appraised value of the .63-acre lot is $329,300.00.

Date of preparation of this report:

August 13, 2003

Prepared by:
Lara Ramsey

2436 North Albany Avenue, Apt. 1
Chicago, IL 60647

Statement of Significance

The Samuel Younts House

136 Main Street

Pineville, North Carolina


The Samuel Younts House, located at 136 Main Street in the town of Pineville, is a structure that possesses local historic significance as one of the earliest residences in Pineville and as the home of Samuel Younts, a successful merchant and one of the founding members of the town. Constructed c. 1873, the Younts House stands as an early indication of a residential element emerging within the small towns of Mecklenburg County toward the end of the nineteenth century. The period following the Civil War was one of tremendous growth for Mecklenburg County, and this growth translated into the creation and expansion of its small towns. Fueled by the new cotton economy, these towns grew from sparsely populated outposts into thriving communities, each with its own businesses, churches and schools.

Pineville was among Mecklenburg’s expanding Reconstruction-era towns. Incorporated as an independent municipality in 1873, Pineville began as a small stagecoach stop called Morrow’s Turnout. With the construction of the Charlotte & South Carolina Railway in 1852, Pineville became part of the expanding network of cities and towns within the county and the state that were connected by rail. Although still considered small and largely rural when compared to urban centers like Charlotte, Pineville and other Mecklenburg County towns offered close and convenient places for farmers to bring crops and for families to come together to worship, buy goods, and socialize with neighbors.

With the expansion of Mecklenburg’s towns came the formation of a new group of entrepreneurs, “the army of the enterprising and the hard,” determined to take advantage of every business opportunity within their communities.1 Among the most successful of these small town businessmen was Samuel Younts. A blacksmith originally from Davidson County, Younts and his family settled in the area that would become Pineville after the Civil War. Within a few years, Younts had established several thriving businesses in the town, including a general store, a mule-trading business, and a money-lending service.2 Samuel Younts was not only Pineville’s most prosperous merchant, but also one of its most involved citizens. One of the founders of the town, Younts was listed in the Pineville town charter as one of four original commissioners. He and son John A. Younts also donated property and materials for the building of the Pineville Presbyterian Church and for the construction of the Pineville United Methodist Church, of which they were founding members.3

The impressive two-story brick house that Samuel Younts built for his family on Main Street remains today as both an indication of Younts’s position within Pineville’s newly-established merchant class and as a reflection of the town’s emerging layout, with businesses, stores, churches, schools and residences all clustered along a series of streets oriented toward Main Street, the central thoroughfare. The Younts House was among the first residences built in town and helped to form what, in the years after its construction, would become the center of Pineville. Although the basic form of the Samuel Younts house is not that far removed from the more traditional rural farmhouses scattered throughout Mecklenburg County, its location on Pineville’s Main Street, its size, its brick construction and architectural details help to distinguish it as a town residence.

Historical Background Statement

Mecklenburg County’s Small Towns

The Samuel Younts House was constructed during a time of rapid change in Mecklenburg County. Before the outbreak of the Civil War in 1861, the county’s economy, though almost exclusively agricultural, was diverse and thriving; in 1850, Mecklenburg County ranked third in the state in cotton production, eleventh in corn production, and twelfth in wheat production.4 Most of these crops were transported to Charleston via river and road routes, and often took over a week to reach the nearest market. With the building of the Charlotte & South Carolina Railroad in 1852, movement of goods became much easier and faster. By 1860 four railways crossed the county, converging in Charlotte, its largest city.5

Although the Civil War took the lives of many of its soldiers and completely disrupted the lives of its citizens, Mecklenburg County emerged from the conflict in a relatively good position. Farmers, many of whom owned modest acreage and had owned no slaves, quickly began to replant their fields. Railroads damaged during the war were reconstructed, and new railroad lines were added to the existing system. As the 1860s came to a close, the county not only recovered from the ravages of the war but began to thrive. This growth was most evident in Charlotte, the county’s only true urban center, population of which rose from 2,265 persons in 1860 to 4,473 in 1870, making it the fifth largest city in North Carolina.6

This growth within Mecklenburg County after the Civil War was not limited just to Charlotte. With the rebuilding and continued expansion of the railroads, several small settlements surfaced along their routes. These settlements, often begun as simple shipping and trading posts for local farmers, evolved into flourishing communities during the late nineteenth and early twentieth centuries. Huntersville, located in the northwestern edge of the county, grew up along the reconstructed tracks of the Atlantic, Tennessee, and Ohio Railroad in the late 1870s. Cornelius, a former cotton weigh station three miles north of Huntersville along the A.T. & O. line, was incorporated as a town in 1905. Once a rural stagecoach stop called Fullwood’s Store, the Town of Matthews developed around a depot built for the Carolina Central Railway in 1872 and was incorporated seven years later.7

