Charlotte-Mecklenburg Historic Landmarks Commission

Author: Mary Dominick

CHARLOTTE SUPPLY COMPANY BUILDING

Click here to view photo gallery of the Charlotte Supply Company Building.

This report was written on September 6, 1983

1. Name and location of the property: The property known as the Old Charlotte Supply Company Building is located at 500 South Mint Street, in Charlotte, North Carolina.

2. Name, address, and telephone number of the present owner and occupant of the property: The present owners of the property are:

Charlotte Supply Partners
P.O. Box 35566
Charlotte, NC 28235

Telephone: Not Listed

3. Representative photograph of the property: This report contains a representative photograph of the property.

4. A map depicting the location of the property: This report contains a map which depicts the location of the property.

5. Current Deed Book Reference to the property: The most recent deed to this property is listed in Mecklenburg County Deed Book 4593 at page 607. The Tax Parcel Number of the property is 077-123-08.

6. A brief historical sketch of the property: This report contains a brief historical sketch of the property prepared by Dr. William H. Huffman.

7. A brief architectural description of the property: This report contains an architectural description of the property prepared by Odell Associates, Inc.

8. Documentation of why and in what ways the property meets the criteria set forth in N.C.G.S. 160A-399.4:

 

a. Special significance in terms of its history, architecture, and/or cultural importance: The Commission judges that the property known as the Old Charlotte Supply Company Building does possess special significance in terms of Charlotte-Mecklenburg. The Commission bases its judgment on the following considerations: 1) D. A. Tompkins, famous New South prophet, founder of the Charlotte Observer, and leading industrialist, was one of the founders of the Charlotte Supply Company 2) the Charlotte Supply Company, founded in November, 1889, was a manifestation for over seventy years of the importance of the textile industry in Charlotte-Mecklenburg; 3) the current building, designed by Lockwood, Greene and Company and completed in November, 1923, is an especially fine example of industrial and warehouse construction in the 1920s; and 4) the recent conversion of the Charlotte Supply Company building into offices has adhered to the highest standards of sensitive preservation and adaptive reuse.

b. Integrity of design, setting, workmanship, materials, feeling and/or association: The Commission contends that the attached architectural description by Odell Associates, Inc. demonstrates that the Old Charlotte Supply Company Building meets this criterion.

9. Ad Valorem Tax Appraisal: The Commission is aware that designation would allow the owner to apply for an automatic deferral of 50% of the Ad Valorem taxes on all or any portion of the property which becomes “historic property.” The current appraised value of the one acre of land is $60,980. The current appraised value of the building is $95,200. The total current appraised value is $156,180. The property is zoned I3.

Date of Preparation of this report: September 6, 1983

Prepared by: Dr. Dan L. Morrill, Director
Charlotte-Mecklenburg Historic Properties Commission
218 North Tryon Street
Charlotte, North Carolina 28202

Telephone: (704) 376-9115

 

 

Historical Overview

 

For eighty-six years, the Charlotte Supply Company played an active role in the business and industrial life of Charlotte and the Carolinas, and the building which bears its name is one of the few monuments left in the city to an industry that caused the region and the city to flourish as part of the economic growth of the New South. Although there is very little information available about the economic history of Charlotte and the corporate records of Charlotte Supply are no longer extant, a general picture of the company’s role in the regional economy may be drawn.

The growth of Charlotte from a rural village in 1850 to a thriving center of the Southern textile industry by the end of the century was the result of several factors: its locale in the cotton-producing region, the development of rail transportation, the availability of power, low taxation and cheap labor. Starting in 1852, when Charlotte was linked by rail with Columbia, SC, giving it easy access to the sea for the first time, and followed in 1855 by completion of a line to Norfolk, the city became a cotton trading center. By 1875, when Charlotte was connected to many of the surrounding cotton-producing counties by rail as well as being located on the line stretching from New York to New Orleans, cotton trading had increased from less than three thousand bales annually twenty years before, to 40,000 bales that year. It was not too long afterwards that a quickening interest in the industrial potential of the New South gathered momentum, and by 1880 a number of textile mills built in the Piedmont crescent from Virginia to Alabama, with Charlotte in the center, were already operating. In 1880, the South had just over a half million spindles operating, but by 1900, this number had jumped to four and a half million, and ten years later it was 11.2 million. Although the battle cry was to move the cotton mills from New England closer to the source of supply, the fact is that the Southern mills were, even in 1922, eighty-four percent owned by Southern capital, and it was-only after that time when large amounts of northern capital moved into the region and the New England mills suffered great decline. Many individuals, however, who were trained in textile manufacturing in the north, came south during this period to take advantage of the tremendous growth of the industry here. Such was the case of those who founded and built up the Charlotte Supply Company.

Charlotte’s first cotton mill, and the only one in Mecklenburg County at the time, was built in 1880. Originally operating 6240 spindles which was eventually increased to 9000 in the one-story building, the Charlotte Cotton Mills was founded by J. M. Dates (1829-1897) and his three nephews, all of whom were cotton traders in the city.5 In 1882, a thirty-year-old native of South Carolina who had been educated and trained in manufacturing in the North, Daniel Augustus Tompkins (1852-1914), came to Charlotte as a representative of the Westinghouse Company to sell textile machinery. Recognizing the great potential for textile development in the region, in 1884 he started the D. A. Tompkins Company, a machine shop, contracting and consulting engineering firm, which was greatly responsible for the growth of textile manufacturing and related businesses in the Piedmont Carolinas. In his thirty-two year career in Charlotte, Tompkins, a tireless advocate of Southern industrialization, constructed over one hundred cotton mills, various fertilizer works, electric light plants and ginneries. He transformed the cotton oil of the region from a waste product to a major industry by building about two hundred processing plants and helping to organize the Southern Cotton Oil Company.6

Tompkins, who was instrumental in establishing textile schools at North Carolina State University, South Carolina and Mississippi, was interested in every phase of the textile business. Thus in 1889, when the D. A. Tompkins Company completed Charlotte’s second, third and fourth cotton mills (the Alpha, Ada and Victor), he was also involved in establishing the Charlotte Supply Company.7 On November 7, 1889, the Charlotte Supply Company was incorporated by E. A. Smith, D. A. Tompkins and R. M. Miller, Jr., who were the sole subscribers of the 250 shares of stock with par value of one hundred dollars.8 The D. A. Tompkins Company interest in the new “mill furnishers” corporation is clear, since R. M. Miller, Jr. (1856-1925) was also the secretary-treasurer of Tompkins’ firm. (Tompkins also built and headed Charlotte’s sixth mill, the Atherton, in 1893, and Miller was president of the city’s tenth, the Elizabeth Cotton Mill, in 1901).

The president of the new mill supply company, Edward Arthur Smith (1862-1933), was a native of Baltimore, Maryland, who came to Charlotte as a young man to be the traveling representative for Thomas K. Carey and Son, an industrial supply firm of Baltimore. Located at 20-22 East Fourth Street in Charlotte, the company advertised itself as “general cotton mill furnishers, manufacturers of leather belting, dealers in machinery, machinist’s tools, etc.” Indeed, for most of its years of operation, it was the intention of the company to be able to supply a textile mill with every piece of equipment, machinery, tools, belts and replacement parts, large or small, which would be necessary for its operation. Since the textile machines of the time were belt-driven, manufacturing leather belts also provided a steady source of sales.

