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Survey and Research
Report
On The
South Twenty-One
Curb Service Restaurant
1. Name and location of the Property:
The property known as the South 21 Curb Service Restaurant is located at
3627 South Boulevard in Charlotte, North Carolina.
2. Name, address and telephone
number of the current owner of the Property:
Mr. Nick C.
Copsis
4918 Hardwicke Road
Charlotte,
North Carolina 28211
Telephone:
(704) 366-6557
3. Representative photographs
of the Property: This report contains representative photographs of
the Property.
4. A map depicting the location
of the Property: This report contains a map depicting the location of
the property. The UTM is 17 511465E 3894099N.
5. Current Deed Book Reference to the
Property:
The tax parcel number is 14905452. The
current deed book number is 10997 / 882.
6. A brief historical sketch of the
Property: This report contains a brief historical sketch of the
property.
7. A brief architectural description
of the Property: This report contains a brief architectural
description of the property.
8. Documentation of why and in what
ways the Property meets the criteria for designation set forth in North
Carolina General Statute 160A-400.5:
Special significance in terms of its
history, architecture and/or cultural importance:
The
Commission judges that the property known as South 21 Curb Service
Restaurant does possess special significance in terms of
Charlotte-Mecklenburg. The Commission bases its judgment on the following
considerations:
1) The
Drive In represents a particularly Twentieth-Century American type of
restaurant and dining experience. Predicated on the popularity of the
automobile and the entrepreneurial creativity that capitalized on creating
a business for a mobile clientele that demanded fast service and
convenience, the Drive In became a part of the cultural and physical
landscape between 1920 and 1960.
It also evolved into a popular cultural style associated with
architectural style, social rituals, and food.
2) The
establishment of Drive Ins in Charlotte occurred during the period of
robust post-World War II economic and population expansion.
3) The
immigrant businessmen who opened the South 21 Curb Service Restaurant are
connected to Charlotte’s established Greek community, which has a
historically strong tradition of entrepreneurialism, especially in the
restaurant business.
4) The
South 21 Curb Service Restaurant is a rare local example of a well preserved
small-scale commercial building built in the Modernistic Style.
Integrity of design, setting,
workmanship, materials, feeling and/or association:
The Commission contends that the
architectural description included in this report demonstrates that the
property known as South 21 Curb Service Restaurant meets this criterion.
9. Ad Valorem Tax Appraisal: The
Commission is aware that designation allows the owner to apply for an
automatic deferral of 50% of the ad valorem taxes on all or any portion of
the Property that becomes an "historic landmark." The current appraised
value of the land containing .806 acres is $182,520. The current
appraised value of the building is $99,010.
Date of Preparation of this Report:
2002
Prepared by: Stewart Gray and Dr.
Paula Stathakis
Historical Background Statement:
Three Greek immigrants, Sam, George, and
Nick Copsis, opened the South 21 Curb Service Restaurant on December
3, 1954. Sam Copsis remembers that they spent $182.00 for advertising and
cleared $57.00 on that cold and rainy Friday. Cars got stuck in the then
unpaved parking lot; and in between cooking orders, the three brothers had
to run outside to push cars out of the mud. The restaurant was originally a
small block building, barely large enough to accommodate one small grill,
one toaster, two deep fryers, one worktable and a drinks area. The original
staff included the three brothers and five African American employees who
worked as cooks and car hops. Customers ate in the open air, as canopies
were not added until 1959.1
The Drive In was not a new idea in the
1950s; the concept had been developed since the 1920s and owed its success
to the proliferation of the automobile. By 1920, the automobile was produced
and marketed as the new freedom for middle class Americans. As automakers
perfected mass production techniques, the rising American middle class
settled into the post-war prosperity of the 1920s. Cars became an essential
status symbol, and with the rise of the availability and the popularity of
the automobile, American culture transitioned into the more mobile and
convenience oriented society that came to define the twentieth century. Cars
encouraged the growth of additional suburban rings, which were located
farther out than older streetcar suburbs and were subsequently not dependent
on trolleys for their development. Cars also fostered the practice of going
out for recreational drives; motorists braved rough, unpaved, and lonely
stretches of road to have the adventure and satisfaction of covering
distance in a few hours that used to take days. Automobile manufacturers and
advertising agencies successfully combined to make Americans fall in love
with cars because the machines were not only reasonably priced and easy to
finance, but they represented everything that was attractive to modern
Americans: freedom, mobility, status, speed, and sex appeal. By the
mid-twenties, cars competed with trolley and pedestrian traffic in all
American cities, and would soon come to represent a significant aspect of
American culture.