Main Street Of Pineville In 1915

As Mecklenburg’s small towns expanded, a distinctive landscape began to emerge within them, combining elements of both city and rural life. Each town comprised a main street almost always oriented to the local railroad. General stores, grocers, banks, drug stores and post offices lined this street, making up a modest commercial district usually no more than one block long. Small industries, including corn and flour mills and livery stables, were often placed behind the more prominent businesses along the street.8 Branching from this commercial core were several residential streets, creating a small version of the “uptown” neighborhoods found in larger cities. Often, the first residents within the town were those people—large farmers, merchants, and business owners—who presided over most of the town’s commercial activity. Placed among this commercial and residential mix were the community’s churches and, later, schools. Although clearly influenced by the physical layouts of cities like Charlotte, these towns were still rural at heart. Dr. Richard Mattson, in his essay on small towns in Mecklenburg County, notes that: “The countryside eased into town in the late nineteenth and early twentieth centuries, as farms and woodland rolled along behind town lots.” The county’s towns “were settled primarily by rural folk, and traditional farmhouse designs often occupied parcels broad enough for flourishing kitchen gardens, smokehouses, and other assorted outbuildings. Street patterns also reflected rural precedents.”9 All of these features, rural and urban, came together to form a common geography for all of Mecklenburg’s small towns.


Pineville was among the first of Mecklenburg County’s railroad communities. Pineville began as a small community centered around a stagecoach stop along one of the county’s wagon roads. The settlement was named “Morrow’s Turnout” for one of the first families to come to the area. In October 1852, the county’s first rail line, the Charlotte & South Carolina Railroad, was completed, linking Charlotte to Columbia, South Carolina. A passenger and freight station was constructed at Morrow’s Turnout, making the settlement one of the first in the county to be located along a railroad. According to local legend, the depot was named “Pineville” after the “many large and beautiful pine trees casting their shadows over the community.”10

In the years following the Civil War, Pineville developed into a small but thriving cotton and mule market. Journalist and longtime Pineville resident H. E. C. “Red Buck” Bryant described the day-to-day workings of the community in an article for the Charlotte Observer:

Its merchants not only bought and distributed cotton in bales but sold the mules which helped to produce the crops. Sections of North Carolina and upper South Carolina, where cotton was king, had to have shavetails (mules) to get the work done. Some new ones were needed each spring and Pineville was the place to get them. Drovers would bring them in, sound and 16 hands high, generally young and ready to “break to plow and wagon”11

Pineville continued to expand through the last decades of the nineteenth century. In 1873, the community was incorporated as an independent municipality—one of the earliest of the railroad settlements to do so. The 1870s was a period of growing commercial activity in the young town. Pineville now boasted grocers, liquor stores, general stores, a flour mill, and a post office.12 A mere ten years after its incorporation, Pineville was listed in Branson’s North Carolina Business Directory as having two drugstores, a grocer, and ten general stores—more businesses than any small town other than Davidson.13 By 1900, Pineville was the largest of Mecklenburg’s towns, with a population of almost 600 people.14

The success of Pineville and other small towns like it was due in large part to the entrepreneurship of a new and shrewd group of businessmen, all eager to take advantage of every opportunity afforded them in these new outposts. These men owned and ran general stores, were involved in cotton brokering, mule trading, banking, and a host of other business activities. Many were also involved in local politics and were active members of local churches. In many ways, Mecklenburg’s businessmen helped to shape their towns as much as the railroads did.

Samuel Younts

Among the most successful and influential businessmen in the budding town of Pineville was Samuel Younts. Younts was born on December 25, 1825, in Davidson County, North Carolina. The son of Rudolph Younts and Mary Owens, he married Barbara Palmer in Davidson County in 1845.15 The couple soon moved to Mecklenburg County and settled in the Mallard Creek township, where Samuel found work as a blacksmith. By 1860, the Younts family had again moved and were listed in that year’s census records as living in the “Eastern Division” of the county.16 Samuel returned to Mecklenburg after serving in the Confederate Army, and, sometime after the end of the Civil War, he and his family moved to the Pineville area, where Samuel opened a general store. Younts quickly established himself as a very successful businessman in the area. In addition to owning and running the store, Younts was also a mule-trader (a lucrative business in Pineville), a cotton-broker, and a money-lender. All of these separate businesses constituted Samuel Younts & Son, a company that Younts shared with his eldest son, John A. Younts.17 Deed records show that Samuel and John A. Younts purchased numerous parcels of land ranging from 20 to 200 acres in the 1870s and 1880s in and around the town, including a large parcel that included a substantial part of Main Street. A deed dated 1892 (just two years after Samuel Younts’s death) lists a number of brick and frame store buildings along Main Street that housed the operations of Younts & Son.18 Local tradition holds that Samuel Younts was easily among the wealthiest businessmen in Pineville, if not the county. One newspaper article recounting the town’s history claimed: “His [Samuel Younts’s] volume of business ran between $150,000 and $175,000 a year—and those were not the kind of dollars we know now.”19 Younts was known as an astute businessman, and a person whose mind was always on his work. One of Samuel’s daughters used to tell a story of how, during a service at the Presbyterian church, her father stopped in the middle of prayer to ask her brother if he had charged a customer for some horseshoes.20