By 1900, mill growth in the several-county area around Charlotte had progressed rapidly to provide customers for the supply company. In North Carolina, Gaston County had 32 mills; Alamance County, 23; Guilford, 10; and Mecklenburg, 19 (the city of Charlotte held eight of these); but even greater growth was yet to come.12 In that year, Smith, Tompkins and Miller sold the supply company to three natives of Warren, RI, and Smith subsequently built the Chadwick Mill in Charlotte (1901), another in Rhodhiss, NC in 1910, and the Phoenix Mill in Kings Mountain, NC five years later. The new president and principal stockholder was now Henry C. Clark (1850-1917), the vice-president Jerimiah Goff (1858-1931) and the secretary-treasurer was Henry Walter Eddy (1857-1932). As a youth of nineteen, Clark began his textile career in the card room of the Warren Manufacturing Company, where he eventually advanced to superintendent of the 100,000-spindle mill. In the early 1890s, he took a position with Brown Brothers of Providence, RI, for which firm he traveled extensively in the South for several years. A few years later, he was one of the organizers of the Standard Mill Supply in Providence, and in 1899 was elected mayor of Warren. The following year he sold his business interests and resigned the office of mayor to move to Charlotte, where he ran the Charlotte Supply Company for seventeen years.

In 1914, the Certificate of Incorporation was amended to reflect some changes in the structure of the company. The length of existence of the business was changed from thirty to sixty years, and the amount of authorized capital stock was raised from 250 to 1250, which remained at the same par value. The outstanding shares were distributed as follows: H. C. Clark, 143 shares; E. B. Graham, Sr., the new vice-president, 60 shares; and H. W. Eddy, 47 shares.16 The greatly increased stock authorization was designed to raise money for an expanding business to meet the needs of the ever-growing textile plants in the Piedmont. Before the expansion plans could be fully carried out, however, H. C. Clark died in 1917, and was succeeded as president by his son, Albert Barton Clark (1892-1945), who had moved to Charlotte with his parents in 1900, and attended Alabama Presbyterian College.17

Just two and one-half years after taking over the leadership of the firm, A. B. Clark started to move ahead with plans for expansion. On January 10, 1920, the company purchased a corner parcel of land in Charlotte’s Third Ward which had 150 feet frontage on Mint Street and went back 350 feet on West First Street to the Southern Railway tracks.18 The large engineering firm of Lockwood, Greene and Company (which also had offices in Atlanta, Chicago, New York, Detroit, Cleveland, Montreal and Paris) was engaged to design a new five-story building for the mill supply company, and the plans and specifications for it were completed in November, 1923.19

The following February, 1924, the contract for construction was let to the Charlotte firm of Blythe and Isenhour (John F. Blythe and William L. Isenhour, Sr.) for a concrete and brick building with 21-inch thick walls of five stories and measuring 40 by 150 feet at the base. It was estimated to cost $65,000.00. Construction of the new place of business took a year, and was completed in March, 1925. The formal opening of the new building, where leather belts were manufactured on the fourth floor, parts and machinery were warehoused on the other floors, and offices were located in front of the first floor, was modestly announced in a newspaper advertisement offering its services to the public. Undoubtedly it had long been announced to its mill customers in person. From the time of its original construction and continuing to the present, the Charlotte Supply Company building has dominated the Third Ward landscape of Charlotte in its immediate four-block square area, which is still the case today.

The decision to build a new building was a sound one at the time, given the state of the industry in the region. A boost to the building of new mills came in the 1880s with the use of steam boilers to run the machinery instead of relying purely on water power, and with the introduction of electric motors in the 1890s. In 1905, James B. Duke, the tobacco magnate, and an engineer, William S. Lee, organized the Southern Power Company (later Duke Power Co.), and by 1925, this dynamic power source had ten hydroelectric stations along the Catawba-Wateree River system which supplied electricity for three hundred cotton mills as well as many cities and towns of the Piedmont Carolinas. The result of similar developments elsewhere and new inventions in the industry caused the number of spindles in the South to jump from 4.4 to 17.3 million, an increase of 293 percent, from 1900 to 1925.23 As can be seen from figure 1, in 1925 Charlotte was in the center of a dense concentration of the Southern textile industry, and therefore the Charlotte Supply Company was in an advantageous geographical position with good rail transportation.

By the time the Charlotte Supply Building was built in 1925, the days of rapid expansion in the textile industry were over, but the Southern mills fared much better than those in the North because of the advantage in the cost of labor. Between 1923 and 1933, New England lost forty percent of its mills and over half of its laborers, while in the South textile employment rose seventeen percent.24 Thus through the leveling off period in the Twenties and the Great Depression of the Thirties, the Southern mills continued to operate for the most part, if sometimes at a lower level. World War II and the postwar boom brought a tremendous demand for textile goods which lasted until relatively recent times when the industry was faced with increasing foreign competition.25

Although no sales figures are available, one can assume that the fortunes of the Charlotte Supply company rose and fell with those of the industry as a whole. When A. B. Clark retired from the presidency of the company in 1942, he was succeeded by Eugene B. Graham, Sr. (1874-1947), who had, as mentioned earlier, joined the company in 1914. When Graham died five years later, he was followed as head of Charlotte Supply by another longtime employee, Palmer G. Black (1882-1976). Without doubt, the long tenure with the company of Graham and Black contributed greatly to its success. Black began his sixty-two-year-long service with Charlotte Supply in 1908 as a “drummer,” or outside salesman of mill supplies. For all of those years until his retirement in 1970 at the age of eighty-seven, he made weekly visits to industrial plants, primarily textile mills, in the Piedmont region of North Carolina. In the early days, he would take the train from Charlotte to such towns as Lincolnton, Newton, Conover, Hickory, Rhodhiss, Granite Falls, Hudson and Lenoir; for the outlying towns it was necessary to hire a wagon and team by the day. Once the automobile became a reliable means of transportation, he mostly counted on Buicks and Packards to take him on his rounds, but the first one was a Dodge purchased in 1918.

Much of Palmer Black’s long-lived success was due to his personality. He was known for his steady, genteel manner which incorporated unfailing common sense and a fine sense of humor. His unusual memory carried the company’s entire inventory, and he carefully cultivated the friendship of the machinists, purchasing agents and top executives of all the plants he visited in the Piedmont. This familiarity and experience with his products and his customers paid off to the extent that there were some years when Palmer Black was responsible for about half of the company’s sales, in addition to earning him and his company great respect throughout the industry in the region.

When Palmer Black became president of the company in 1947, he continued his duties as outside salesman, and four of E. B. Graham, Sr.’s children constituted the remaining operating officers: E. B. Graham, Jr. (1897-1970), vice-president and manager; Thomas P. Graham, vice-president; Robert G. Graham (1912-1982), secretary; William A. Graham, treasurer. The business operated under this structure until 1969 when it was bought out by Arthur Gould Odell, Jr., who heads the Charlotte architectural firm of Odell Associates. Shortly thereafter, Palmer Black and E. B. Graham, Jr. retired from the business, and a new firm was set up under the name of Graham Supply Company under the direction of Robert and William Graham. Under this arrangement, Charlotte Supply continued to own the building and provided the new company with inventory finance service, but in December, 1971, Charlotte Supply was reactivated as a mill supplier and the Graham company liquidated. In June, 1975, all the inventory of Charlotte Supply Company was sold to the Atlas Supply Company, a Winston-Salem firm with a branch office in Charlotte.30 Thereby almost nine decades of a business tradition in the textile industry of the Piedmont Carolinas came to an end. The company itself continued on with auto leasing, downtown parking and printing interests until recently.

In recent months, the Charlotte Supply Company building has been renovated and adapted for office space. The work was carefully done to preserve it in as nearly original condition as possible, the thus a landmark, which at one time was symbolized by the word “Charlotte” painted on its roof so that airplanes flying overhead could identify the city, will be preserved as part of the heritage unique to the region.31

 


NOTES

1 LeGette Blythe and Charles Brockman, Hornet’s Nest: the Story of Charlotte and Mecklenburg County (Charlotte: McNally of Charlotte, 1961), p. 21.