The first American Drive In was the Pig
Stand, which opened on the Dallas-Fort Worth Highway in 1921. Texan
entrepreneurs Jesse Kirby and Reuben Jackson combined ideas and resources to
create a new type of eating establishment with appeal to the growing number
of motorists, who had very few options for roadside dining in the early
1920s. Kirby’s philosophy for bringing the food to the car was “People with
cars are so lazy they don’t want to get out of them to eat!”2
The original Pig Stand was so successful that Kirby and Jackson opened a
chain of them. Other types of Drive Ins or curb service restaurants followed
this example, and motorists flocked to this style of restaurant that offered
fast and convenient service, even if they only stopped for a cold drink. The
Drive In also influenced the American love of fast food, as curb service
restaurants usually only offered grilled sandwiches, hot dogs, hamburgers,
French fries and soda fountain specialties. These shops required less
capital and less overhead than traditional restaurants and cafes, which made
them attractive businesses ventures for entrepreneurs who were short on
start up money, but who wanted to make a good return on their investment.3
During the 1920s and 1930s, Drive Ins
rapidly became an American phenomenon, and were especially popular in
California. Students of Drive In culture assert that the institution owed
its early popularity to Prohibition. The twenties were a dry decade, and the
Drive In temporarily replaced the tavern as a local gathering venue, and was
one that was suitable for families and ladies.4
Charlotte, however, did not have a Drive In until 1948. The Central Drive In
was the city’s first, located at 1152 Elizabeth Avenue. By 1948, Charlotte
also had a Drive In Theater, located on Wilkinson Boulevard.5
By 1950, the Central was joined by Robertson’s Drive In at 1901 South
Boulevard.6
Curb Service restaurants were only part of
the local scenery of drive up convenience. In 1950, The Charlotte
Observer noted Charlotte’s growing affinity for service brought to the
car: “Men and women in automobiles, becoming less and less inclined to use
their feet and legs to get what they want, allow more of the things they
need to be brought to them as they sit in their motor vehicles.” The article
mentions the large number of drive up bank windows, as well as drive in
restaurants and theaters, and questioned if drive in grocery stores and
churches would not be next.7
In this aspect of popular culture, Charlotte had caught up with the national
current of drive up convenience.
Post-Second World War Charlotte regained
much of the economic vigor that it enjoyed in the years before the Great
Depression. Building on its original economic underpinnings of the banking,
transportation, manufacturing, marketing and wholesale industries, the city
expanded this base in the 1950s. Charlotte had maintained its status as a
regional financial center, and was on its way to becoming the financial
center for the southeast. By the close of 1954, Charlotte had over 500
manufacturing operations. Most of these were textile plants; but included in
this figure were also food products, electrical machinery manufacturing,
printing and publishing houses, and chemical plants. Textiles were the
city’s largest manufacturing employer with over 8000 on their payrolls.