Samuel Younts was known in Pineville and the surrounding area not only as a prosperous merchant, but also an active member of the small town. When it was incorporated in 1873 (several years before Huntersville and Matthews), the town of Pineville was still a very rural place, consisting mainly of scattered farmhouses with few businesses, no church buildings, and no school building. Samuel Younts played an integral part in the development of the town during its first decades. Younts was listed in the Pineville town charter as one of its founding members and first commissioners. Even the boundaries of the town began at Younts’s store, radiating out half a mile in each direction.21 Although best known as shrewd businessmen and landowners, Samuel and son John were generous with their large landholdings, donating a parcel along Main Street for the Pineville Presbyterian Church in 1876 and a lot on Polk Street to the Pineville Methodist Church two years later. Samuel and John Younts were also founding members of the Methodist Church.22

The Samuel Younts House

Given Samuel Younts’s prominent position within the town of Pineville, it is not surprising that he chose to build his home in the heart of the newly incorporated community. Around 1873, Younts erected a two-story brick house on a portion of his landholdings along the north side of Main Street.23 Its location along Pineville’s main commercial thoroughfare was not the only feature of the house that set it apart from the farmhouses that surrounded the town’s small center. The size of the house, the brick construction, and the exterior and interior detailing helped to differentiate it from those more modest homesteads, and even from the other houses built within the town.

In the 1860s and 1870s, traditional housing forms still dominated residential construction within the county. In rural areas, the most common form remained the I-house, a simple side-gable structure that was usually one room deep. Even those homes built by wealthy farmers or town-dwellers tended to retain the I-house form or to adopt simple variations like the gable-front-and-wing. The form of Samuel Younts’s new house, a gable-front-and-wing with gabled rear ell, was more complex than the ubiquitous I-house, but was relatively reserved when compared to the more irregular plans of the Queen Anne style homes that would be built in towns like Matthews and Cornelius in the next two decades.24 Like many homeowners, Samuel Younts attempted to ‘dress up’ his house with more ornate exterior detailing. Most of these details were Italianate, including segmented arch windows, decorative brickwork, and a large shed-roof front porch. The 2/2, segmented arch windows, with their large panes of glass, were a definite departure from the usual farmhouse windows, and the simple brick work over the windows added another level of decoration to the fenestration. The woodwork on the front porch and under the eaves of the house were elaborate, and, given the new methods of mass-producing building materials, were probably machine-made.25 Inside the Younts House, the expansive center stair hall, with its high ceilings and impressive staircase with simple yet elegant rounded hand rail and turned balusters, continued the feeling of luxury displayed on the house’s exterior.

Samuel Younts lived and worked in Pineville until his death on April 27, 1890. His widow Barbara and daughter Beulah continued to live in the house after Samuel’s death, and his sons John and William continued to run the family business.26 John Younts was as prominent a member of the town of Pineville as his father had been, serving as its mayor from 1896 to 1898.27 With Barbara’s death in 1905, the house was left to Beulah, with the stipulation that “If she [Beulah] should die without bodily heirs, house and aforesaid shall be divided between my following named grandchildren: Charlie Younts, Paul R. L. Younts, and Annie Russell.”28 One of these grandchildren, Paul Younts, would later become a general in the United States Army, Charlotte’s postmaster general, and North Carolina state highway commissioner.29

Beulah continued to live in the house after her mother’s death. Although little remained of Samuel Younts & Son by the early decades of the twentieth century, Beulah still managed some of the family’s farmland located on the outskirts of the town. A black tenant farmer named Bun Feaster farmed the plot, coming up to the Younts House every morning to get mules from the barn that sat just to the west of the house. Feaster’s daughter Jesse was also Beulah’s cook and housekeeper.30 Tom Eubanks, who lived across the street from the Younts House as a young boy in the 1930s, remembers Beulah sitting out on the front porch every afternoon in her best clothes. Eubanks was a frequent visitor to the house, where he would listen to Beulah tell stories about her family. Beulah would describe how, when Samuel came home from the Civil War, the family tried to run him off the property because no-one recognized him, and how the Charleston earthquake of 1886 rattled the dishes in the kitchen.31 After Beulah’s death, ownership of the house went to the three grandchildren named in Barbara Younts’s will.32