2 Beasley and Emerson’s Charlotte Directory for 1875-76 (Charlotte: Beasley and Emerson, 1876?), p. 141.

3 Gilbert Merrill and Alfred Macormac, American Cotton Handbook, 2nd ed. (New York: Textile Book Publishers, 1949), p. 23.

4 George B. Tindall, The Emergence of the New South (New Orleans: Louisiana State University Press, 1967), p. 76.

5 Charlotte Observer, Dec. 28, 1897, p. 6.

6 George T. Winston, A Builder of the New South: Being the Story of the Life Work of Daniel Augustus Tompkins (Garden City, N.Y.: Doubleday, 1920), passim.

7 Dan Morrill, “A Survey of Cotton Mills in Charlotte,” Charlotte Mecklenburg Historic Properties Commission, 1979, p. 2.

8 Mecklenburg County Corporation Book A, p. 146.

9 Morrill, p. 3.

10 Charlotte Observer, May 1, 1933, p. 1.

11 Charlotte City Directory, 1897/98, p. 149.

12 Holland Thompson, From the Cotton Field to the Cotton Mill (Freeport, N.Y.: Books for Libraries Press, 1971), p. 76.

13 See note 10.

14 Charlotte City Directory, 1902, p. 236.

15 Charlotte Observer, June 17, 1917, p. 11.

16 Certificate of Amendment, Secretary of State’s Office, Raleigh, NC.

17 Charlotte News, June 13, 1945, p. 1B. No further information on A. B. Clark has been uncovered.

18 Mecklenburg County Deed Book 419, p. 102.

19 Plans and specifications in possession of Odell Associates, Charlotte, NC.

20 Records of Blythe and Isenhour, Charlotte, NC; City of Charlotte Building Permit No. 5000 dated March 3, 1924.

21 Records of Blythe and Isenhour. Actual cost was $54,576.31.

22 Charlotte Observer, March 15, 1925, p 11D.

23Merrill and Macormac, pp. 26, 28; Tindall, p. 74.

24 Tindall, p. 78.

25 Ibid., p. 78 et passim.

26 Charlotte City Directory, 1934, p. 140; Ibid., 1942, p. 162; Charlotte News, March 8, 1971, p. 1B; Hickory Daily Record, January 23, 1970, p. (?).

27 Interview with David Black, Charlotte, NC, 6 April 1982.

28 Charlotte City Directory, 1948/9, p. 152.

29 Interview with Wayne Beachum, President of Charlotte Supply 1978-80, controller, Odell Associates, 31 March 1982.

30 Ibid.

31 Interview with William A. Graham, Charlotte, NC, 3 April 1982.

 

 

Architectural Description

 

Odell Associates, Inc.

The Charlotte Supply Company Building, with its entrance on South Mint Street yet its principal facade facing West First Street, is a four story (plus basement) brick building measuring forty feet on its east front and west rear elevations and 127 feet along its north and south side elevations. While the building was constructed as the offices, manufacturing facility, and warehouse for the Charlotte Supply Company the industrial function of the structure is enlivened with a program of classical ornament and balance symmetrical proportion which provides the building a handsome impressive appearance. The north elevation parallel to West First Street received the principal focus of the designer’s talents and would appear to have been designed to impress both the pedestrian and others traveling along NC 16, West Trade Street–the principal east-west artery out of downtown Charlotte. When erected, the building towered above its neighbors and continues to be a landmark in the near downtown landscape of Charlotte’s Third Ward.

The Charlotte Supply Company Building was designed by Lockwood, Greene, and Company Engineers who for some time maintained an office in Charlotte in the Piedmont Building in addition to offices in Atlanta, Chicago, New York, Detroit, Cleveland, Montreal and Paris. Prints of the original drawings, dated 16 November, 1923 to 16 April 1924 together with construction specifications are in the possession of Odell Associates, Inc., architects for the present owners of the building. These prints consist of Sheets A-201 (Site Plan, Foundation Plan, Basement Floor Plan), A-202 (Plans of First, Second, Third and Fourth Floors), A-203 (Building Sections and Stair Section), A-204 (Elevations and Wall Section), C-201 (Power and Light Wiring Plans) plus numerous multisized and multiscale drawings of details and shop drawing.

The building rests on a full basement covered with concrete having a skim coat finish. The grade of the lot on which the building was erected slopes to such an extent that the first story front east entrance is at street level while the entrance into the basement at the back of the building is also at ground level. There are windows along the north and west sides in the basement wall.

The east front elevation has a symmetrical three bay division with the first story being taller than the three stories above. It can be interpreted as the base in the three part division of the classical column–the base, shaft, and the capital which was often used as the organizing device for the composition of elevations on commercial architectural forms in the late 19th century and to the present. The entrance is set in the center bay below a full transom. The large window openings to either side are slightly taller, however, the projecting vertical elements on the lintel band–representing keystones-above the openings carry at the top of the first story elevation–and along the side elevation-and serves as the base for the shallow three-story brick pilasters which rise to the cornice band at the top of the fourth story defining the three bays. These pilasters have a soldier row at the top whose form is repeated along the top and bottom of the large window openings. At the windows the soldier rows act as a self surround for the openings.

All the window openings have terra cotta sills. The glazing in the openings appears as one window unit but appear to be a pair of units four panes wide and five panes tall. The panes measure twelve inches in width and eighteen inches in height. The bottom two ranks of panes are fixed. The two center panes in the third and fourth rows form an element which pivots for ventilation; a pull chain and spring catch on the interior operates them. The top rank of panes per panel is also fixed.

The definition of the bays on the front elevation and their finish is repeated in the east. Most bays on both side elevations which serve as cantons for the front elevation and in the case of the bay on the north elevation, it is but one of the two framing elements enclosing the broad facade. The entablature continuing across the front elevation, the north side elevation and the east most bay of the south elevation consists of a terra cotta architrave across the top of the pilasters, a brick frieze and a terra cotta cornice. A shallow brick parapet capped by a terra cotta coping carries along the top of the cornice and breaks upward above the entrance on the front elevation. As noted above, the north side elevation is the most elaborate and boasts the name of the company “THE CHARLOTTE SUPPLY COMPANY” in bronze letters in a terra cotta panel–nine bays wide–which is set into the entablature’s brick frieze. The tall vertical panel seen on the first story bays of the east elevation is repeated in the canton-like bay, however, the remaining ten bays of the first story repeat the size and glazing of the front elevations’ other windows being eight panes across and five panes in height. On the shaft of the cantons (the end bays), the second, third and fourth stories have the same size openings and glazing; however, in the nine center bays of each story are long horizontal window strips eight panes wide and but two high. The tops of these openings are level with the tops of the larger openings and in elevation this horizontality is reinforced by the terra cotta panel in the frieze.

The south elevation is largely blind and broken pilaster strips responding to those on the opposite elevation. A flue stack rises above the parapet along the elevation in the back center of the elevation and is flanked on the west by window openings at each level which provide light into the interior stair well. In the eighth bay (from the front of the building) the wall continues above the parapet line to form a clearing for the elevator in the shaft behind this bay. Window openings occur in the third and fourth story level of this bay. There are three (total) additional random openings in the ninth and tenth bays.

The rear (west) elevation maintains the same pilaster spacing from the first floor to the top of the parapet wall of the front (east) elevation, but without the brick and terra cotta ornamentation. Windows in the second, third and fourth floors are identical to those in the front (east) elevation. Windows at the first floor in the middle bay and northernmost bay are identical to those on the north elevation first floor for ten bays from the west end. The southernmost bay of the first floor is solid to cover the concrete vault behind it. The basement level has a window in the center bay and pairs of doors in the northernmost and southernmost bays which served as truck dock service doors.