Between 1953-1954, eleven manufacturers opened plants in Charlotte,
representing a total investment of over two million dollars. The most recent
jewel in the manufacturing crown was the addition of an ordnance plant
operated by the Douglas Aircraft Company, which planned to employ 1500 in
the production of Nike missiles.8
Increased financial growth resulted in
greater public and housing amenities. Millions of dollars were dedicated to
street improvement and parks expansion. Construction starts were also
strong; city building permits issued for 1953 were valued at $30,921,044.00,
down only slightly from the record of $32, 011, 577.00 set in 1950. A number
of major public construction projects were underway, such as the Charlotte
Auditorium and Coliseum, a new terminal at Charlotte Douglas Airport, the Jefferson Standard
Building, and a new public library on North Tryon Street. Independence
Boulevard, then regarded as an “efficient six lane thoroughfare that handles
east-west traffic” was being extended at a cost of over two million dollars.
Suburban housing starts were also up in the early 1950s. Over 60 million
dollars was invested in suburban development southeast of the city creating
the Foxcroft and Cotswold neighborhoods, as well as a new shopping center at
Cotswold. New neighborhoods for African Americans such as University Park,
Double Oaks, Newland Road and Brookhill relieved the cramped conditions of
segregated housing in the city.9
As the city expanded and flexed beyond its
old boundaries, industrial, commercial, and residential growth was evident
along its major arteries. Areas that were once farm and pasture land gave
way to shops and houses as development along Independence and Wilkinson
Boulevard (US 74), North Tryon (US 29), and South Boulevard (US 21)
illustrate. The South 21 Drive In is on the 3600 block of South Boulevard,
or US 21, which was one of four federal highways that traversed Charlotte.
Nicknamed the Lakes to Florida Route, as it originated in Cleveland, Ohio
and connected with US 1 and US 17, which continued into south Florida, US 21
sliced though Mecklenburg County passing through Davidson and Huntersville
in the north, Charlotte, and Pineville in the south, as it continued into
South Carolina, connecting Charlotte to Rock Hill and Columbia.10
As Charlotte grew into a significant regional center for commerce and
banking, highways such as US 21 became increasingly well traveled as
businesses and homes were built on and near it in previously undeveloped
areas, and as commercial travelers found more reasons to commute to and from
Charlotte. By 1954, over 2,000,000 people lived within a seventy-five mile
radius of the city, and this consumer base consumed $365,701,000.00 worth of
groceries and spent $1,504,024,000.00 in retail purchases.11
When the South 21 Drive In opened in 1954, on what was the outer limit of
development along South Boulevard, it was poised to attract customers from
the growing volume of traffic that used this road, as well as from the new
neighborhoods and shops budding around it. Because the Copsis brothers
located the Drive In on a developing segment of South Boulevard, they had
room to expand the parking area to ultimately accommodate 54 cars; a space
consideration that would not have been possible or feasible in the more
densely built areas of South Boulevard to the north of their location.
As much as the South 21 Drive In is part of
the context of the national emergence of the drive in and part of
Charlotte’s post war expansion, it is also the success story of three
immigrant brothers who made their way from Greece to Charlotte by 1955,
hoping to rebuild their future on an American foundation. Conditions in
post-war Greece were bleak, and those who could, left the country to make
their fortunes elsewhere. Like the previous wave of Greek immigrants who
had come to the United States in the early twentieth century, this next swell of
immigrants came without language skills, without capital, and without very
much education. Their lives were disrupted by the Second World War and by
the highly destructive and divisive Greek Civil War. The poverty and social
and political chaos ensuing from these events left many Greeks with little
choice but to leave home. Those who were lucky enough to get out and make
their way in America and other countries sent money and clothes to those
left behind.