In 1947, the house was purchased by Dr. Ralph Reid, Pineville’s resident physician. Reid, a Pineville native and graduate of Columbia University’s School of Medicine, first opened a small practice above the Pineville Drug Company in 1944. Dr. Reid soon outgrew the small space and, intending to expand his practice even further, bought the large brick house on Main Street and converted it into a small community hospital.33 Reid used the front parlor on the first floor as his office, and reconfigured the upstairs bedrooms into examination rooms. These examination rooms, as well as the remaining rooms downstairs, were also used for overnight patients.34 Dr. Reid, who had been chief resident at Charlotte Memorial Hospital from 1942 to 1944 and still performed surgeries there, would often make his rounds in Charlotte in the early morning before coming back to the hospital in Pineville, remaining there until late into the night. Joe Griffin, a local historian, recalls that “many surgeries were performed here and hundreds of babies delivered. Dr. Reid probably delivered more babies in Pineville than any other doctor. I’m sure he delivered two generations in many families. . .”35 The hospital remained in operation under Dr. Reid until 1967. Reid continued to practice medicine in Pineville until his death in 1979.36 After serving as a rental property for ten years, the Younts House was sold by Dr. Reid’s widow and was, like so many other buildings on Main Street, converted into an antiques shop. The Younts House is currently occupied by Blis Salon and owned by its proprietor, Tami Curtin.

Physical Description

Site Description

The Samuel Younts House is located at 136 Main Street within the town of Pineville in southern Mecklenburg County. The house sits on a .63-acre lot on the north side of the street, facing south. To the east of the house is a small one-story brick building. A modern one-story brick office building sits on the lot to the west of the house.37 The area of the property to the east of the house has been paved in to provide a parking lot for the building, and the entire parcel is surrounded by a wrought-iron fence with brick posts.


Architectural Description

The Younts House is a two story modification of the gable-front-and-wing form, with a two-story gabled ell projecting from the rear of the wing. The front gable, approximately one bay wide and two bays deep, extends only slightly past the side-gable wing (two bays wide and one bay deep). The rear gable ell adjoining the front wing is linked to the front gable by a hip-roof connection, creating a more box-like plan and complex roofline than is seen on the typical gable-front-and-wing form. The exterior walls of the house are constructed of brick and faced with running bond. The brick has been painted a light grey. The multiple roofline is punctuated by two interior chimneys and covered with slate shingles in a variegated pattern, with the exception of the north slope of the side gable wing, which has been covered with corrugated metal. A series of one-story brick additions project from the rear of the main structure; according to Tom Eubanks, the house originally had a shed-roof rear kitchen addition that connected to the main house through the door on the back wall of the stair hall. The additions that are presently on the house were probably added by Dr. Reid and subsequent owners.


Several architectural details on the exterior are Italianate, a building style that was more commonly used in commercial buildings in the area.38 Windows on the original portion of the house are double hung units topped with a segmented arch. Each sash is divided into two large lights with a thin vertical muntin. Above many of the windows is a gently curving brick crown mirroring the shape of the segmented arch. On portions of the east, south (façade) and west elevations, a narrow brick stringcourse runs just above the second floor windows, curving over the segmented arches. Ornamental bargeboard (a popular decoration from the Queen Anne style) originally lined the front gable on the façade. This decoration was removed when Dr. Reid converted the house to a hospital, along with the shed roof front porch that extended across the façade. The porch was replaced by an enclosed brick entrance, which was probably considered more appropriate for the new use of the building. Other alterations to the exterior include a handicap ramp leading to a door that has been built into the east elevation and a fire escape leading to a door fashioned from a second-story window opening on the west elevation.


The main entrance of the Younts House leads directly into a spacious central stair hall. The half-pace stair is placed in the back of the room, with the first run of the stair rising along the west wall of the room. The substantial yet elegant newel post connects to a rounded stair rail. Two delicate balusters are placed along each tread of the staircase, and simple brackets decorate the side of the stair wall. The simple baseboards, door surrounds, high ceilings and wide-plank wood flooring seen in the stair hall continue throughout the downstairs rooms comprising the original house. The room located in the southwest corner of the first floor also contains one of two remaining fire place mantles in the house, which is flanked by two bookcases. A doorway on the north wall of the stair hall leads into the shed-roof addition, which has recently been remodeled after a fire. From that addition, one can access the other additions to the house.


The second run of the stair continues up to a central room on the second floor. Originally, four rooms opened onto this central room; the arrangement of rooms was first altered by Dr. Reid to better facilitate the activities of the hospital. Two doors on the east wall of the central room open into small antechambers, each leading into a small room. One of these rooms, located in the northeast corner of the house, contains a fireplace mantle ornamented with simple scrollwork, organic, rounded shapes, and trefoil. On the west side of the second floor, there is a room in the southwest corner, a bathroom to the north of this room, and, to the north of the bathroom, a small hallway running to the west wall of the house. This hallway has two doors along its north wall leading into two small spaces divided by a partition wall. This wall runs up to a window on the house’s north wall, but does not disturb it. .