The interior of perimeter walls are exposed but painted brick. The structure consisting of pipe columns, steel beams and wood mill deck is entirely exposed. Light fixtures are pendant mounted from the wood deck as is the sprinkler system. The finished floor is 1″ wide maple flooring except in the basement where it is concrete. The tenant for the renovated project is requiring carpet floor covering.

 


Charlotte Streetcar No. 85

Charlotte Streetcar No. 85

 

This report was written on October 9, 1989

Click here to watch the move of Charlotte’s Streetcar #85 on October 9, 2014.


NOTE: There have been significant developments in the status of the Charlotte Trolley since this report was written. For more recent information, see the end of this report for links to other streetcar-related areas of the Charlotte-Mecklenburg Historic Landmarks Commission site.

 


1. Name and location of the property: The property known as the Charlotte Trolley is temporarily located at the rear of Discovery Place in Uptown Charlotte.

2. Name, address and telephone number of the present owner of the property: The owner of the property is:

Charlotte Mecklenburg Historic Landmarks Commission
1225 South Caldwell St. Box D
Charlotte, N.C. 28203

Telephone: (704) 376-9115

3. Representative photographs of the property: This report contains representative photographs of the property.

4. A map depicting the location of the property: Because the trolley is a piece of moving equipment, it is not appropriate that this report should contain a map depicting its location.

5. Current Deed Book Reference to the property: There is no deed recorded on this property.

6. A brief historical sketch of the property: This report contains a brief historical sketch of the property prepared by John W. Hancock.

7. A brief architectural description of the property: This report contains a brief physical description of the property prepared by Dr. Dan L. Morrill

8. Documentation of how and in what ways the property meets the criteria for designation set forth in N.C.G.S. 160A-400.5:

 

a. Special significance in terms of its historical, prehistorical, architectural, or cultural importance: The Commission judges that the property known as the Charlotte Trolley does possess special significance in terms of Charlotte-Mecklenburg. The Commission bases its judgment on the following considerations: 1) the Charlotte Trolley is the only restorable, known remnant of Charlotte’s trolley fleet, which played a decisive role in the physical evolution of this community; and 2) the Charlotte Trolley, when fully restored and placed in service, will enhance the historic image of Uptown Charlotte.

b. Integrity of design, setting, workmanship, materials, feeling and/or association: The Commission contends that the physical description by Dr. Dan L. Morrill which is included in this report demonstrates that the essential form of the Charlotte Trolley meets this criterion.

9. Ad Valorem Tax Appraisal: The Commission is aware that designation would allow the owner to apply for an automatic deferral of 50% of the Ad Valorem taxes on all or any portion of the property which becomes a “historic landmark.” The Charlotte Trolley has no current Ad Valorem Tax value placed upon it.

Date of Preparation of this Report: October 9, 1989

Prepared by: Dr. Dan L. Morrill
Charlotte-Mecklenburg Historic Landmarks Commission
1225 S. Caldwell St. Box D
Charlotte, N.C., 28203

Telephone: 704/376-9115

 

 

Historical Overview

 

John W. Hancock

The history of the electric streetcar currently being restored behind Charlotte’s Discovery Place begins with the foresight of a well-known former Charlottean – Edward Dilworth Latta. It was E.D. Latta’s Charlotte Consolidated Construction Company (created by Latta and five associates and known locally as the Four Cs) which purchased the existing horse-drawn cars from the city of Charlotte in late 1890 and contracted with the Edison Electric Company in February 1891 to install new electric trolley lines. 1

 


Edward Dilworth Latta

A subsidiary, the Charlotte Railway Company, was formed by these progressive late nineteenth-century developers to manage the new streetcar system. At 3:00 p.m. on May 18, 1891 the first electric streetcar departed from Charlotte’s Square at the intersection of Trade and Tryon and headed toward the recently-created suburb of Dilworth. 2 A new era of transportation had dawned in a New South city.

On January 1, 1910 the Southern Power Company (predecessor of the Duke Power Company) entered into contract with E.D. Latta, president of the Four Cs, to purchase the Charlotte Railway Company at cost plus 6%. 3 A writer in the Southern Public Utilities Magazine metaphorically hailed the electric streetcar as providing the essential “blood” of the expanding suburbs. 4 The Southern Power Company, and its successor, Duke Power Company, successfully operated and managed Charlotte’s streetcar system until its eventual demise.

Advances in technology would eventually render Charlotte’s electric streetcar system inefficient and obsolete. On November 15, 1937 Duke Power Company and the City of Charlotte applied to the North Carolina Utilities Commission for authority to substitute motor buses in place of electric streetcars in and around the city of Charlotte. 5 City Council member J. S. Nance argued that such a substitution would be “one of the most progressive moves that Charlotte has made in quite a long time.” 6 City attorney Basil M. Boyd called it “one of the biggest and the finest things that has perhaps ever happened to the City of Charlotte” and said he did not know of “a single individual in the City of Charlotte who has voiced any objection to the proposed change.” 7 The new motor buses were more flexible, safer and quieter than the outmoded streetcars. On March 14, 1938 streetcar number 85 traveled what was now a nostalgic trip from Presbyterian Hospital through downtown, stopping at the Square for a special ceremony, and continuing to its last stop at the South Boulevard car barn. 8 The era of the electric streetcar in Charlotte was officially over.

Most streetcars were simply scrapped. An internal Duke Power Company memo dated November 28, 1938 documents five streetcars (total value $5000), along with thirty six streetcar bodies (total value $2940), to be salvaged. 9 This would account for most of the Charlotte fleet, which varied between forty and forty-five cars. Some streetcars, however, were to continue serving, but in different capacities. Some of the older model cars were sold to enterprising cafe owners who converted them into dining cars and others were to continue life as cottages. 10 The known history of the streetcar currently being restored in Charlotte lends itself to both of these historical alternatives.

During the week of November 2, 1987 Mecklenburg county planners Carl Flick and Sandra Albrecht were mapping land use on David Street on the southern edge of Huntersville, N.C. Flick, a native of Philadelphia, Pa., which has the largest trolley system in the United States, spotted something at the end of the street. “It appeared to be some kind of diner,” he recalled. 11 Flick called Dan Morrill, consulting director of the Charlotte-Mecklenburg Historic Properties Commission, with news of his discovery.

Flick’s on-the-spot historical analysis proved to be accurate. The streetcar found on David Street had, indeed, been used as a diner/concession stand near Huntersville at Caldwell Station, N.C., which is located on Highway 115 approximately one-half mile north of the intersection of Highway 73 and 115. Many area residents recollected the streetcar concession stand. Edith Brown and Mrs. W. R. Hager of Huntersville remember seeing the streetcar at Caldwell Station during the 1940s. 12 Interestingly, none of those interviewed remembered actually eating at the streetcar concession stand. A possible explanation for this was provided by another long-time Huntersville resident, Mrs. Leggett Blythe. Mrs. Blythe recalled that gypsies often inhabited the land where the streetcar sat, and her parents, undoubtedly like many others, forbade her to stop or patronize the concession stand. 11

The name of the first resourceful owner of the streetcar concession stand has not been established. Duke Power Company archival records do not indicate individual streetcar sales when the fleet was disbanded in 1938. There are no remaining McLeod Trucking Company business records for the period prior to 1950. Mr. Jay Mumpower of Charlotte, a retired rigger for the McLeod Trucking and Rigging Company, recalls hauling several streetcars from the Duke Power car barn on South Boulevard to local sites, but does not specifically recall moving a streetcar to Caldwell Station. A land deed search revealed that the land at Caldwell citation where the streetcar sat was respectively owned during the 1940s by a Mary Wilson, G. D. Moody and a J. N. Barker, but the 1969 telephone book holds no listings for these names and none of the area residents interviewed recognized these names when mentioned. 14

The history of the streetcar after its use as a concession stand is clearer. Daisy Mae Trapp Moore of Huntersville estimates buying the streetcar from its Caldwell Station owners twenty-five to thirty years ago and paying approximately $125 – $150 for it. 15 While she does not recall the exact date of her purchase, an October 28, 1951 Charlotte Observer newspaper, found stuffed behind the paneling as insulation when the streetcar was found in 1987, may provide some evidence as to the date Mrs. Moore bought the streetcar and moved it to David Street in Huntersville. Mrs. Moore originally used the streetcar as housing for some relatives who were down on their luck and Mrs. Moore’s brothers, who were carpenters, renovated the inside of the streetcar to make it habitable. The newspaper’s 1951 date roughly coincides with Mrs. Moore’s recollection of buying the streetcar approximately thirty years ago.