Of the three brothers, Sam,
the eldest, emigrated first, in 1951. He was followed shortly afterwards in
the same year by his brother George, and the youngest brother Nick came to
America in 1955.12
The Copsis family came from the Peloponnesian village of Arachova, a town
that contributed a significant number of immigrants to the Carolinas in the
early twentieth century. The majority of those immigrants made their home in
the burgeoning Carolina Piedmont towns of the 1920s, especially in
Charlotte, Gastonia, Spartanburg, Columbia, and Rock Hill. In this case,
persons who were friends and neighbors in Arachova followed each other to
the Carolinas, where they maintained a closely-knit ethnic community, which
they shared with immigrants from other parts of Greece. All of these
immigrants became independent businessmen, and nearly all of them owned
restaurants.13
Others were “Birds of Passage, “ who made trips back and forth across the
Atlantic depending on their economic needs and whims. For example, Christos
G. Copsis, the Copsis brothers’ father, came to America on three separate
occasions: first at the turn of the century to work in railroad construction
in the western states, and subsequently to work with other Greeks from
Arachova who had businesses in Greenwood, South Carolina.14
Before Sam Copsis arrived in
the United States, he had his first restaurant experience running a village
coffee shop that he started in 1938 at the age of fourteen, after he
completed the his education at the village school. From 1940-1943, he worked
as a traveling merchant peddling dry goods in Greek villages and towns,
which he abandoned in 1943 when he became a soldier with the Greek partisans
against the Italians and the Germans. In 1946 he volunteered for the Greek
army to fight against the communists in the Greek Civil War. He was captured
by the communists, but somehow managed to escape to rejoin his unit until he
was discharged in 1948. He briefly had a store in Piraeus in which he sold
agricultural products, and left for America in 1951, under The Displaced
Persons Act, arriving on March 8, 1951, with $1.57 in his pocket. He knew no
English, and a travel agent was commissioned to take him from his ship to
Grand Central Station where he was put in a train destined for Spartanburg,
South Carolina, where joined his uncle. He worked in his uncle’s restaurant
where he learned English, how an American restaurant operated, and where he
became generally acquainted with American society and culture. After a few
years he returned to the dry goods business and sold ladies’ ready to wear
first out of Columbia, and later out of Charlotte. Once in Charlotte, he saw
an opportunity to go into the restaurant business.15
His brothers George and Nick joined him as
partners in the business that would become the South 21 Drive In. George
Copsis also emigrated to the United States in 1951, and also went first to
Spartanburg and worked in the uncle’s restaurant. From there, he moved to
Columbia in 1952, and then to Chicago where he was employed at the Sherman
Hotel from 1954-1955. Nick Copsis was drafted into the Greek army in 1951
and served as a communications officer until his discharge in 1953. He
emigrated in 1955, joining his brother George in Chicago, and they came to
Charlotte later that year to partner with Sam.16
By the time the Copsis
brothers opened their drive in, there were already ten curb service
restaurants in Charlotte.17
They rented a small building and lot on South Boulevard for $350.00 a month,
which they later bought for $65,000.00.The original streetside sign was
designed and made by a Greek friend in Columbia, South Carolina, Steve Christostomithes, who also recommended the name South 21. The parking lot
remained unpaved for the first three months of business. The brothers credit
their initial success to having a menu that was different from other
Charlotte drive ins; instead of a limited selection of grilled sandwiches,
South 21 also offered a fried chicken dinner (39 cents), a hamburger steak
dinner (39 cents), BBQ plates (59 cents), hot dogs (10 cents), and a variety
of drinks, including coffee for 10 cents a cup.18
South 21’s business increased
as economic growth extended down South Boulevard. Complimenting the drive in
theme of the block, Queens Drive In Theatre opened across the street in the
early 1960s, and a string of companies and shops lined the South Boulevard
corridor south towards Tyvola Road by the late 1950s. The increased traffic
along the road brought greater opportunities for the Copsis brothers to
enlarge their business potential.
By 1958, the brothers believed
that to remain competitive with other drive ins, they would have to expand.