Despite the alterations that have been made to it over the years, the Samuel Younts House stands as a testament to the prosperity and importance of one of Pineville’s first and wealthiest merchants, and as an example of the burgeoning small town landscape within Mecklenburg County in the late nineteenth century. The house has evolved to fit the changing community, serving first as an imposing residence for one of its founders, then as a hospital for all of its citizens, and later as a commercial property catering to shoppers drawn to Main Street for its charming collection of antique stores. The Younts House remains, after more than 120 years, an important part of Pineville’s architectural and social history.


1 Richard L. Mattson, “Historic Landscapes of Mecklenburg County: The Small Towns,” July 1991 <Small Towns of Mecklenburg County> (July 28, 2003), Chapter 1 (“Rise of the Small Towns”).
2 Joe H. Griffin, “Who was Samuel Younts?” (portion of unpublished manuscript provided by Mr. Griffin), 1; Joe H. Griffin, interview by author, Pineville, North Carolina, 17 July 2003.
3 Griffin, Interview.
4 Sherry J. Joines and Dr. Dan L. Morrill. “Historic Rural Resources in Mecklenburg County, North Carolina” <> (28 July 2003), Ante-bellum Period.
5 LeGette Blythe and Charles R. Brockman, Hornet’s Nest: The Story of Charlotte and Mecklenburg County (Charlotte: McNally of Charlotte, 1961), 259-262.
6 Joines and Morrill, Reconstruction Era.
7 Blythe and Brockman, 417-422.
8 Mattson, chapter 2 (“Main Streets”).
9 Mattson, chapter 3 (“Uptowns and Residences”)
10 Joe H. Griffin, My Hometown—Pineville: History, Hearsay, Memories & Scrapbook of Pineville (Pineville, NC: J. H. Griffin, 2001), 8.
11 H.E.C. Bryant, “Pineville was Quite a Town,” Charlotte Observer, 21 May 1967 (vertical file, “Mecklenburg Co. Towns—Pineville,” Robinson-Spangler Carolina Room, Main Branch, ecklenburg County Public Libraries)
12 Levi Branson (ed.), North Carolina Business Directory, 1872-1878, vol. 1 (Raleigh, NC: Nichols and Gorman, 1872), 144-145; Levi Branson, North Carolina Business Directory, 1872-1878, vol. 5 (Raleigh, NC: Nichols and Gorman, 1878), 192-193.
13 “Merchants and Tradesmen in Mecklenburg County in 1884. . .As Recorded in the Branson County Directory,” Olde Mecklenburg Genealogical Society Quarterly 17, no. 2 (1999), 20-23.
14 Mattson, chapter 1 (“Rise of the Small Towns”).
15 Griffin, interview.
16 U.S. Census, North Carolina, Mecklenburg County, 1860, p. 59-60.
17 Griffin, interview; My Hometown—Pineville, 13; Bryant, “Pineville Was Quite a Town.”
18 Mecklenburg County Deed Book 84, page 333.
19 “Pineville Has Been Important Area of Mecklenburg Since Its Founding,” Charlotte Observer, 28 February 1950 (vertical file, “Mecklenburg Co. Towns—Pineville,” Robinson-Spangler Carolina Room, Main Branch, Mecklenburg County Public Libraries).
20 Tom Eubanks, telephone interview by author, 13 August 2003.
21 Pineville Town Charter, ratified 28 February 1873 (vertical file, “Mecklenburg Co. Towns—Pineville,” Robinson-Spangler Carolina Room, Main Branch, Mecklenburg County Public Libraries)
22 “Who was Samuel Younts?”, 1; Griffin , interview.
22 “Who was Samuel Younts?”, 1; “Renovations Being Made to Historic Reid Building,” (name and date of newspaper unknown; given to author by Tami Curtin) Although the chain of title breaks down with the will of Barbara Younts (dated 1905), the lot on which the house was built was almost certainly part of a larger parcel along Main Street purchased by Samuel in 1868 from B. F. Morrow (Mecklenburg County Deed Book 6, page 566). The exact year that the house was constructed in not known, and the year 1873, which appears in several newspaper articles about the house, was probably taken from the date of the town’s charter, in which Samuel Younts’ store on Main Street is mentioned.
24 Mattson, chapter 3 (“Uptowns and Residences”)
25 Catherine W. Bishir, et al., Architects and Builders in North Carolina: A History of the Practice of Building (Chapel Hill: University of North Carolina Press, 1990), 219-226.
26 U.S. Census, North Carolina, Mecklenburg County, 1900, p.
27 Blythe and Brockman, 450.
28 Mecklenburg County Will Book, page 485.
29 “Paul R. Younts, Man of the Year,” Charlotte News, 30 December 1961 (article provided by Joe Griffin).
30 Eubanks, interview.
31 Ibid.
32 Mecklenburg County Deed Book 1132 Page 528.
33 “Doctor to a Generation of Pineville Residents,” Charlotte Observer, 10 April 1979, 6A.
34 Eubanks, interview.
35 My Hometown—Pineville, 69.
36 “Doctor to a Generation of Pineville Residents,” 6A.
37 This lot originally contained a frame barn owned by the Younts family.
38 Thomas W. Hanchett, “Charlotte Architecture: Design Through Time, Part I,”

Ziem House

This report was written on October 7, 1986


1. Name and location of the property: The property known as the Harry Arthur Ziem House is located at 1812 E. Eighth Street, Charlotte, North Carolina.