When the streetcar was found in November 1987, it was being used by Mrs. Moore as a rental property. Clay Thompson, a backhoe operator for McCall Brothers, had lived in the streetcar house since the early 1970’s. 16 Shortly before the streetcar was found by Flick, the county had condemned the streetcar house because it had no indoor plumbing.

On April 12, 1988 in Contract of Sale was made between Daisy Mae Trapp Moore and the Emergency Properties Fund of the Charlotte Mecklenburg Historic Properties Commission to sell the streetcar to the Commission for $1000. 17 McLeod Trucking and Rigging Company of Charlotte donated its services and transported the streetcar on a flatbed truck to Charlotte on Friday May 6, 1988.

The streetcar currently resides behind Discovery Place in downtown Charlotte and in the capable hands of professional restorer David Lathrop. While Lathrop has not found any direct evidence of the streetcar being one from the Charlotte fleet, he has found important physical evidence which closely correlates the car to those used in Charlotte during the 1920s. Surviving pictures of Charlotte streetcars of this era closely match the car being restored. Undercarriage components manufactured by the J. G. Brill Company of Philadelphia are the same style as those used by the Perley Thomas Car Company of High Point, North Carolina, the builder of many Charlotte streetcars. Also, the close proximity of the streetcar when found, less than fifteen miles from downtown Charlotte, lends credence to the car as being an original Charlotte streetcar.

Dan Morrill and Bill Huffman of the Charlotte Mecklenburg Historic Properties Commission estimate it will cost $250,000 to make the streetcar operable once again. 18 A fundraising drive is currently underway to raise the necessary money. Charlotte Trolley Inc., a private non-profit organization, wants to operate the streetcar on the abandoned Norfolk and Southern rail line between the ninety-three year old Seaboard station on 12th Street to Dilworth, a distance of about 1.3 miles.

It would be a fitting tribute to the early visionaries of Charlotte, such as E.D. Latta and others, to have a streetcar clambering once again along Charlotte’s streets, headed toward Dilworth almost a full century after the first streetcar left the Square. Perhaps the crowds would turn out amid much hoopla, as they did in May 1891, to usher in the restoration of an important part of Charlotte’s history.

 


Notes

1 Morrill, Dan. “Edward Dilworth Latta and the Charlotte Consolidated Construction Company (1890-1925): Builders of a New South City. ” North Carolina Historical Review. Volume LXIII, Number 3, July 1985, p.297.

2 Charlotte News May 23, 1891.

3 Letter from H. W. Anderson, President of Archival Consultant, Inc. Winston-Salem, N.C. to Marilyn Usher, Charlotte, N.C. January 10, 1987.

4 “Parable of Transportation.” Southern Public Utilities Magazine. April 18, 1918, p. 1.

5 Docket no. 1128. Courtroom of Utilities Commission. Raleigh, North Carolina. November 15, 1937, p. 1.

6 Nance, J. S. Docket no. 1128. Courtroom of Utilities Commission. Raleigh, North Carolina. November 15, 1937, p. 9.

7 Boyd, Basil M. Docket no. 1128. Courtroom of Utilities Commission. Raleigh, North Carolina. November 15, 1937, p. 5.

8 Charlotte Observer, March 14, 1938.

9 Folder A-842. Duke Power Company Archives. Charlotte, N.C.

10 Charlotte News, January 7, 1938.

11 Charlotte Observer. November 10, 1987.

12 Interview conducted with Edith Brown at White Hall Retirement Homes, Huntersville, N.C. September 14, 1989.

13 Telephone interview conducted with Mrs. W. R. Hager of Huntersville, N.C. September 22, 1989.

14 Land Deed search conducted at Mecklenburg County Tax Office, 720 East Trade St., Charlotte, N.C. September 22, 1989.

15 Interview of Daisy Mae Trapp Moore conducted by Bill Huffman of the Charlotte Mecklenburg Historic Properties Commission. April 10, 1988.

16 Charlotte Observer, November 10, 1987.

17 Contract of Sale. Mecklenburg County, N.C. Pursuant to N.C. Gen. Stat. 160A-399.3

18 Charlotte Observer. May 7, 1988.

 

 

Physical Description

 

Dr. Dan L. Morrill
Professor of History, University of North Carolina at Charlotte
October 9, 1989

When located in 1987 at the end of David St. in Huntersville, the Charlotte trolley or electric streetcar was in a deteriorated condition. Customarily, when an electric company such as Duke Power placed its streetcars up for sale, it would remove the trucks, motors, control systems, and all interior features, including the seats, so that the car could be more easily transported. Such was the case with the Charlotte Trolley. Also, because the trolley had served as a residence for many years, a panel had been removed from the center of one side, providing a opening for the front door, and a small wooden addition, containing a kitchen, had been placed at one end of the car, and a door of the trolley itself had been removed to provide easy access into this space.

Documentary evidence demonstrates that the Charlotte trolley was constructed by the Perley Thomas Car Company of High Point, N.C., most likely in the late 1910’s. The J. G. Brill Company of Philadelphia, Pa., manufactured the mechanical systems. It is a double-truck, double-ended car, originally with flip-over wooden seats. Unfortunately, the original wooden ceiling and floor were not salvageable, nor were the bumpers, the car ends or the knee braces. Happily, the great majority of the main body was restorable, and a major portion of the time spent to date has been devoted to refurbishing the body, including sandblasting and putting the prime layers of paint on the car. Also, new bumpers, knee braces, and car ends, replicating the originals, have been fashioned and are in process of being placed on the car. A new, beaded board ceiling has been constructed on the car, as has a magnificent, red oak floor. When completed, the Charlotte trolley will have reproduction flip-over wooden seats, vintage mechanical gear, and will be carry its original “South Public Utilities Company” insignia.



Charlotte Fire Station #7

  1. Name and location of the property: The property known as Charlotte Fire Station 7 is located at 3210 North Davidson Street in Charlotte, N.C.
  2. Name, address, and telephone number of the current owner of the property:

City of Charlotte

c/o Curt Walton, City Manager

600 East 4th Street

Charlotte, N.C. 28202-2816

Telephone: (704) 336-2244

  1. Representative photographs of the property:  This report contains representative photographs of the property.
  2. A map depicting the location of the property: This report contains maps depicting the location of the property.  The UTM of the property is 17 517722E 3900253N
  3. Current Tax Parcel Reference to the property:    The tax parcel number of the property is 083-085-15.
  4. A brief historical sketch of the property:  This report contains a brief historical sketch of the property prepared by Dr. Dan L. Morrill.
  5. A brief architectural description of the property:  This report contains a brief architectural description prepared by Stewart Gray.
  6. Documentation of why and in what ways the property meets the criteria for designation set forth in N.C.G.S 160A-400.5. 
  7. Special significance in terms of its history, architecture and/or cultural importance: The Commission judges that the property known as Charlotte Fire Station 7 possesses special significance in terms of Charlotte-Mecklenburg.  The Commission bases its judgment on the following considerations:

1) Charlotte Fire Station 7 stands as originally built in 1935, when the city of Charlotte established the station to service the North Charlotte neighborhood.