They purchased the adjacent vacant lot to make room for more customers. The
new lot was leveled and paved by an American friend for $2900.00 who knew
that the Copsis brothers needed more space and that they were also strapped
for funds, so he proposed that they could pay him as they were able, which
they did. By 1959, the business was doing well enough to expand again, and
the brothers opened South 21 No. 2 on Independence Boulevard, which was
managed by George Copsis. The Independence Boulevard location is similar to
the South Boulevard layout. It was with the acquisition of the second
restaurant that the brothers decided to add the canopies, which were also
designed by Steve Christostomithes of Columbia. In the March of 1960,
Charlotte had an unprecedented amount of snow, and some of the casualties of
these unusually heavy storms were the canopies at both the South Boulevard
and Independence locations. The collapse of the canopies meant that both
locations suffered a significant loss of business until the debris could be
cleared. The Squires Construction Company rebuilt the canopies for
$12,000.00.19
Between the costs of expansion
and the costs to repair structural damage, the Copsis brothers faced an
uncertain financial future. By 1961, the business was running deeply into
debt. Sam Copsis had a personal visit from Howard Biggers Sr., owner of
Biggers Brothers, a large wholesale food and produce supplier in Charlotte.
Sam Copsis believed that Mr. Biggers had come to actualize his worst fear,
which was to terminate his credit and shut down the restaurant. Instead, much to Copsis’s amazement, Biggers came to discuss how to keep South 21 in
business. He began by telling Sam Copsis a seemingly irrelevant story about
three brothers who started a humble pushcart business selling produce on the
streets of downtown Charlotte, and who through years of hard times and hard
work finally built a successful company from their efforts. Copsis did not
realize at first that Biggers was telling him about the early days of
Biggers Brothers. Biggers compared the trials of the three Biggers brothers
to the current predicaments of the three Copsis brothers, offered to take on
the debt that South 21 had accumulated and proposed to hold it while he
continued to supply the business until it stabilized. The only provision was
that the brothers had to pay the deliveryman. Sam Copsis credits Howard
Biggers’s extraordinary generosity and compassion with saving the
restaurants. He and his brothers were able to stay in business, and to pay
back the debt, which Biggers chose to hold interest free. In their own
gesture of gratitude, the Copsis brothers calculated what they thought was a
reasonable interest on the money Biggers extended to them, and presented him
with an additional check of $3000.00 for his trouble, which Biggers framed
and displayed in his office.20
Once the Copsis brothers
cleared this hurdle, they continued to grow their business, and opened a
third location on North Tryon Street in the early 1960s. South 21 No.1 is
still in business and has weathered years of progress and decline along
South Boulevard. By 1992, South Boulevard had become a ten-mile segment of solid
development connecting Charlotte to Pineville. Several businesses along this
corridor are also owned by immigrant entrepreneurs; many of them Greek, and
lately Asians and Latinos have joined the mix. The Norfolk Southern Railroad
line runs parallel to South Boulevard and will in future serve as the spine
for light rail service between Pineville and Charlotte, a venture that will
contribute to increased revitalization of the area.
1.Interview, Sam Copsis, November 29, 2002, Charlotte, N.C.
2.
Michael Karl Witzel, The American Drive In . History and Folklore of
the Drive In Restaurant in American Car Culture, (Osceola, WI:
Motorbooks International Publishers, 1994), pp. 25-26.
3.
Ibid., Witzel cites several examples of lucky entrepreneurs who built
empires from Drive In restaurants, most notably the McDonald brothers,
founders of the McDonald’s chain.
4.
Jim Heimann, Car Hops and Curb Service. A History of American Drive
In Restaurants, 1920-1960, (San Francisco: Chronicle Books, 1996),
p. 24. Witzel makes a similar argument.
5.
Charlotte City Directory, 1948.
6.
Charlotte City Directory. 1950.
7.
“Its Drive-In Service Now!” The Charlotte Observer, February 28,
1950, p. 5G.
8.
“Charlotte. A Good Place to Live and Do Business,” The Charlotte
News, December 7, 1954.
9
Ibid.
10.
Randolph Norton, “Charlotte Grows into Gigantic ‘Hub’ as Highways Branch
Out From City,” The Charlotte News, February 28, 1950, 12 G.
11.
The Charlotte News, December 7, 1954.
12.
Chris P. Leventis, et al, Karyatika, Vol. II, (1970), pp.
176-178.
13.