2. Name, address and telephone number of the present owner of the property: The owner of the property is:

Mr. John William Burkhead, Jr.
1812 E. Eighth St.
Charlotte, N.C. 28204

3. Representative photographs of the property: This report contains representative photographs of the property.

4. A map depicting the location of the property: This report contains a map which depicts the location of the property.

5. Current Deed Book Reference to the property: The most recent deed to this property is recorded in Mecklenburg County Deed Book 5074, Page 808. The Tax Parcel Number of the property is: 127-032-10.

6. A brief historical sketch of the property: This report contains a brief historical sketch of the property prepared by Dr. William H. Huffman.

7. A brief architectural description of the property: This report contains a brief architectural description of the property prepared by Mr. Joseph Schuchman, edited by Dr. Dan L. Morrill.

8. Documentation of why and in what ways the property meets the criteria for designation set forth in N.C.G.S. 160A-399.4:
a. Special significance in terms of its history, architecture, and/or cultural importance: The Commission judges that the property known as the Harry Arthur Ziem House does possess special significance in terms of Charlotte-Mecklenburg. The Commission bases its judgment on the following considerations: 1) the Harry Arthur Ziem House erected c.1910, is the best-preserved example in Charlotte of early cast concrete block residential architecture and, therefore, occupies a significant place in the architectural history of this community; and 2) the Harry Arthur Ziem House is the only structure of its type in Elizabeth Heights, one of Charlotte’s oldest streetcar suburbs..

b. Integrity of design, setting, workmanship, materials, feeling, and/or association: The Commission contends that the architectural description included in this report demonstrates that the property known as the Harry Arthur Ziem House meets this criterion.

9. Ad Valorem Tax Appraisal: The Commission is aware that designation would allow the owner to apply for an automatic deferral of 50% of the Ad Valorem taxes on all or any portion of the property which becomes “historic property.” The current appraised value of the improvement is $39,430. The current appraised value of the .201 acres of land is $8,000. The total appraised value of the property is $47,430. The property is zoned R6.

Date of preparation of this report: October 7, 1986

Prepared by: Dr. Dan L. Morrill
Charlotte-Mecklenburg Historic Properties Commission
1225 S. Caldwell St.
Charlotte, N.C. 28203

Telephone: 704/376-9115
Historical Overview

Dr. William B. Huffman
October, 1983

Situated on a slowly rising street in a serene but eclectic area of the Elizabeth neighborhood is an unusual two-story house that is quite unlike those around it, but is nonetheless perfectly in harmony with its surroundings. It was built about 1910 by Harry Arthur Ziem (1865-1941) according to his own design.

Ziem was born in Chicago, Ill in 1865, the son of Charles Frederick Ziem, a brother of German artist Felix Ziem, and Countess Johanna Ziem, both of whom left Germany as a result of the revolutions there in 1848. When he was a boy of six, Ziem witnessed the great Chicago fire in 1871 (his family only lived four blocks from Mrs. O’Leary famous barn). 1 There is no record to show when Harry Ziem came to Charlotte, since he does not appear in the city directories until 1912, but he purchased a building lot from the Highland Park Company on East Eight Street in July, 1909, for $550. 2

The Highland Park Company, headed by banker-developer Peter Marshall Brown (1859-1913), with Walter S. Alexander (1858-1924) serving as secretary developed the Elizabeth section of Charlotte. It was originally organized in 1891 by Edward Dilworth Latta, W. S. Alexander, Walter Brem, Heriot Clarkson, P. M. Brown, E. M. Andrews and others, and went out of business in 1915 when development was basically completed. 3 Brown and Alexander were also the founders of the Southern Real Estate, Loan and Trust Company (1899) and the Southern Loan and Savings Bank (1901), which made loans to the purchasers of Highland Park property. 4 Although originally laid out as Highland Park, the area became known as Elizabeth Heights after the establishment of Elizabeth College, a Lutheran affiliated college for women, on the site where Presbyterian Hospital now stands in 1897. The name derives from Anne Elizabeth Watts, the wife of Gerard Snowden Watts, a tobacco magnate from Durham who was the principal benefactor of the institution, and whose son-in-law, Dr. Charles B. King, was the school’s first president. To help the development of their property, Highland Park gave the new school $3600 as an inducement to locate on the hilltop site just south of the city.