2) Charlotte Fire Station 7 represents the economic importance and social vitality of the North Charlotte neighborhood, even as it has seen the area evolve from a mill town to a thriving, local historic district.

3) Charlotte Fire Station 7 has special historical and institutional significance as a structure that originally housed both a fire company and a jail cell.

4) Charlotte Fire Station 7 has special significance architecturally as a typical local example of the “storefront style” urban fire station designed to blend in with the pre-existing built environment.

  1. Integrity of design, setting, workmanship, materials, feeling and/or association: The Commission contends that the architectural description prepared by Stewart Gray demonstrates that Charlotte Fire Station 7 meets this criterion.
  2. Ad Valorem Tax Appraisal:  The Commission is aware that designation would allow the owner to apply for an automatic deferral of 50% of the Ad Valorem taxes on all or any portion of the property which becomes a “historic landmark.”  The current appraised value of the building is $297,300.  The current appraised value of the 1.335 acres of land is $66,800.  The property is zoned C700.  The property is exempt from the payment of Ad Valorem Taxes.

A Brief History of Charlotte Fire Station #7

The historical significance of Fire Station Number 7 is best understood within the context of the evolution of firefighting in Charlotte, N.C.  Like other emerging industrial and commercial cities, Charlotte had to find ways to prevent widespread destruction of its man-made environment by fire.  The increased concentration of structures, many built with highly combustible materials, and some soaring to unprecedented heights, jeopardized the viability of urban life and necessitated the development of more systematic means to combat conflagrations. 1

Fire Truck in front of Fire Station 7

As elsewhere, the first firefighting companies in Charlotte were made up of volunteers.  Three were operating by 1865, the Hornet Steam Engine and Hose Company, the Independent Hook and Ladder Company, and the Neptune Hand Engine Company, the last organized and manned by African Americans.2  Theretofore, the residents of Charlotte, like those in other cities, had joined together as volunteers in bucket brigades to put down flames.

The City of Charlotte established the Charlotte Fire Department on August 1, 1887, after the volunteer firemen resigned over disagreements with the City.3  Volunteer firefighters throughout the country were generally not held in high esteem.  The public saw them as a “public menace,” as a rowdy bunch that exhibited many of the worst habits of male behavior.4   The heroic image of firemen as rescuers did not fully emerge until the late nineteenth century, when firefighters became municipal employees and began to emphasize the saving of human life rather than the protection of property.5

Charlotte’s First Municipal Fire Station

Charlotte’s first municipal fire station, destroyed in the 1970s, stood near the intersection of  East Trade Street and College Street.  A major improvement in Charlotte’s firefighting facilities occurred in 1891, when an imposing municipal building was erected at the corner of North Tryon and Fifth Sts.  This City Hall and Fire Station served Charlotte until October 1925, when the City moved its operations to a new municipal complex on East Trade St. and the former City Hall was destroyed.6  Architecturally, Charlotte’s first two fire stations were grand, lavishly decorated brick structures.  Partly a manifestation of the design tastes of the era, these buildings, it was hoped, would serve as commodious living quarters for firefighters and thereby improve their sense of morality and civic duty and underscore their heroic image.  “. . . the picture of the fireman risking all to save a child from a burning building was utmost in everyone’s mind,” writes historian Rebecca Zurier.7

This photograph, taken of a parade on E. Trade St. for the Confederate Veteran’s Parade in 1929, shows the original Fire Station in the streetscape on the left.

Charlotte Fire Station Number 7 was built in 1935 and was designed by Charles Christian Hook (1870-1938), an architect of local and regional importance in the late nineteenth and early twentieth centuries.8   A native of Wheeling, W. Va. and graduate of Washington University in St. Louis, Mo., Hook had settled in Charlotte in 1891 to teach mechanical drawing in the Charlotte Public Schools and had established an architectural practice here the next year.   Initially involved primarily in the design of homes in Dilworth, Charlotte’s first streetcar suburb, Hook would go on to be the architect for a broad array of structures in Charlotte and its environs, including many municipal buildings.9

  1. C. Hook

Former Fire Station No. 1.  The building is not extant.

Also the architect for the new City Hall and Fire Station on East Trade St. that opened in 1925, Hook fashioned Fire Station Number 7 as a facility reflective of the design principles and programmatic needs that had come to be associated with firehouses by the 1920s.10   The replacement of horses by the first motorized fire engines in Charlotte in 1911 meant that stations thereafter would not have to accommodate draft animals.11  “With the shift ‘from oats to gasoline,’ the requirements of the fire station changed,” states Rebecca Zurier.12 A greater ability to focus upon the health of firefighters now became possible, which led to the incorporation of such amenities as cement floors rather than wooden floors, ample windows for ventilation, and the placement of kitchens in stations to support a two-platoon system of labor, thereby shortening the work week for firemen.13

Charlotte Fire Station No. 6

Architects were also increasingly called upon to design fire stations that would be acceptable to suburbanites, many of whom were irate over the prospect of institutional buildings appearing in their neighborhoods.14    That Hook was able to respond effectively to this requirement is demonstrated by his design for Charlotte Fire Station No. 6, erected in 1928-29 on Laurel Avenue, which continues to function as a firehouse on the edge of the fashionable Eastover neighborhood.15  Fire Station No. 7 responds to the same desire to be sensitive to its streetscape. Situated in the commercial core of the North Charlotte Mill Village, it takes on the characteristics of the surrounding buildings in terms of scale, style, and construction materials.16  Also reflective of its industrial neighborhood was the fact that a jail cell was placed in the building, most likely to hold “rowdy” textile workers who labored in the nearby Highland Park Manufacturing Plant No. 3, the Mercury Mill, and the Johnston Mill.17

North Charlotte Textile Workers On An Outing

Only three pre-World War Two fire stations in Charlotte continue to serve their original purpose.  They are Fire Station Number 6, Fire Station Number 7, and Fire Station Number 5 erected in 1929 on Tuckaseegee Road, now Wesley Heights Way.18   Two other pre-World War Two properties survive in Charlotte that once belonged to the Charlotte Fire Department.  They are:  former Fire Station Number 2, erected on South Boulevard in 1909 in Dilworth and the Palmer Fire School on Monroe Road on the edge of the Elizabeth neighborhood.19

fire5907

Fire Station No. 5

Palmer Fire School

Fire Station No. 2

Click Here For An Architectural History Of The Property.

1 Mark Tebeau, Eating Smoke: Fire in Urban America, 1800-1950 (Baltimore: The Johns Hopkins University Press, 2003), passim.  This is the most complete treatment of the history of firefighting in the United States.  Much of the information contained herein on Fire Station No. 7 is taken from Guy Aiken, “Survey and Research Report on Charlotte Fire Station 7,” a manuscript completed in December 2007 for a graduate course at the University of North Carolina at Charlotte.

2 Sally Young and Douglas D. Hickin, Charlotte Fire Department Since 1887 (Dallas: Taylor Publishing Company, 1988), 6.

3 Rebecca Zurier, The American Firehouse: An Architectural and Social History (New York:  Abbeville Press, 1978), 40.

4 Young and Hickin, 7.

5 Ibid., 9.

6 Ibid. 19.

7 Ibid., 20.

8 Lois Moore Yandle, The Spirit of a Proud People: Pictures and Stories of Highland Park Manufacturing Mill #3 and the People in the Village of North Charlotte (Columbia, SC: Lois Moore Yandle, 1997), 7.  Charlotte Building Permit No. 506 (December 15, 1934).