Paula M. Stathakis, “Almost White: Greek and Lebanese-Syrian Immigrants
in North and South Carolina, 1900-1940” (Ph.D. dissertation, University
of South Carolina, 1996), p. 174.
14.
Leventis, Karyatika, p. 179.
15.
Ibid., Interview, Sam Copsis.
16.
Leventis, Karyatika, pp. 176-7.
17.
Charlotte City Directory, 1955. There were also 3 drive in theaters in
town.
18.
Interview, Sam Copsis
Brief Architectural Description
Built in
1955, the South 21 Curb Service Restaurant is a well-preserved example of
the Modernistic Style applied to a relatively small commercial building.
The flat-roofed one-story building was an important feature of Charlotte’s
mid-20th century landscape, being located along what was then
arguably the city’s most important transportation corridor. The
restaurant is in good condition and retains a very high degree of
integrity in its original design, materials, and setting.
The South
21 Curb Service Restaurant is located in Charlotte, south of the city’s
center along South Boulevard, which also formerly served as North
Carolina’s Highway 21. The restaurant sits on the east side of the
four-lane undivided roadway. Directly across from the restaurant and
only some fifteen feet from the edge of the roadway sits the raised bed of
the Southern Railroad, which runs parallel to South Boulevard. The
topography of the site is typical of land adjacent to a rail line:
generally flat and sloping away from the tracks. In front of the
restaurant, a narrow strip of grass planted with several modest trees
separates the roadway from a concrete sidewalk. The sidewalk abuts the
black asphalt parking lot that surrounds the restaurant. Narrow grassy
strips bordered by red-painted concrete curbing define the north and south
boundaries of the site and separate the restaurant from neighboring
low-rise commercial buildings. The red curbing continues to the rear of
the property. A narrow grassy strip, a hedge, and a fence separate the
parking lot from an overgrown wooded lot to the rear of the restaurant.
Perhaps the most prominent feature of the
property is the restaurant’s freestanding red and white neon lit Art
Moderne influenced road sign. The Art Moderne movement, which reflected
the trends of streamlining in industrial design, emphasized rounded
corners and smooth surfaces. Art Moderne had a great influence on post
WWII Modernistic Style commercial architecture. The present sign is a
replica of the original sign, which was blown down in 1989 by Hurricane
Hugo. The main body of the sign spells out “South 21 Curb Service” on
both sides in neon. The number “21” is exaggerated in size and is
outlined in red blinking neon against the background of a large white
circle, and a neon arrow wraps the curved outer edge of the sign. A
changeable signboard is suspended below the sign. A second signboard
reading “Super Boy,” along with an artistic rendering of a burger and
fries, is perched on a pole extending from the top of the main body of the
sign.
Another prominent feature of the South 21
Curb Service Restaurant is a flat-roofed metal canopy extending from the
front of the restaurant building and from its north and south elevations.
The canopy is approximately 160’ wide, wide enough to accommodate twenty
cars parked side-by-side across the front of the restaurant. Directly in
front of the restaurant the canopy is narrowest, sheltering only a single
row of cars. To the north and the south of the building, the canopy is
double-loaded, deep enough to shelter two cars parked nose-to-nose
separated by a wide center walkway, which is raised under the longer
southern section of the canopy. The entire canopy is supported by 21
pairs of round steel posts attached to 21 steel I-beams that support steel
corrugated roof panels. The posts closely flank the central walkways,
forming two Modernistic Style colonnades leading to the restaurant. The
western edge of the canopy, which faces the road, is decorated with a bar
of colorful lights running the entire length of the canopy. A decorative
round sign connected to the light-bar rises above the center of the canopy
and features concentric circles of colored lights. Many of the canopy’s
colored light bulbs are missing, and a section of the light-bar fixture at
the southernmost end of the canopy appears to have been crushed by a tall
vehicle.
Each parking spot under the canopy is
serviced by a stainless steel lighted menu stand equipped with an intercom
and tray holders. All of the stands are two-sided and mounted on short
metal posts.