In the first phase of development, Highland Park, later Elizabeth Heights was built up along Elizabeth Avenue and along its side streets. A number of substantial houses, including that of William Henry Belk, one of the founding partners of Belk Brothers Department Stores, were built in the section. 5

When the trolley line was completed to Elizabeth College in 1902, and extended along Hawthorne to the entrance of Independence Park in 1907, development could be pushed further out. Indeed, it was in 1907 that Elizabeth Heights became part of the city, and the section bounded roughly by Hawthorne, Fifth, Caswell and halfway between Eighth and Ninth Streets wan platted for development. 6 By the time Harry Ziem bought his property in 1909, the streetcar line would have passed Independence Park (which was designed by John Nolen, the designer of much of Myers Park) and turned south on Seventh, then back east on Clement, only a half block from his house.

In November, 1909, Ziem was given a water connection permit, and therefore it must have been about 1910 that he built his house. 8 Although there are no extant records or surviving relatives to confirm the information, folklore from present and former neighbors has it that Ziem, whose second wife was Nancy Dilling Ziem (1877-1962) of Gastonia, built the house according to his own design, and had the principal materials, including the block and interior decoration, shipped from Chicago, his original home. 9

In the early Teens, both Harry and Nancy Ziem worked for the Hamilton Millinery Company at 223-233 S. Tryon Street, he as a traveling salesman, and she as a milliner. From 1914, on, however, he spent most of his working years as a decorative painter of signs, automobiles and ornamental designs, while Mrs. Ziem remained a milliner for many years. 10 Harry Ziem apparently always retained an interest in art as part of his heritage, and in the home on Eighth Street is held many works of art, including painting and sculpture, some executed by Mr. Ziem himself. 11 After Harry Ziem’s death in 1941, Nancy Ziem lived in the house until she herself passed away in 1962. Thereafter it was owned for the next thirteen years by a neighbor who did some renovation, and thereafter by six different proprietors, but it was not until 1979 that the present owner undertook extensive restoration efforts, which will do much to preserve this unusual house as part of Charlotte’s unique turn-of-the-century streetcar suburb heritage. 12

1 Charlotte Observer, Oct. 2, 1941, p. 2.

2 Deed Book 246, p. 534, 12 July 1909.

3 Record of Corporations, Book A, p. 235; Ibid., Book 4,

4 William R. Huffman, “Historical Sketch of the Southern Real Estate Building”, February, 1983, Charlotte Mecklenburg Historic Properties Commission; Deed Book 250, p. 678; Ibid., Book 255, p. 616.

5 “New South Neighborhoods: Elizabeth”, Charlotte Mecklenburg Historic Properties Commission, May, 1981.

6 Map Book 224, pp. 202-3.

7 Ibid.

8 Water Connection Permit No. 2785, 4 November 1909.

9 Interview with George B. Johnston, Charlotte, N.C. 14 October 1983; Interview with Fred L. Thompson, Charlotte, N.C., 14 October 1983; Interview with Mary Voorheen, Charlotte, N. C , 14 October 1983; Certificate of Death, Reg. No. 875.

10 Charlotte City Directories, 1913-1940.

11 See note 1.

12 Interview with Mary Voorhees; interview with George B. Johnston.
Architectural Description

Joseph Schuchman
Edited by Dr. Dan L. Morrill

The Harry Ziem House is one of Charlotte’s most interesting residences. It occupies a narrow lot in Elizabeth, a turn of the century streetcar suburb. The two story house was built about 1910. Esthetically, the Ziem House is a typical early twentieth century residence. The double pile main block is square shaped with no ells or projections. The exterior is largely devoid of ornamentation, possibly a reaction against the fussiness of late nineteenth century Victorian and Queen Anne architecture.

The house’s significance derives largely from its building material. The Ziem House is of cast concrete construction; it is one of the oldest examples of cast concrete residential architecture in Charlotte. According to local tradition, Harry Ziem was long interested in fireproof construction and undoubtedly utilized his beliefs in the planning of this house. Concrete block is one of the most important building materials developed in the nineteenth century. It was perfected in the century’s closing years and achieved its greatest popularity between 1900 and 1910, as it was both fireproof and inexpensive to produce. Molds gave the block a variety of surfaces resembling cut stone; three variations are present in the Ziem House.

The Ziem House is faced in a rough faced block. Quoins and a string course are of a smooth finished block; the string course is level with the first story window sills and runs across the side and rear elevations. Openings are also formed by alternating bands of the finished block. Plain concrete block is utilized for the foundation and belt course. According to local tradition, the blocks were manufactured in Chicago, Ziem’s childhood hometown.

One/one sash is the primary glazing format; several single light casements and single pane windows are also present. Exterior openings are set in molded surrounds and placed between a cast concrete lintel and projecting sill. Fenestration on the front, rear and side elevations is asymmetrically arranged; the symmetrical side is two bays wide. The steeply pitched hip roof is sheathed in pressed tin and displays exposed rafters. A central chimney is laid in stretcher bond; its top is corbeled.