9 Levine Museum of the New South, Cotton Fields to Skyscrapers: Charlotte and the Carolina Piedmont in the New South, permanent exhibit (Charlotte, 2002).

10 Yandle, 8.

11 Charlotte Building Permit 506 (December 15, 1934).

12 Charlotte News (September 17, 1938).

13 Zurier, 32.

14 Ibid., 81.

15 Ibid.

16 Ibid., 72 (caption), 71 (caption).

17 Aiken, Yandle.  For additional information on the development of the North Charlotte Mill Village see surveys&rmeckmill.htm , surveys&rjohnstonmill.htm  ,  surveys&rhighlandmill3.htm

18 Young and Hickin.

  1. http://cmhpf.org/essays/FireStation2.html.; http://landmarkscommission.org/surveys&rpalmer.htm

Charlotte Fire Station #6

 

Click here to view Charlotte Observer Article on the Fire Station #6

This report was written on April 4, 1988

1. Name and location of the property: The property known as Charlotte Fire Station No. 6 is located at 249 S. Laurel Ave. in Charlotte, North Carolina.

2. Name, address and telephone number of the present owner of the property: The owner of the property is:

City of Charlotte
c/o Charlotte City Manager’s office
Charlotte City Hall
600 E. Trade St.
Charlotte, N.C. 28202

Telephone: 704/336-2241

The tenant of the building is the Charlotte Fire Department. For information contact:

Mr. Robert Ellison
Assistant Chief for Administration
Charlotte Fire Department
125 S. Davidson St. Charlotte, N.C. 28202

Telephone: 704/336-2051

3. Representative photographs of the property: This report contains representative photographs of the property.

4. A map depicting the location of the property: This report contains a map which depicts the location of the property.

 


 

Click on the map to browse
 


5. Current Deed Book Reference to the property: The most recent reference to this property is recorded in Mecklenburg Deed Book 717, Page 361. The Tax Parcel Number of the property is: 155-034-17.

6. A brief historical sketch of the property: This report contains a brief historical sketch of the property prepared by Dr. William H. Huffman, Ph.D.

7. A brief architectural description of the property: This report contains a brief architectural description of the property prepared by Joseph Schuchman.

8. Documentation of and in what ways the property meets the criteria for designation-set forth in N.C.G.S. 160A-399.4:

 

a. Special significance in terms of its history, architecture, and/or cultural importance: The Commission judges that the property known as Charlotte Fire Station No. 6 does possess special significance in terms of Charlotte-Mecklenburg. The Commission bases its judgment on the following considerations: 1) Charlotte Fire Station No. 6, erected in 1928-1929, was designed by Charles Christian Hook (1864-1938), an architect of local and regional significance; 2) Charlotte Fire Station No. 6 has served from the outset as the fire station for the Eastover, Myers Park, Crescent Heights, and Elizabeth neighborhoods; 3) Charlotte Fire Station No. 6, one of three fire stations which Hook designed in Charlotte and which, happily, survive, was part of a major expansion program instituted in the 1920’s by Hendrix Palmer, Charlotte Fire Chief; and 4) Charlotte Fire Station No. 6 is an excellent example of non-residential architecture which harmonizes successfully with the surrounding neighborhood.

b. Integrity of design, setting, workmanship, materials, feeling, and/or association: The Commission contends that the architectural description by Joseph Schuchman which is included in this report demonstrates that Charlotte Fire Station No. 6 meets this criterion.

9. Ad Valorem Tax Appraisal: The Commission is aware that designation would allow the owner to apply for an automatic deferral of 50% of the Ad Valorem taxes on all or any portion of the property which becomes “historic property.” The current appraised value of the improvement is $116,860. The current appraised value of the .434 acres of land is $51,000. The total appraised value of the property is $167,860. The property is zoned R6MF.

Date of Preparation of this Report: April 4, 1988

Prepared by: Dr. Dan L. Morrill
Charlotte-Mecklenburg Historic Properties Commission
1225 S. Caldwell St. Box D
Charlotte, N.C., 28203

Telephone: 704376-9115

 

 

Historical Overview
 

by Dr. William H. Huff man
August, 1985

One of the most charming of the city’s official buildings remaining from the time of its unprecedented growth in the pre-Depression era is the Charlotte Fire Station #6. Built in 1928-29 to serve newly annexed suburbs south of the city center, it was designed by one of the city’s premier architects, Charles C. Hook.

The need for new suburban fire stations was a result of forty-some years of rapid expansion from the late 1880s to the end of the 1920s. Charlotte’s growth during this period was fueled by its location as a rail center in the heart of the fast-paced New South industrialization of the Piedmont Carolinas based on cotton growing, shipping and cloth manufacturing. Mecklenburg County was in itself an important cotton manufacturing center (at one point it was second only to Gaston County), but it was the city’s importance as a banking and distribution center which served the surrounding industry that was responsible for its rapid growth and rising prosperity. 1 The advent of the electric streetcar in the 1890s coincided with boom times for the city, and made possible suburban development out from the city center, which attracted wealthy and middle class buyers. To the south, suburban growth served by the streetcar included Elizabeth (1891-1920s), Crescent Heights (1907-09), and Myers Park (1912-1920s). In 1927, developer E. C. Griffith, who was a subcontractor for the building of part of Myers Park for George Stephens, laid out the first suburb based on the automobile, Eastover, which was originally bounded roughly by Laurel, both sides of Cherokee, Colville, and Cherokee Place. Eastover and its extensions were filled in mainly from the 1930s to the 1960s. 2

In 1928, the city annexed Elizabeth, Crescent Heights and Myers Park, and then proceeded to provide for fire protection in the newly acquired areas. To do so, it bought a lot at the northeast edge of the brand-new Eastover subdivision in September of that year from the E. C. Griffith Company, and commissioned Charlotte architect C. C. Hook to design a new, two-bay fire station for the location. 3 Charles Christian Hook (1864-1938) was one of the city’s outstanding architects. A Washington University (St. Louis) graduate, he began practicing architecture in Charlotte in 1893 following three years of teaching in the public schools. From time to time he was in partnership with others: Frank Sawyer, 1902-1907; Willard Rogers, 1912-1916; and with his son, W. W. Hook, 1924-1938. Beginning with design work for the new suburb of Dilworth in the 1890s, Hook eventually produced many of the city’s important landmarks, including the Charlotte City Hall, the Charlotte Women’s Club, the J. B. Duke mansion on Hermitage Road, the Belk Brothers Trade Street facade of 1927, and the Belk mansion on Hawthorne Lane. Among his many works to be found throughout the state are the west wing of the state capital in Raleigh, the Richmond County courthouse, Phillips Hall in Chapel Hill and the State Hospital in Raleigh. 4 On April 9, 1929, the city commissioners (of Public Safety and Public Works) inspected the newly completed facility from “top to bottom” with Fire Chief Hendrix Palmer and Louis Sutherland of C. C. Hook’s office, and gave it their official approval. The same day they also inspected a companion building, also designed by Hook, that had a brick facade instead of the stone on Station #6, in Seversville ( Fire Station #5, now on Tuckaseegee Road). As reported in the Charlotte Observer, “When they returned to the city hall they said they were very well satisfied with the new stations and gave high praise to the Carolina company, contractor for the work.” The new stations were to be put in service in a week, with a crew of twenty-eight firemen each: “To start with, three experienced firemen and two of the appointed [new] ones will be on each truck and engine company.” It was noted that the stations would “keep Charlotte in the Class A group of cities to insure the lowest possible rate of insurance.” 5

Indeed, for many years Charlotte was known statewide and nationally for its leadership in firefighting, primarily because of its longtime chief, Hendrix Palmer (1884-1955). Palmer, a forty-year veteran of the department who was chief from 1927 to 1948, was recognized internationally as a progressive innovator in firefighting. He was twice elected president of the North Carolina Firemen’s Association, and helped organize the N.C. Fire Chiefs Association and served as its first president. The highlight of his career came in 1940, when he was elected president of the International Association of Fire Chiefs, the most prestigious post of his profession. Among other distinctions, he is given credit for “designing and promoting the manufacture of the first enclosed fire truck in America,” which went on to become standard equipment throughout the country. Palmer also promoted the building of a fire training school in Charlotte (completed in 1940), which bears his name and became the main fire training school for departments from around the state. 6

Charlotte Fire Station #6, which is still in use today, has not really changed at all, and completely retains all its original charm. To walk in through its inviting stone and brick facade and experience its human-size scale and tidy atmosphere is to walk back to an earlier time when life seemed much more orderly, and certainly less complex.