The flat-roofed, one-story restaurant
building was erected on a concrete slab. The building faces west. Its
front elevation features ribbon windows, in this case sheets of plate
glass glazed directly into painted wood wall framing. Above and below the
directly glazed windows, red enameled panels fill the wall framing, which
rests on two courses of masonry block. Two single-light doors, one for
customers and the other for staff, also pierce the façade. The generous
use of glass combined with the narrow framing and the use of fabricated
wall panels, are elements of the Modernistic Style. The rest of the
building’s walls are masonry block construction. The south elevation
features a projecting bay that is setback slightly from the front
elevation. An exterior closet designed for garbage cans is accessible by
a Dutch door on the west elevation and an unglazed window opening on the
south elevation. A straight vertical joint in the south elevation’s
masonry wall may be an indication of a rear addition. The rear elevation
features external metal refrigerator units, and a single door. The
westernmost section of the north elevation features more plate glass. Here
the glass is again glazed directly into the wall framing and topped with
red panels. This section of wall, however, lacks the lower panels found
on the front elevation. The north elevation also features a louvered
vent, a gas meter, and two bathroom doors sheltered by an extension of the
flat roof.
The roof eaves on the South 21 Curb
Service Restaurant are thick and boxed with plywood. Grooved plywood
siding panels have been used for the soffit. Two cantilevered beams
support the boxing on the north elevation. The end of a similar beam is
visible on the south elevation, but may be obscured by a rear addition.
Numerous exhaust fans and vent pipes projects above the flat roof, which
slopes gently to the rear.
Signage mounted on the restaurant is
plentiful. A large painted sign stating “A Charlotte Tradition Since
1955” is centered in front of the restaurant on top of the canopy.
Numerous two-sided lighted signs featuring the Coca-Cola logo and house
specialties such as “Fried Chicken” and “Speckled Trout” hang in front of
parking spaces. A neon “Open” sign is mounted in a central window.
The interior of the South 21 Curb Service
Restaurant is well lit by the abundant plate glass windows. The northwest
corner of the building contains a small customer waiting area defined by
high counter but otherwise open to the kitchen. The kitchen itself is
purely utilitarian, with the front section of the kitchen reserved as
staging area for the staff that carries food out to the customers waiting
in their cars.
The South 21 Curb Service Restaurant on
South Boulevard in Charlotte has operated for nearly fifty years. Changes
have obviously been made to the property as different needs of the
business developed. Built in the Modernistic Style, this building
utilized materials such as masonry blocks, plate glass, and corrugate
steel, which are commonly available and still widely in use today.
Repairs and changes made to the building have not resulted in the loss of
historic materials to any great degree.
Significance of the Architecture of
the South 21 Curb Service Restaurant in Terms of the City of Charlotte and
Mecklenburg County
The South 21 Curb Service Restaurant was
identified by the Charlotte-Mecklenburg Historic Landmarks Commission as a
significant historical property during a survey of post-WWII resources in
Mecklenburg County conducted in 2000. The property was also found to
possess the requisite condition and integrity of setting and material to
be considered eligible for the National Register of Historic Places.
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The Praise Connor Lee House |

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Home Federal
Savings and Loan |
Modernistic Style residential
architecture in Charlotte such as the Praise Connor Lee House shares some
architectural elements with the South 21 Curb Service Restaurant such as
roof design and building materials. Larger Modernistic Style commercial
buildings such as Charlotte’s Home Federal Savings and Loan Building may
have incorporated more elements of the style than did the builders of the
South 21 Curb Service Restaurant, but some basic characteristics of the
Modernistic Style such as unadorned flat surfaces and the employment of
continuous ribbons of windows are shared. However, using the Commission’s
survey, one can conclude that examples of small-scale commercial
Modernistic Style architecture with the degree of integrity found at South
21 Curb Service Restaurant are rare if not unique in Charlotte.
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