The Ionic porch columns and oval glass entrance door allude to the Neoclassical style; the remainder of the exterior is devoid of any historical detail. Three centrally placed cut and dressed stone steps lead to the hip roof porch, which covers the first story. Pressed tin covers the porch roof. End piers are of finished block. Rectangular finished block bases support the Ionic columns which flank the porch entrance; each column has an egg and dart molded capital. A plain entablature encircles the porch; the underside of the porch roof is sheathed in tongue and groove ceiling. A plain rectangular balustrade is set between the porch supports on the front and side. The balustrade was installed by the present owner, George Johnston, who purchased the house in 1979. It replaced a similarly designed existing balustrade. The side leads to concrete steps which run off the driveway; an existing balustrade may have been removed when the driveway stairs were installed. The porch foundation is of finished concrete block.

The off center entrance door displays a single paneled door; the oval glass is set within a floral border and placed within a rectangular molded panel. As was typical with turn of the century entrance doors, fine oval glass was beveled. The present straight edge glass was installed by the present owner. Single pane lights, typical Neoclassical motifs, flank the entrance. The shutters which frame the second story sash were added by the present owners.

Single pane casements are rhythmically placed along the foundation on the side elevations. At the rear, a shed porch, with exposed rafters, shelters the entrance and an adjacent window opening. A straight run open string stairway leads to an off center kitchen door. Plain rectangular banisters support a simple rail. The face of the stairwell is covered in weatherboard, which may be a later addition. As the house occupies a sloping lot, a raised basement is present on the rear elevation. A vertical paneled entrance door at the rear is the only means of access to the basement and adjacent crawl space.

The interior is handsomely detailed and largely intact. But typical of the period, ornamentation is kept to a minimum. The first story follows a Four Square plan, with rooms flowing into each other, eliminating the need for a center hall. The Four Square plan came into widespread use during the late nineteenth century.

Interior detail is simply executed. Rooms are encircled by a molded baseboard and a rounded cornice. Though a variation exists, the majority of interior openings are set in plain surrounds with a crown molding. Window openings have a molded sill. The double hung sash are set in plain frames with a beaded edge.

Each first story room is encircled by a pressed tin floral and garland frieze; the frieze in each room is identical. First story pressed tin ceilings were removed by the present owner; pressed tin light panels, each a variation on a floral and garland theme, are centrally placed in three first story rooms. Each panel is square and framed by a molded surround.

The living room is the house’s most elaborate interior space. Paired doors provide access to the room from the entrance hall, at the side, and the dining room at the rear. On each door, rectangular beveled glass is placed above a recessed panel. A two pane transom is set above each entrance. The mantle is typically Neoclassical. Ionic columns rest on a rectangular base and support a molded shelf. The overmantle was removed by the present owner. At the time of the house’s completion, each room had a coal burning fireplace. All other mantles have been removed by previous owners.

A quarter turn stairway rises from the entrance hall. The lower portion of the stairway is open string; the remainder rises enclosed. Rectangular newel posts and banisters support a molded handrail. On the main newel post, floral and garland plaster decorations are set in a recessed panel framed by a beaded surround. The capital of the post has an egg and dart molded cornice. The inner wall of the enclosed stair is sheathed in a tongue and groove wainscot. The second story landing is delineated by a balustrade. Plain banisters are set between chamfered piers, which support a molded rail. A wooden globe surmounts the piers.

Three bedrooms and a front bathroom, the latter believed to be a later addition, open off the irregularly shaped center hall. Ceilings are of pressed tin. The six panel doors appear original. Molded baseboard encircles the hall and bedrooms. Each of these rooms has a molded cornice, although a slight variation exists from room to room. Openings are set in plain surrounds. Crown molding and molded sills are present in what appears to be, by virtue of its size, the former master bedroom and are also randomly placed on other openings, indicating perhaps some alterations. It is possible that the room size of one or both of the adjacent bedrooms has been altered, perhaps to allow for the installation of closets. The appearance of a pressed tin frieze in the two closets may indicate the one-time existence of a frieze throughout the second floor. A single pane transom is located above the entrance to the largest bedroom. The attic is unfinished.

The house lot is well landscaped; a sunken birdbath is located in the
rear yard.


As a Certified Local Government (CLG) the Charlotte-Mecklenburg Historic Landmarks Commission is required to participate in preservation training.  Each year we are require to have two Commissioners attend approved training.  One such training opportunity is Preservation NC’s Annual Conference in Greensboro, September 28-30.  Please contact Stewart Gray if you are able to attend.

The keynote speakers will be Dr. Spencer Crew and Dr. Allan Parnell.

Dr. Crew is the Robinson Professor at George Mason University and will explore the topic of his latest book, which focuses on the WPA recordings of the last living generation of the enslaved in the United States. Click here to learn more about Dr. Crew.

Dr. Parnell is Vice President at the Cedar Grove Institute for Sustainable Communities and he will speak about “Six Disruptive Demographics Trends: What Census 2010 Will Reveal” and how they impact historic preservation.  Click here to learn more about Dr. Parnell.