 


Notes

1 Thomas Hanchett, “Charlotte Neighborhood Survey,” Charlotte Mecklenburg Historic Properties Commission, 1984.

2 Ibid.

3 Mecklenburg County Deed Book 717, P. 361, 1 Sept. 1928; Map Book 4, p. 317; plaque on the wall of Fire Station #6.

4 Information on file at the Charlotte Mecklenburg Historic Properties Commission.

5 Charlotte Observer. April 9, 1929, Section 2, p. 1; see note 1.

6 William H. Huffman, “A Historical Sketch of the Palmer Fire School,” Charlotte Mecklenburg Historic Properties Commission, October, 1984.

 

 

Architectural Description
 

by Joseph Schuchman
November 8, 1985

Throughout the late nineteenth and early twentieth centuries, few public buildings were allowed a stylistic latitude permitted private homes. Firehouses were a notable exception. Since there was no prevailing opinion of the “proper” style for a fire station, architects experimented with the popular decorative ideas of the day, resulting in some notable and, at times, whimsical civic architecture. With the development of the residential suburb, architects designed a new type of firehouse, one intended to respect the aesthetics of the surrounding neighborhood. 1

In 1928, Charlotte architect C.C. Hook (1864-1938) was commissioned to design a two-bay fire station on Laurel Avenue in the new Eastover subdivision. 2 The end result was a picturesque two story structure which survives largely intact and which remains a perfect companion to the surrounding residential fabric. Hook incorporated a variety of stylistic elements including classical symmetrical massing, round arched windows which are a typical feature of the Colonial Revival style and tiled roof vigas, which recall the motifs of the Spanish Mission style.

The main facade is symmetrically composed; the use of a random fieldstone veneer creates an immediate impression of strength and security. Squat corner towers, with buttress supports, frame the elevation. Each tower is veneered in random fieldstone and brick and rises to a pedimented roofline parapet. A tiled roof viga, with bracket supports, runs between the towers and shelters the five bay second story openings. These round arched openings contain paired vertical casement windows which are set beneath a fanlight. The relieving arch is composed of randomly placed fieldstone. Bold round arches distinguish the engine bays and flank either side of a central round arched transom. The multi-paneled single doors, within the engine bays, slide vertically and are believed to be original. Random fieldstone covers the projecting first story; relieving arches display cut and dressed fieldstone blocks. A smaller tiled viga, with underside brackets, carries across the entrance pavilion.

While the main facade is handsomely detailed, side and rear elevations are more simply executed. Both the sides and rear are veneered in varying hues of red brick arranged in stretcher bond. Openings are surmounted by a soldier course lintel; windows display a projecting sill composed of brick headers. Both side elevations are similarly executed. Along the linear five bay wall, first story windows are paired; on the second story, two single lights, grouped together and separated by a narrow band of the brick wall surface, are placed above the first story openings.

Six/one sash are the primary glazing material. Openings are set within molded surrounds. Aluminum storm windows have been placed over the original window lights. On each side, the flat wall surface carries forward to the projecting mass of the corner tower. To further distinguish the side of each tower, its wall surface is faced in random fieldstone and brick. Fieldstone lintels surmount the first and second story openings. The main pedestrian entrance to the fire station is located in the base of the west tower. The rear elevation is randomly arranged. Three entrance doors are contained within the first story; two window openings, of unequal height, are placed in the second floor.

The interior is largely unaltered; while designed to be functional in nature, the structure also conveys a very human scale. Detailing is minimal. Walls are plastered. Concrete covers the first story floor surface. The ceiling height in several rooms has been lowered and covered with celotex panels. Window openings, except where otherwise noted, are framed by molded surrounds and display projecting sills.

The engine bays lead into the engine house, the largest of the building’s interior spaces. Round cast iron piers run down the length of the chamber and rise to plastered ceiling piers, which carry across the width of the room. Two brass fire poles are located at the front and rear of the engine house. A handsome stair is placed within the west tower; the closed string, three tread stair, the primary access to the second floor, features rectangular newel posts and balusters which support a shaped handrail. An elegant semi-circular landing lends a sense of decoration to the otherwise functional space. The stair wall and string are faced in a vertical tongue and groove ceiling. A narrow lavatory is set within the east tower.

A rectangular-shaped office projects from the rear wall of the engine house; its openings are set within plain surrounds. Both the inner and outer wall surfaces are encircled by a tongue and groove wainscot which is set between a molded baseboard and a molded chair rail. The remaining wall surface is dominated by sliding glass windows. Smaller rooms are located at the rear of the main floor. Each room is rectangular-shaped and is similarly sized and detailed. The single entrance doors, between the engine house and these rear chambers, are each framed by a molded surround and set beneath a six light vertical-placed transom. A narrow rear entrance hall separates the two rear chambers. A closed string half-turn stair with winders provides a secondary access to the second floor; plain balusters support the shaped handrail. An enclosed quarter-turn stair, of wood construction, leads to the unfinished basement. The two-room basement occupies the rear one-fourth of the structure. The exposed brick walls are arranged in a 1:5 pattern of common bond. Interior openings rise to a segmental arch. Two rectangular casement windows, one on each side wall, provide a minimal amount of exterior light. Architect Hook’s ingenuity is evident even in the most unlikely of places; at the top of the basement stairs, the concrete floor has been contoured to allow for the opening and closing of the door which leads to the basement stairwell.

The second floor contains a recreation room at the front, a larger dormitory in the middle and kitchen and bathroom facilities at the rear. Plain surrounds frame door openings; on each door, eight light glass panels are placed above paired rectangular wood panels. The two door openings into the recreation room each display a horizontally-placed six light transom. On the front wall of the recreation room. the round arched openings have no surrounds but display plain sills. A molded baseboard encircles the room; a molded chair rail carries across the rear and down the rear half of the east and west sides. The dormitory retains its original ceiling height and is enclosed by a molded baseboard and chair rail. The narrow rear stair hall separates the kitchen and bath, both of which have been modernized.

Fire Station #6 is recessed from the street and is surrounded by simply landscaped grounds. Handsome cast iron street lamps delineate the entrance to the property. A fieldstone well lies to the east of the building. A steel hose tower stands immediately adjacent to the rear entrances.

Fire Station #6 is a notable monument to a simpler time. More importantly, it is an excellent example of a public building which is able to maintain its historic and architectural character while continuing to be of service to the community.

 

 


Notes

1 Rebecca Zurier, The American Firehouse, An Architectural and Social History, New York; Abbeville Press, 1982), pages 131 and 138.

2 Dr. William Huffman, A Historical Sketch of the Charlotte Fire Station #6, prepared for the Charlotte-Mecklenburg Historic Properties Commission, August, 1985, p. 2.